Through a friend at the box office, Nan manages to visit all her shows and finally meet her heroine. Soon after, she becomes Kitty's dresser and the two head for the bright lights of Leicester Square where they begin a glittering career as music-hall stars in an all-singing and dancing double act. At the same time, behind closed doors, they admit their attraction to each other and their affair begins.

    After his father dies, Noah's mother, a temperamental poet, takes a teaching job in a small New Hampshire town, far from Chicago and the only world Noah has known. While Noah gets along reasonably with his mother, the crumbling house they try to renovate quickly reveals dark secrets, via dusty Mason jars they discover interred between walls. The jars contain scraps of letters, poems, and journal entries, and eventually reconstructs a history of pain and violence that drives a sudden wedge between Noah and his mother. Fortunately, Noah finds an unexpected ally in J.D., a teenager down the street who has family troubles of his own.

    Kenney is usually the one who comes up with things to do -- her flair for the dramatic can make even boring old Greensboro seem interesting. And if she is a little controlling, Aurin and Fred just look the other way.Aurin has no intention of throwing off their established equilibrium. But when Neila joins their circle, Aurin realizes that she and Neila are becoming more than friends. Aurin and Neila are happy in their developing relationship, but Kenney feels left out. Can Aurin manage to mend things with an increasingly possessive Kenney, without letting her control this aspect of her life?In this stunning debut novel, Tea Benduhn looks at a teen making decisions about her future while trying not to lose her past.

    . . now in paperback.Rafe is a normal teenager from Boulder, Colorado. He plays soccer. He's won skiing prizes. He likes to write.And, oh yeah, he's gay. He's been out since 8th grade, and he isn't teased, and he goes to other high schools and talks about tolerance and stuff. And while that's important, all Rafe really wants is to just be a regular guy. Not that GAY guy. To have it be a part of who he is, but not the headline, every single time.So when he transfers to an all-boys' boarding school in New England, he decides to keep his sexuality a secret -- not so much going back in the closet as starting over with a clean slate. But then he sees a classmate break down. He meets a teacher who challenges him to write his story. And most of all, he falls in love with Ben . . . who doesn't even know that love is possible. This witty, smart, coming-out-again story will appeal to gay and straight kids alike as they watch Rafe navigate feeling different, fitting in, and what it means to be himself.

    Army in the 1850s. With his brother in arms, John Cole, Thomas goes on to fight in the Indian Wars—against the Sioux and the Yurok—and, ultimately, the Civil War. Orphans of terrible hardships themselves, the men find these days to be vivid and alive, despite the horrors they see and are complicit in. Moving from the plains of Wyoming to Tennessee, Sebastian Barry’s latest work is a masterpiece of atmosphere and language. An intensely poignant story of two men and the makeshift family they create with a young Sioux girl, Winona, Days Without End is a fresh and haunting portrait of the most fateful years in American history and is a novel never to be forgotten.

    Voth throws himself into his work, obsessively researching the life of Jack Sheppard, a legendary eighteenth century thief. No one knows Jack’s true story—his confessions have never been found. That is, until Dr. Voth discovers a mysterious stack of papers titled Confessions of the Fox. Dated 1724, the manuscript tells the story of an orphan named P. Sold into servitude at twelve, P struggles for years with her desire to live as “Jack.” When P falls dizzyingly in love with Bess, a sex worker looking for freedom of her own, P begins to imagine a different life. Bess brings P into the London underworld where scamps and rogues clash with London’s newly established police force, queer subcultures thrive, and ominous threats of an oncoming plague abound. At last, P becomes Jack Sheppard, one of the most notorious—and most wanted—thieves in history. Back in the present, Dr. Voth works feverishly day and night to authenticate the manuscript. But he’s not the only one who wants Jack’s story—and some people will do whatever it takes to get it. As both Jack and Voth are drawn into corruption and conspiracy, it becomes clear that their fates are intertwined—and only a miracle will save them both. An imaginative retelling of Brecht’s Threepenny Opera, Confessions of the Fox blends high-spirited adventure, subversive history, and provocative wit to animate forgotten histories and the extraordinary characters hidden within.

    They have a prickly history with each other and are, at least from Judy's perspective, constantly in fierce competition. Kyle has recently come out of the closet to his family and feels he might never know what it's like to date a guy. Judy, who has a history of pretending to be something she isn't in order to get what she wants, is pretending to be born-again in order to land a boyfriend who heads his own bible study.

    On the bus headed out of town they hook up with Finn and Critter, a couple of speed-freak boyfriends who take a shine to both of them. They also meet Ula, who is mourning the death of her fiancé and taking a trip across the United States in his memory. The five become fast allies, united by personal loss and by the allure of intimacy only friends in the throes of conflict can understand. When Jonnyboy drops out of sight, Radboy stays behind in San Francisco, where the underground world he has been introduced to inspires his own burgeoning sexual and emotional desires.

    Burned by her traumatic past, Angel is new to the drag world, new to ball culture, and has a yearning inside of her to help create family for those without. When she falls in love with Hector, a beautiful young man who dreams of becoming a professional dancer, the two decide to form the House of Xtravaganza, the first-ever all-Latino house in the Harlem ball circuit. But when Hector dies of AIDS-related complications, Angel must bear the responsibility of tending to their house alone.As the mother of the house, Angel recruits Venus, a whip-fast trans girl who dreams of finding a rich man to take care of her; Juanito, a quiet boy who loves fabrics and design; and Daniel, a butch queen who accidentally saves Venus’s life. The Xtravaganzas must learn to navigate sex work, addiction, and persistent abuse, leaning on each other as bulwarks against a world that resists them. All are ambitious, resilient, and determined to control their own fates, even as they hurtle toward devastating consequences. Told in a voice that brims with wit, rage, tenderness, and fierce yearning, The House of Impossible Beauties is a tragic story of love, family, and the dynamism of the human spirit.

    He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco—a journey through the deep queer archives of struggle and pleasure.

    It also dares to introduce an asthmatic middle-aged Proust into its masterfully manipulated plot and invents a series of deeply felt letters written by him to the novel's young protagonist, Vincent de l'Etoile. In the summer of 1916, the emotionally precocious Vincent, who is the same age as the century, awakens to the possibilities of both erotic and platonic love. In the course of one week-at literary salons, at the Ritz, in cork-lined rooms-Vincent launches an intense friendship with the celebrated Proust, while at his parents' house in Paris he embarks on a sensual journey with Arthur Vales, the soldier son of a family servant, on leave from the front. Unknowingly, Vincent is also beginning a passage into a manhood that will be haunted by the secret he uncovers behind the love he bears for a doomed French infantryman and a famous middle-aged Jewish writer.

    Louie wants to be a lawyer and is an outstanding student. Willa lives in a pub and just wants to get through the year so she can graduate and become a chef. But they are completely attracted to one another when they first meet at a fast-food restaurant. Soon they fall in love fast and furiously, and everything the girls are sure of - their plans, their faith, their families, their identities - is called into question...

    In a dark corner of the best bar in the city, two lovers fall into each other's arms. The bar has been called many names, but it is now known simply as The Bar. Its proprietor is the aging, still glamourous Madame. Its clientele is gay. The two who fall in love are Boy, a beautiful nineteen-year-old, and the handsome, forty-something "Older Man" referred to as "O" by the regulars of The Bar. This is the story of Boy's and O's courtship and marriage, of Madame's role in the affair, and of the man called "Father," who threatens to come between them. Searingly honest in its deception of gay culture and ritual, this gripping novel is at once a moving celebratiion of love and a stark picture of life for gay men today.

    I left this book bruised yet somehow better for it.” – Tayari Jones.“Brutal, haunting, redemptive and...beautiful.” – Jojo Moyes. This extraordinary debut set in South Africa reveals legacies of abuse and redemption exploring the extraordinary strength of the human spirit - from the Boer War in 1901 to brutal camps for teenage boys now. There is always darkness but there is always light in it if we just look.South Africa, 1901 - the height of the second Boer War. Sarah van der Watt and her six-year-old son Fred are forced from their home on Mulberry Farm by British troops. As the polite invaders welcome them to Bloemfontein Concentration Camp they promise Sarah and Fred that they will be safe there.2010. Sixteen-year-old Willem is an outsider. Hoping he will become the man she wants him to be, his Ma and her boyfriend send Willem away to the New Dawn Safari Training Camp where they are proud to 'make men out of boys'. They promise Willem he will be safe there.You Will Be Safe Here is a powerful and urgent novel of two connected South African stories with universal relevance. Inspired by real events, it uncovers a hidden colonial history, reveals a dark contemporary secret, and explores the legacy of violence and our drive to survive and to love. An Observer, Guardian, Financial Times, Irish Times, Irish Independent and Big Issue Pick of the Year

    Every day, the same stunning man, riding alongside you. He seems to notice you. You could swear something's there--it almost feels as if he's reaching out... Then, one fine day, you're given the chance of a lifetime: a opportunity to finally strike up a conversation. Do you take it?Wyatt does. And he's thrust into a more beautiful, violent, emotionally-charged journey than he ever could have expected. Only time will tell if his new bond with this beautiful boy can weather the tumult and confusion that accompany early adulthood... “Mikey said things in a way that invoked visions of us spending time together in the future. I considered this while I watched the sun set out my window. Beyond houses, buildings and occasional fields, all of it racing by, I caught flickers of open water and the far-off levee holding it at bay. The next few miles were peppered with conversation borne, still, out of an inscrutable dose of caution and unfamiliarity. How does one coax something from a void? What kind of enigmatic force conjures a friendship between strangers? How fragile those first times together must be, yet with so much depending on them. For one covert second, I swelled with sadness, not just because a continued relationship with this beautifully unchained boy was so improbable, but for the tragedy of all friendships that died in infancy.”