Thirteen-year-old Alofa Filiga struggles to come to terms with womanhood, her search for identity, and the restrictions of life in her Samoan village.

    In prose that is both raw and compelling, it tells the story of Beth Heke, a Maori woman struggling to keep her family from falling apart, despite the squalor and violence of the housing projects in which they live. Conveying both the rich textures of Maori tradition and the wounds left by its absence, Once Were Warriors is a masterpiece of unblinking realism, irresistible energy, and great sorrow.

    Sometimes, it is Hemi, a man who was laid off from his job and realizes that this situation affords him the opportunity to reconnect with the land, his culture and his family. Other times, Toko is the narrator. Toko is Hemi's adopted son and is physically handicapped. However, he also has a sixth sense and can see events before they occur. Mostly, though, the story is told by Roimata, Hemi's wife and Toko's adoptive mother. She relates the growing concern the Maori have about developers coming into their land, and their quiet, concerted efforts to rebel. She details their successes and many painful failures in a sparse, simple prose. The book does not really have a true resolution; instead, Patricia Grace outlines the cultural differences that exist in New Zealand, and the uses and abuses of power, and how it can affect a people.

    in the Pacific. In this highly original work of history and adventure, novelist Robert Barclay weaves together characters and stories from mythological times with those of the present-day to give readers a rare and unsparing look at life in the contemporary Pacific.

    Jamaica Kincaid's expansive essay candidly appraises the ten-by-twelve-mile island in the British West Indies where she grew up, and makes palpable the impact of European colonization and tourism. The book is a missive to the traveler, whether American or European, who wants to escape the banality and corruption of some large place. Kincaid, eloquent and resolute, reminds us that the Antiguan people, formerly British subjects, are unable to escape the same drawbacks of their own tiny realm—that behind the benevolent Caribbean scenery are human lives, always complex and often fraught with injustice.

    From Sione, who prefers to play cards with his secretary during work hours, to Ole Pasifikiwei, who masters the twists and turns of international funding games, all of the characters in these pages are seasoned surfers, capable of riding the biggest wave to shore. These are not stories of fatal impact so much as upbeat tales of indigenous responses to cultural and economic imperialism. Epeli Hauofa uses devices derived from oral storytelling to create a South Pacific voice that is lucid, hilarious, and compassionate in a work that has long been regarded as a milestone in Pacific literature.

    Having run away from home, he survives by selling peanuts and single cigarettes on the street. The proposal by the elderly Swiss woman named Anna is shocking and preposterous: go to the mountains with her, as a translator, so she can find her lost lover from decades ago and pray over the graves of their murdered children.Anna and Jallal's journey is wrought with danger and unspeakable tragedy. It was under similar circumstances that Anna first met the Arab Nasreddine. Ousted from the traveling circus where she performed as a trapeze artist, she had little choice but to accept Nasreddine's dangerous offer to live with him in a makeshift tent. But it was here, amid poverty, racism, and terrifyingly random violence, that they fell in love.A best seller in France, The Lovers of Algeria is an unflinchingly candid story about a country where terrorism and government corruption are commonplace. As Anna and Nasreddine, beaten by time and memory, circle each other in Algeria, Anouar Benmalek shows with heart-wrenching detail that love can endure even the most inhuman conditions.A Lannan Translation Series Selection

    An award-winning work, Cloudstreet exemplifies the brilliant ability of fiction to captivate and inspire. Struggling to rebuild their lives after being touched by disaster, the Pickle family, who've inherited a big house called Cloudstreet in a suburb of Perth, take in the God-fearing Lambs as tenants. The Lambs have suffered their own catastrophes, and determined to survive, they open up a grocery on the ground floor. From 1944 to 1964, the shared experiences of the two overpopulated clans -- running the gamut from drunkenness, adultery, and death to resurrection, marriage, and birth -- bond them to each other and to the bustling, haunted house in ways no one could have anticipated.

    If you're not careful you'll get insane just like your mother. Your mother was a white woman. They had to lock her up, as she was having a child by the stable boy who was a native." It is never clear to Elizabeth whether the mission school principal's cruel revelation of her origins is at the bottom of her mental breakdown. She has left South Africa with her son and is living in the village of Motabeng, the place of sand, in Botswana where there are no street lights at night. In the darkness of this country where people turn and look at her with vague curiosity as an outsider she establishes an entirely abnormal relationship with two men. A mind-bending book which takes the reader in and out of sanity.

    Gradually it becomes apparent that the local church men have been using the local girls for their own purposes. This novel is a biting critique of colonial life and missionary activity.

    Song of Lawino is an African woman's lamentation over the cultural death of her western educated husband - Ocol. In Song of Ocol the husband tries to justify his cultural apostasy. The first was translated from Acholi by the author while the second was written in English.

    Houseboy, written in the form of Toundi's captivating diary and translated from the original French, discloses his awe of the white world and a web of unpredictable experiences. Early on, he escapes his father's angry blows by seeking asylum with his benefactor, the local European priest who meets an untimely death. Toundi then becomes "the Chief European's 'boy'--the dog of the King." Toundi's attempt to fulfill a dream of advancement and improvement opens his eyes to troubling realities. Gradually, preconceptions of the Europeans come crashing down on him as he struggles with his identity, his place in society, and the changing culture.

    The Beautyful Ones Are Not Yet Born is the novel that catapulted Ayi Kwei Armah into the limelight. The novel is generally a satirical attack on the Ghanaian society during Kwame Nkrumah’s regime and the period immediately after independence in the 1960s. It is often claimed to rank with Things Fall Apart as one of the high points of post-colonial African Literature.

    Amabelle Desir, Haitian-born and a faithful maidservant to the Dominican family that took her in when she was orphaned, and her lover Sebastien, an itinerant sugarcane cutter, decide they will marry and return to Haiti at the end of the cane season. However, hostilities toward Haitian laborers find a vitriolic spokesman in the ultra-nationalist Generalissimo Trujillo who calls for an ethnic cleansing of his Spanish-speaking country. As rumors of Haitian persecution become fact, as anxiety turns to terror, Amabelle and Sebastien's dreams are leveled to the most basic human desire: to endure. Based on a little-known historical event, this extraordinarily moving novel memorializes the forgotten victims of nationalist madness and the deeply felt passion and grief of its survivors.

    Two brothers, Njoroge and Kamau, stand on a garbage heap and look into their futures: Njoroge is to attend school, while Kamau will train to be a carpenter. But this is Kenya, and the times are against them: In the forests, the Mau Mau is waging war against the white government, and the two brothers and their family need to decide where their loyalties lie. For the practical Kamau, the choice is simple, but for Njoroge the scholar, the dream of progress through learning is a hard one to give up.Weep Not, Child is Ngũgĩ’s first novel, published in 1964.