As a young man, William went to work for the Pennsylvania Anti-Slavery Society, where he raised money, planned rescues, and helped freedom seekers who had traveled north. And then one day, a strangely familiar man came into William's office, searching for information about his long-lost family. Could it be?Motivated by his own family's experience, William began collecting the stories of thousands of other freedom seekers. As a result, he was able to reunite other families and build a remarkable source of information, including encounters with Harriet Tubman, Henry "Box" Brown, and William and Ellen Craft.

    While this momentous event showcased the uniqueness of her voice, the strength of her character, and the struggles of the times in which she lived, it is only part of her story. Like the operatic arias Marian would come to sing, Ryan's text is as moving as a libretto, and Selznick's pictures as exquisitely detailed and elaborately designed as a stage set. What emerges most profoundly from their shared vision is a role model of courage.

    But over many years, as more and more land was cleared, Kenya was transformed. When Wangari returned home from college in America, she found the village gardens dry, the people malnourished, and the trees gone. How could she alone bring back the trees and restore the gardens and the people?Bill McKibben, author of The End of Nature, says: Wangari Maathai's epic story has never been told better--everyone who reads this book will want to plant a tree!With glowing watercolor illustrations and lyrical prose, Claire Nivola tells the remarkable story of one woman's effort to change the fate of her land by teaching many to care for it. An author's note provides further information about Wangari Maathai and the Green Belt Movement. In keeping with the theme of the story, the book is printed on recycled paper.