waiting for just one drop of blood to restore it to life. But when Nick Regan discovered the skull on a construction site, he and his archeologist wife Chrissie were more puzzled than alarmed. It was too large to be human, but looked like no animal skull they had ever seen. Their curiosity soon turned to fear when the bones grew a thin covering of gray flesh... and then to frantic terror when they discovered that it had come alive...

    In his portrait of Crab, Éric Chevillard gives us a character who is genuinely strange and curiously like ourselves. A postmodernist novel par excellence, The Crab Nebula parodies literary conventions, deconstructs narrative and meaning, and brilliantly combines absurdity and hopelessness with irony and humor. What distinguishes it most of all is the startling originality of Chevillard’s voice and vision. There is whimsy and despair in this novel, pathos and laughter, satire and warm affection. The Crab Nebula is the fifth novel—and the first to be translated into English—by the brilliant young French author Éric Chevillard. His sympathetic yet outrageous portrait of Crab calls to mind works by Melville, Valéry, and Kafka, while never being less than utterly unique.

    There is no mains water, no petrol and no news. Towns and cities are chaotic and dangerous. Who will survive the months ahead without electricity? But out in the country, Sandra is determined to keep going. Can she keep her family healthy through the long, wet winter? And can they all adapt to life without power?

    Eleanor is a young woman living alone who has experienced something terrible. Whatever tragedy she has been through, the reader only sees snippets of its impact until the very end of the story. Most of the novel focuses on Eleanor spending time trying to come out of her shell, helped by the unlikely IT guy from her office and an old man they both help one strange day.Eleanor Oliphant is Completely Fine was one of the 2017 New York Times’ “Books to Breeze Through This Summer.” Its charm and character makes it a riveting read that pulls at the heartstrings. A movie based on the book is in development as of May 2017, proving the book’s popularity and success.A Brief Look Inside:EVERY GOOD BOOK CONTAINS A WORLD FAR DEEPER than the surface of its pages. The characters and their world come alive, and the characters and its world still live on. Conversation Starters is peppered with questions designed to bring us beneath the surface of the page and invite us into the world that lives on.These questions can be used to...Create Hours of Conversation:• Promote an atmosphere of discussion for groups• Foster a deeper understanding of the book• Assist in the study of the book, either individually or corporately• Explore unseen realms of the book as never seen beforeDisclaimer: This book you are about to enjoy is an independent resource meant to supplement the original book. If you have not yet read the original book, we encourage doing before purchasing this unofficial Conversation Starters.

    WIth access to every computer in post-World War III's fully-automated society, he had the potential to become the ultimate spy, the perfect assassin, an invincible dictator.Only loyalty to samurai virtues kept his attention in check--until the day when Elizabeth was taken away from him, and Tokugawa began his quest for revenge...

    Carson Nash has persuaded Salinger that they should find their missing father, Henry- last known location Las Cruces, New Mexico. But it is with a sense of foreboding that Salinger sets off with his brother. Painfully aware that their own relationship is distant and strained, will dragging up the past and confronting their father going to help or harm them? Meanwhile back in London, Tiane isn't answering Salinger's increasingly urgent messages. Why? Tender, funny, unflinching, this is a road trip story in the great American literary tradition and an exploration of sibling rivalry that harks back to Cain and Abel. A vivid glimpse of a Britain's 'brother country' through the eyes of a skeptical outsider, a profound exploration of fraternal love and a gripping journey of the soul.

    And for a couple seconds, it was scary—like that meant the world was breaking, or expired, or bruised, or something worse. It was really scary for a couple seconds but then I calmed down. Up above, the moonlit clouds looked rippled, like the ribcage of some giant thing digesting me. And I wondered if the direction I was going went down into the digestive system or up out of it. Wondered what difference it made. There was a bug hovering over a small pool of ice cream on the sidewalk. Like a firefly, but it wasn’t a firefly. And I could’ve stepped on it and killed it. But I didn’t. Be thankful, little bug. For in my world, you are just a little bug.

    

    

    But before the day is out that peace is shattered due to a war being fought in a country not their own.Summer 1940: London is at war, and for the first time in the history of combat a civilian population is under attack from the air. As a consequence - also for the first time - a generation of young men is called upon to face the enemy not from within an organised force on land or on sea but in individual and lethal combat in the skies above the green, fertile and until now peaceful fields of southern England… The war was not of their making but the Jordan family will do whatever it takes to save all that they hold dear. The perfect family saga of love, war and hope for fans of Josephine Cox, Lily Graham and Natasha Lester.

    Nabokov tells us in "The Waltz Invention" that our salvation today rests on a perfect understanding of the human heart. "The Waltz Invention," written when only a handful of scientists were concerned with atomic possibilities, could have been read as a puzzling, incredible fantasy in those days, but of course today a man like Waltz is at the center of our nightmares. We had better have a realistic understanding especially of a tyrant's heart in our fissionable age, MR. Nabokov says. Salvator Waltz is in possession of an infernal machine. He can operate it at will; and the machine is hidden away from all eye in the symbolical country of which Waltz is a citizen. With the same intricate levels of brilliancy as Vladimir Nabokov's other world acclaimed tales, "The Waltz Invention" write in a play form in 1938, is a classic tragedy and a comedy.

    First published in the United States in 1987 and highly praised for its inventiveness, Pushkin House is a contemporary literary masterpiece. Though the novel's focus is a love affair between Lyova and Faina, the novel's true subject is an investigation of the corruption of Soviet intellectual life and history. Working within many of the confines imposed upon him during the Soviet regime, Bitov ingeniously draws upon Russian literary models, especially that of Nabokov, in order to parody and satirize the stifling society about him, as well as Russian literary tradition.

    They were far too busy with tryouts to pay any attention to current events and the constant harangues of the reactionary LORDS party on the public wallscreens.Then the Lords party turned its attack on theater and its "timeless repertory of immorality." Suddenly the Star Company was off on a madcap race to finish its preparations, buy a ship and hire a pilot, and lift off Terra before it was grounded forever... or worse!

    Philip, Annalice's brother, sets sail for the island, lured by the promise of incomparable riches to be found. But when he doesn't return, Annalice sets out to find him -- and the secrets of the diary -- in a desperate journey that leads her through the worlds' most exciting outposts . . . and finally to the tropical islands of the South Seas, where she encounters heart-stopping peril, but also the promise of love.

    He urges more frequent performance and more sensitive hearing of the music of new composers. He discusses sound media, new and old, and looks toward a musical future in which the timbres and intensities developed by the electronic engineer may find their musical shape and meaning. He considers the twentieth-century revolt against classical form and tonality, and the recent disturbing political interference with the form and content of music. He analyzes American and contemporary European music and the flowering of specifically Western imagination in Villa-Lobos and Charles Ives. The final chapter is an account, partially autobiographical, of the composer who seeks to find, in an industrial society like that of the United States, justification for the life of art in the life about him. Mr. Copeland, whose spectacular success in arriving at a musical vernacular has brought him a wide audience, will acquire as many readers as he has listeners with this imaginatively written book.