The novel was Cobalt Blue, the story of a brother and sister who fall in love with the same man, and how a traditional Marathi family is shattered by the ensuing events – a work that both shocked and spoke to Marathi readers.

    In this brilliant retelling, Chitra Banerjee Divakaruni places Sita at the centre of the novel: this is Sita’s version. The Forest of Enchantments is also a very human story of some of the other women in the epic, often misunderstood and relegated to the margins: Kaikeyi, Surpanakha, Mandodari. A powerful comment on duty, betrayal, infidelity and honour, it is also about women’s struggle to retain autonomy in a world that privileges men, as Chitra transforms an ancient story into a gripping, contemporary battle of wills. While the Ramayana resonates even today, she makes it more relevant than ever, in the underlying questions in the novel: How should women be treated by their loved ones? What are their rights in a relationship? When does a woman need to stand up and say, ‘Enough!’

    Strong as the attraction is, she’s equally determined to keep it a secret from the suave tycoon, Tahir Virani.Tahir, the distant and at times, sarcastic boss, has no time for Samara. Embittered and cynical after his failed marriage, he has no intention of getting involved and certainly not in anything long term.A kiss changes everything. The office logistics go haywire as awareness zooms to level ‘O’. Soon, one thing is clear, they can no longer ignore each other.But Tahir has clearly no intention of breaking his office protocol and Samara would never settle for a fling.When the fire is set, who can avoid the blaze?

    Rao. Some accidents are meant to happen… Dr. Rihaan Mehta is a brilliant young neurosurgeon who has no inclination for love or marriage. According to him wives and girlfriends are annoying accessories that one can do without. But when his mother dangles the sword over his head in classic Bollywood style, he succumbs, and sets out in search of a bride who would fit his 'requirements'. But can Rihaan deal with what he gets instead?

    Her eccentric taskmaster of a boss expects marketing miracles to happen on shoestring budgets and in record time, and surviving the job (and the city) means she’ll have to master the local art of jugaad really fast. Worst of all, she’s stuck being a publicist for Jishnu Guha, protein-shake lover, serial selfie-taker, and bestselling author of seven cheesy romance novels, the kind she wouldn’t be caught dead reading. As Ruta struggles between work and life in a new city, she finds, much to her annoyance, that she needs Jishnu’s help more than she cares to admit. But with her own parents getting a divorce, can Ruta dare to fall in love, especially with someone who’s so impossibly different?

    As their paths collide, Kyra can’t help falling in love, not only with her little adventure but also with the man who’s probably all wrong for her.Irfan is stuck in LIFE. Kyra is stuck in a RUT.Only LOVE can get them un-stuck! They just don’t know it yet.Love Un-Stuck is a sweet romance novel about finding the love and the life of one’s dreams...Irfan and Kyra's story will leave you smiling and rooting for this mismatched pair.

    All signs being auspicious, the villagers triumphantly assured Sampath's proud parents that their son was destined for greatness. Twenty years of failure later, that unfortunately does not appear to be the case. A sullen government worker, Sampath is inspired only when in search of a quiet place to take his nap. "But the world is round," his grandmother says. "Wait and see Even if it appears he is going downhill, he will come up the other side. Yes, on top of the world. He is just taking a longer route." No one believes her until, one day, Sampath climbs into a guava tree and becomes unintentionally famous as a holy man, setting off a series of events that spin increasingly out of control. A delightfully sweet comic novel that ends in a raucous bang, Hullabaloo in the Guava Orchard is as surprising and entertaining as it is beautifully wrought.

    With his honour and reputation at stake, Akbar asks his trusted advisor Birbal to solve the mystery. The murder has taken place in a garden, at a spot between two mango trees, and the two guards who are eyewitnesses have conflicting versions of what could have happened. Was it suicide? Was it Akbar himself who ordered the killing or was it the Rajputs who accompanied Sujjamal, his uncles and cousin, who are guilty?Set in a period that has been described as the golden age of the Mughals, the novel draws us into the royal court of Agra, abuzz with political intrigue, personal enmities and hidden rivalries, where everyone is a suspect until proven otherwise.

    After six months, she wakes up with no memory of her past. When she is discharged from hospital a year later, Rishab, her husband, whisks her away to an unfamiliar address in Gurgaon to convalesce. There, in that plush apartment, with people waiting on her hand and foot, Sagarika can’t shake off the feeling that something is wrong. Why does the scent of a particular cologne unsettle her? Why does the innocuous word ‘cheeni’ bother her? And why is Rishab so evasive in response to her queries about her past? 'A Forgotten Affair' is a gripping story of a woman caught between two worlds.

    Preferably someone else’s.Single, homeless and jobless, Indo-American Shari agrees to her best friend’s whacky scheme: travel to Mumbai, pose as Amrita, and ditch the fiancé her traditional Indian parents have chosen. Simple. Until she’s mistaken for a famous Bollywood actress, stalked by a Lone Ranger wannabe, courted by an English lord, and busted by the blackmailing fiancé.Life is less complicated in New York.Or so she thinks, until the entourage of crazies follows her to the Big Apple and that’s when the fun really begins. Shari deals with a blossoming romance, an addiction to Indian food and her first movie role, while secretly craving another trip to the mystical land responsible for sparking her new lease on life. Returning to her Indian birthplace, she has an epiphany. Maybe the happily-ever-after of her dreams isn’t so far away?

    She is a perplexed botch, who never thinks before she talks. Megha realises that she fancies the creative course of action involved in making ad films, rather than her current job of creating marketing strategies for products. Her ornery boss is not electrified with the idea of brand managers turning into ad conceptualizing officers, though.Megha then meets the creative head of the company, Yudhistir Joshi. Yudi seems to bring out Megha’s atrocious side. Although he’s an exceptionally good looking man, Megha and Yudi publicly fight and argue. He hates her guts and she vice-versa. Yudi apprises her to quit from the creative team every single time, however, Megha, who’s finally in a blissful atmosphere, refuses to abandon her ecstatic ship. Little does she know that their friction will give way to sparks!Concurrently, ‘Vile’ Varun, Megha’s boss, puts her down in front of his bosses at every opportunity. He claims that she is inadequate for her profile.On the other hand, there is a crowd of eligible NRI bachelors on her list of problems, as Megha’s mother decides to put her up on the marriage market.No Deadline For Love is a first person narrative by the protagonist, Megha. The book reads almost like a journal entry, and is full of icy observations. The occasional hilarious quotes lighten up the reader’s mood, and the elementary pinch in the storyline, apart from her spontaneous description of the events, are the comical nicknames given to characters.

    However, behind closed doors, cracks are beginning to appear in her seemingly comfortable relationship with her professionally consumed husband, Rakesh. Although Rakesh seems content with his alpha neatness-fetish-melodramatic wife and bright son; Natasha yearns for romance, passion and excitement. Ironically, the Psychologist husband fails to read between the lines and Natasha is left to her own devices to deal with her unresolved emotions. An unexpected call from India takes her through a journey of self-discovery with her devastatingly handsome work colleague, Steve. She uncovers in some aspects urban India has changed considerably but equally, deep-rooted social issues still prevail in the so called modern, educated, changing society. A chance encounter with her 'blast from the past' - Veer, adds to the emotional rollercoaster ride. Her one-man-woman status of many years has failed to equip her with vital tools to deal with the unanticipated surge of attention from Steve and Veer. As she attempts to master the finer points of courtship, flirtation and seduction; her life spirals out of control. Natasha is compelled to make tough decisions about her love, friendship, marriage and parenthood.

    She is found to be a research scientist working with the Vatican Observatory, one of the oldest astronomical research institutions in the world. Hawa Singh, a senior inspector from Delhi crime branch on a visit to Benares, gets embroiled in the case. He finds that the murdered woman had been researching the Bhrigu-Samhita, an astrological classic dating back to pre-Vedic times, believed to be lost. The FBI sends in Ruby Malik, a Pakistani-American to investigate the murder. Soon, more bodies are found with bizarre connections to both the Bhrigu-Samhita and Christian orthodoxy. The Vatican seems to be carrying out a clandestine operation, seeking the secrets of Hindu astrology in the city most sacred to it. Secrets that the Vatican would kill to know. Hawa Singh, hardened by many gunfights and with a bullet already lodged near his brain in a previous encounter, teams up with Ruby Malik to unravel the mystery. Nothing is the same any more. The temple bells fade in the perpetual winter fog. There is blood on the streets of Benares, which becomes a battleground where faith and science collide. The worlds of astronomy and astrology come. Hawa Singh and Ruby search the opium dens and the domains of Naga sadhus, Aghoris and Doms in the cremation grounds, hunt a cannibal lurking in the maze that is Benares and clash with the figurehead king of the city, Kashi Naresh Maharaj Abhay Narayan Singh. The killer could be anyone. Only Hawa Singh and his beautiful co-runner on the chase, Ruby Malik, possess the mindset and the indomitable courage, to find the murderer at the heart of this mystery and in the process, find themselves.

    In both it is ultimately the women who suffer, whether, paradoxically, from a surfeit of feasting and family life in India, or from self-denial and starvation in the US. or both. Uma, the plain, older daughter still lives at home, frustrated in her attempts to escape and make a life for herself. Her Indian family is difficult , demanding but mostly, good hearted. Despite her disappointments, Uma comes through as the survivor, avoiding an unfulfilling marriage, liek her sister's or a suicidal one, like that arranged for her pretty cousin. And in America, where young Arun goes as a student, men in the suburbs char hunks of bleeding meat while the women don't appear to cook or eat at all - seems bewildering and terriying to the young Indian adolescent far from home.

    Here, they chat about what's new at The Londoner, the glossy fashion magazine where they all work, and everything else that's going on in their lives. Or almost everything. Beneath the girl talk and the laughter, each of the three has a secret. And when a chance encounter at the cocktail bar sets in motion an extraordinary chain of events, each one will find their biggest secret revealed.In Cocktails for Three, Madeleine Wickham combines her trademark humor with remarkable insight to create an edgy, romantic tale of secrets, strangers, and a splash of scandal.