Around the same time, an Indian elephant was deliberately put to death by electricity in Coney Island.These are the facts.Now these two tragedies are intertwined in a dark alternate history of rage, radioactivity, and injustice crying out to be righted. Prepare yourself for a wrenching journey that crosses eras, chronicling histories of cruelty both grand and petty in search of meaning and justice.

    Valente, the bestselling and award-winning creator of Space Opera and The Girl Who Circumnavigated Fairyland returns with The Past is Red, the enchanting, dark, funny, angry story of a girl who made two terrible mistakes: she told the truth and she dared to love the world.The future is blue. Endless blue...except for a few small places that float across the hot, drowned world left behind by long-gone fossil fuel-guzzlers. One of those patches is a magical place called Garbagetown.Tetley Abednego is the most beloved girl in Garbagetown, but she's the only one who knows it. She's the only one who knows a lot of things: that Garbagetown is the most wonderful place in the world, that it's full of hope, that you can love someone and 66% hate them all at the same time.But Earth is a terrible mess, hope is a fragile thing, and a lot of people are very angry with her. Then Tetley discovers a new friend, a terrible secret, and more to her world than she ever expected.

    . . From China to Europe, Africa to North America, dragons have long captured our imagination in myth and legend. Whether they are rampaging beasts awaiting a brave hero to slay or benevolent sages who have much to teach humanity, dragons are intrinsically connected to stories of creation, adventure, and struggle beloved for generations.Bringing together nearly thirty stories and poems from some of the greatest science fiction and fantasy writers working today— Garth Nix, Scott Lynch, R.F. Kuang, Ann Leckie & Rachel Swirsky, Daniel Abraham, Peter S. Beagle, Beth Cato, Zen Cho, C. S. E Cooney, Aliette de Bodard, Kate Elliott, Theodora Goss, Ellen Klages, Ken Liu, Patricia A McKillip, K. J. Parker, Kelly Robson, Michael Swanwick, Jo Walton, Elle Katharine White, Jane Yolen, Kelly Barnhill, Brooke Bolander, Sarah Gailey, and J. Y. Yang—and illustrated by award-nominated artist Rovina Cai with black-and-white line drawings specific to each entry throughout, this extraordinary collection vividly breathes fire and life into one of our most captivating and feared magical creatures as never before and is sure to become a treasured keepsake for fans of fantasy, science fiction, and fairy tales.

    No one, except for Marra herself.Seeking help from a powerful gravewitch, Marra is offered the tools to kill a prince—if she can complete three impossible tasks. But, as is the way in tales of princes, witches, and daughters, the impossible is only the beginning.On her quest, Marra is joined by the gravewitch, a reluctant fairy godmother, a strapping former knight, and a chicken possessed by a demon. Together, the five of them intend to be the hand that closes around the throat of the prince and frees Marra's family and their kingdom from its tyrannous ruler at last.

    Chakraborty’s acclaimed Daevabad Trilogy gets expanded with this new compilation of stories from before, during, and after the events of The City of Brass, The Kingdom of Copper, and The Empire of Gold, all from the perspective of characters both beloved and hated, and even those without a voice in the novels. The River of Silver gathers material both seen and new—including a special coda fans will need to read—making this the perfect complement to those incredible novels.A prospective new queen joins a court whose lethal history may overwhelm her own political savvy…An imprisoned royal from a fallen dynasty and a young woman wrenched from her home cross paths in an enchanted garden…A pair of scouts stumble upon a secret in a cursed winter wood that will turn over their world…Now together in one place, these stories of Daevabad enrich a world already teeming with magic and wonder. From Manizheh’s first steps towards rebellion to adventures that take place after The Empire of Gold, this is a must-have collection for those who can’t get enough of Nahri, Ali, and Dara and all that unfolded around them.

    He has been a dragon with a boy on his back. He has been a scholar, a warrior, a lover, and a thief. He has been dream and dreamer. He has been a god. But “he” is in fact nothing more than a spark of idea, a character in the mind of Sylvia Harrison, 73, award-winning author of thirty novels over forty years. He has played a part in most of those novels, and in the recesses of her mind, Sylvia has conversed with him for years. But Sylvia won't live forever, any more than any human does. And he's trapped inside her cave of bone, her hollow of skull. When she dies, so will he.Now Sylvia is starting a new novel, a fantasy for adult readers, set in Thalia, the Florence-resembling imaginary city that was the setting for a successful YA trilogy she published decades before. Of course he's got a part in it. But he also has a notion. He thinks he knows how he and Sylvia can step off the wheel of mortality altogether. All he has to do is convince her.

    Tobias, tethered to the forest, does not dwell on his past life, but he lives a perfectly unremarkable existence with his cottage, his cat, and his dryads.When Greenhollow Hall acquires a handsome, intensely curious new owner in Henry Silver, everything changes. Old secrets better left buried are dug up, and Tobias is forced to reckon with his troubled past—both the green magic of the woods, and the dark things that rest in its heart.

    The last of a line of conquered necromantic workers, now confined within the yard of regrown bone trees at Orchard House, and the secrets of their marrow.Charm is a prisoner, and a survivor. Charm tends the trees and their clattering fruit for the sake of her children, painstakingly grown and regrown with its fruit: Shame, Justice, Desire, Pride, and Pain. Charm is a whore, and a madam. The wealthy and powerful of Borenguard come to her house to buy time with the girls who aren't real.Except on Tuesdays, which is when the Emperor himself lays claim to his mistress, Charm herself. now—Charm is also the only person who can keep an empire together, as the Emperor summons her to his deathbed, and charges her with choosing which of his awful, faithless sons will carry on the empire—by discovering which one is responsible for his own murder.If she does this last thing, she will finally have what has been denied her since the fall of Inshil—her freedom. But she will also be betraying the ghosts past and present that live on within her heart.Charm must choose. Her dead Emperor’s will or the whispers of her own ghosts. Justice for the empire or her own revenge.

    But the Grand Season has just begun, and already Nina’s debut has gone disastrously awry. She has always struggled to control her telekinesis—neighbors call her the Witch of Oldhouse—and the haphazard manifestations of her powers make her the subject of malicious gossip.When entertainer Hector Auvray arrives to town, Nina is dazzled. A telekinetic like her, he has traveled the world performing his talents for admiring audiences. He sees Nina not as a witch, but ripe with potential to master her power under his tutelage. With Hector’s help, Nina’s talent blossoms, as does her love for him.But great romances are for fairytales, and Hector is hiding a truth from Nina—and himself—that threatens to end their courtship before it truly begins. The Beautiful Ones is a charming tale of love and betrayal, and the struggle between conformity and passion, set in a world where scandal is a razor-sharp weapon.

    For a hundred years, they've been each other's only ally, defending each other and their younger siblings against their father's increasingly unpredictable anger. Now, with an independence movement gaining ground and their father's rule weakening, the twins must take matters into their own hands to keep their family—and their entire world—from crashing down around them. But other nations are jockeying for power, ready to cross and double cross, and if Rhea and Lexos aren't careful, they'll end up facing each other across the battlefield.

    The robot cannot go back until the question of "what do people need?" is answered. But the answer to that question depends on who you ask, and how.They're going to need to ask it a lot.Becky Chambers's new series asks: in a world where people have what they want, does having more matter?

    Her family is dead, her country is dying, and when something foul comes to the city of Delphinium, the brittle, perilous existence she's built for herself is strained to breaking.When one of her ships arrives in dock, she counts herself lucky that it made it through the military blockades slowly strangling her city. But one by one, the crew fall ill with a mysterious sickness: an intense light in their eyes and obsessive behavior, followed by a catatonic stupor. Even as Evelyn works to exonerate her company of bringing plague into her besieged capital city, more and more cases develop, and the afflicted all share one singular obsession: her.Panicked and paranoid, she retreats to her estate, which rests on a foundation of secrets: the deaths of her family, the poisons and cures that hasten the dissolution of the remaining upper classes, and a rebel soldier, incapacitated and held hostage in a desperate bid for information. But the afflicted are closing in on her, and bringing the attention of the law with them. Evelyn must unearth her connection to the spreading illness, and fast, before it takes root inside her home and destroys all that she has built.

    But many know the guide, Last, a one-blooded survivor who has seen his world end many lifetimes ago. For Driftwood is a strange place of slow apocalypses, where continents eventually crumble into mere neighborhoods, pulled inexorably towards the center in the Crush. Cultures clash, countries fall, and everything eventually disintegrates.Within the Shreds, a rumor goes around that Last has died. Drifters come together to commemorate him. But who really was Last? About DriftwoodDriftwood is the invention of bestselling author Marie Brennan. Mirroring the world that many people are currently living in, the Driftwood stories chronicle the struggles of survivors and outcasts to keep their worlds alive until everything changes, diminishes, and is destroyed. Driftwood is the first full-length novel in this world.

    Against this tumultuous backdrop the lives of men and women unfold on the borderlands—where empires and faiths collide.  From the small coastal town of Senjan, notorious for its pirates, a young woman sets out to find vengeance for her lost family. That same spring, from the wealthy city-state of Seressa, famous for its canals and lagoon, come two very different people: a young artist traveling to the dangerous east to paint the grand khalif at his request—and possibly to do more—and a fiercely intelligent, angry woman, posing as a doctor’s wife, but sent by Seressa as a spy.   The trading ship that carries them is commanded by the accomplished younger son of a merchant family, ambivalent about the life he’s been born to live. And farther east a boy trains to become a soldier in the elite infantry of the khalif—to win glory in the war everyone knows is coming.   As these lives entwine, their fates—and those of many others—will hang in the balance, when the khalif sends out his massive army to take the great fortress that is the gateway to the western world...

    You can alter someone’s feelings—and memories—but manipulating shadows has a cost, with the potential to take hours or days from your life. Your shadow holds all the parts of you that you want to keep hidden—a second self, standing just to your left, walking behind you into lit rooms. And sometimes, it has a life of its own.Charlie is a low-level con artist, working as a bartender while trying to distance herself from the powerful and dangerous underground world of shadow trading. She gets by doing odd jobs for her patrons and the naive new money in her town at the edge of the Berkshires. But when a terrible figure from her past returns, Charlie’s present life is thrown into chaos, and her future seems at best, unclear—and at worst, non-existent. Determined to survive, Charlie throws herself into a maelstrom of secrets and murder, setting her against a cast of doppelgangers, mercurial billionaires, shadow thieves, and her own sister—all desperate to control the magic of the shadows.With sharp angles and prose, and a sinister bent, Holly Black is a master of shadow and story stitching. Remember while you read, light isn’t playing tricks in Book of Night, the people are.