It quickly became the most sought out employment for street kids who learned how to distribute, package and sell it for a profit. What no one anticipated was the havoc and destruction it would bring to their hood because of the unlimited potential of stacks of money they stood to make. Murder, betrayal and disloyalty surfaced without prejudice and took young lives almost immediately. Welcome to Bushwick and Bed-Stuy Brooklyn where Junior catapults you into life in the drug dealer game and takes you on an up close and personal voyage that will have you smelling gun smoke and running for your life. Being a kingpin in a hood you're not from is usually unheard of but for Junior it wasn't. He's the boss of Baptiste projects and believes there are two reasons he's avoided drama from the locals. For one, he hired dudes from Baptiste to help him and the second was because his girl Shondra was born and raised in Baptiste and had mad love and respect in her hood. Junior enjoyed getting money relatively with no consequences but nothing remains the same for long. He gets his first taste of disloyalty from within his camp and that compromises his once solidly run drug empire. Junior's first instinct is impulsive and he rushes to deal with the betrayal with lethal intentions, but his premeditated move proves to be the wrong move and he finds himself in a deadly gun battle with KB and his crew. He barely escapes and flees Baptiste to Bed-Stuy to plan his next strategic move. He turns to Shondra to give him inside information on what is happening in Baptiste in his absence while he temporarily turns over the reins of his business to one of his trusted workers who was with him during his gunfight with KB's crew. Shondra finds out some information that will help him eliminate his enemies but it jeopardizes her relationship with her best friend Gloria. While Junior is plotting his revenge he runs into Muffin, a girlfriend from his past. He decides to use her as a part of his team but their emotions cause romantic turmoil that eventually leads to a love triangle although he tells Muffin he's in a relationship with Shondra. Muffin plays as if she respects the boundaries placed in front of her but has her own plans on taking Shondra out of the picture so she can claim her place as Junior's main girl. Junior's goal is to change the way the drug game is played but after being set up he's on a mission to stay alive and make everyone involved pay for their disloyalty. He also tries to find a balance between his love for Shondra and his business/love relationship he developed with Muffin. When Shondra finds out about Junior's affair with Muffin her anger is temporarily derailed when they find themselves in the middle of a deadly shootout. The massacre affects everyone's life in a dramatic way, spilling all secrets out in the open. Junior and Muffin's infidelity is revealed, Gloria discovers Shondra's disloyalty to her and KB's life hangs in the balance. Junior's empire, life and relationship are at stake as he executes his deadly plan of revenge. One Brooklyn neighborhood tells a gangster love story that is fueled by murder, betrayal, unfaithfulness, revenge and remarkably, love. To live the so called drug life, don;t try to find loyalty in something you believe in if you are not willing to commit to it completely.

    H. Billings: http://www.genealogybuff.com/ma/billi...http://www.worldcat.org/title/deserte...

    In response he began to write daily prose-poem letters to Yesenin. Through this one-sided correspondence, Harrison unloads to this unlikely hero, ranting and raving about politics, drinking problems, family concerns, farm life, and a full range of daily occurrences. The rope remains ever present.Yet sometime through these letters there is a significant shift. Rather than feeling inextricably linked to Yesenin's inevitable path, Harrison becomes furious, arguing about their imagined relationship: "I'm beginning to doubt whether we ever would have been friends."In the end, Harrison listened to his own poems: "My year-old daughter's red robe hangs from the doorknob shouting Stop."

    It is less well known that the sisters also composed a considerable amount of fine poetry. This volume contains forty-seven poems by all three sisters. Selections include Charlotte's "Presentiment," "Passion," two poems on the deaths of her sisters, and six more. There are twenty-three poems by Emily (considered the best poet of the three), including "Faith and Despondency" and "No Coward Soul Is Mine." The works of all three sisters share the qualities of intelligence, awareness, and heartfelt emotion, expressed in simple, highly readable verse. Gathered in this handy, inexpensive collection, the poems represent a superb introduction to a lesser-known aspect of the Brontës' literary art.

    The public recitation of his 1933 poem known in English as "The Stalin Epigram" led to his arrest, exile, and eventual imprisonment in a Siberian transit camp, where he died, presumably in 1938. Mandelstam's work, much of it written under extreme duress, is an extraordinary testament to the enduring power of art in the face of oppression and terror.Stolen Air spans Mandelstam's entire poetic career, from his early highly formal poems in which he reacted against Russian Symbolism to the poems of anguish and defiant abundance written in exile, when Mandelstam became a truly great poet. Aside from the famous early poems, which have a sharp new vitality in Wiman's versions, Stolen Air includes large selections from The Moscow Notebooks and The Voronezh Notebooks.Going beyond previous translators who did not try to reproduce Mandelstam's music, Christian Wiman has captured in English for the first time something of Mandelstam's enticing, turbulent, and utterly heartbreaking sounds.

    0-935906-00-2$5.00 / Javan Press

    M. W. Turner’s celebrated poem “Slavers Throwing Overboard the Dead and Dying.” Dabydeen’s poem focuses on what is hidden in Turner’s painting, the submerged head of the drowning African. In inventing a biography and the drowned man’s unspoken desires, the poem brings into confrontation the wish for renewal and the inescapable stains of history, including the meaning of Turner’s painting.

    Collected Poems and Translations gathers both published and unpublished work - poems left in manuscript at his death and hitherto available only in drastically edited or specialized scholarly versions - to offer all readers for the first time the full range of Emerson's poetry.

    Reflecting both private devotional love and the attempt to attain union with God and become absorbed into the Divine, many poems in this edition are imbued with the symbols and metaphors that develop many of the central ideas of Sufism: the Lover, the Beloved, the Wine, and the Tavern; while others are more personal and echo the poet's battle to leave earthly love behind.These translations capture the passion of the original poetry and are accompanied by an introduction on Sufism and the common themes apparent in the works. This edition also includes suggested further reading.

    Her rhythms and accents have the timelessness of a poetry which extends beyond white Western politics, beyond the anger and wisdom of Black America, beyond the North American earth, to Abomey and the Dahomeyan Amazons. These are poems nourished in an oral tradition, which also blaze and pulse on the page, beneath the reader's eye."