In the service of Mlle de Varandeuil, Germinie realizes that if she wishes to remain employed, she faces an unmarried life. Such a frustration of her maternal instincts engenders a deep devotion to her niece; Germinie is crushed when the girl is removed by her parents. Many relationships of the same mold ensue, the heroine each time forging loving bonds that are broken. In the face of such drudgery, the Goncourt brothers reveal the value of such simple pleasures as a walk in the countryside; and through the story of Germinie Lacerteux’s life, they examine questions of the individual’s power—or powerlessness—to control his or her own fate.

    In this poem, Chrétien creates his most artful plot and paints the most starkly medieval portraits of any of his romances. The world he describes has few of the safeguards and protections of civilization: battles are brutal and merciless, love is anguished and desperate. Cligès tells the story of the unhappy Fenice, trapped in a marriage of constraint to the emperor of Constantinople. Fenice feigns death, then awakens to a new, happy life with her lover.Enormously popular in their own time, each of Chrétien's great verse romances is a fast-paced psychologically oriented narrative. In a rational and realistic manner, Chrétien probes the inner workings of his characters and the world they live in, evoking the people, their customs, and their values in clear, emotionally charged verse. Cligès is filled with Chrétien's barbs and bawdiness, his humor and his pleasure, his affection and his contempt. It is the unmistakable work of a brilliantly individualistic poet, brought to modern English readers by Raffel's poetic translation in a metric form invented specifically to reflect Chrétien's narrative speed and tone.

    No idea they’ll need to live in filth, rely on dilapidated equipment and deal with a belligerent boss. Will the mouth-watering food she creates, the wonderful people they meet and the glorious French countryside help them salvage their dreams of life abroad or will they need to rethink their future?Perfect for fans of Peter Mayle’s A Year in Provence, Janine Marsh’s My Good Life in France and Beth Haslam’s Fat Dogs and French Estates.

    The book comprises a string of dramatic and evocative locales, each embodying specific artistic tendencies and together spanning the modern era--from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarme to the Folies-Bergere, attend a lecture by Emerson, and visit exhibitions in Paris and New York, factories in Berlin, and film sets in Moscow and Hollywood. Ranciere uses these sites and events--some famous, others forgotten--to ask what becomes art and what comes of it. He shows how a regime of artistic perception and interpretation was constituted and transformed by erasing the distinctions between the different arts along with the borders separating them from ordinary experience.This incisive study provides a history of artistic modernity far removed from conventional understandings of modernism.

    The valley's diverse cultural mix of Iroquois Indians, Palatine Germans, Scots-Irish, Dutch, English, and Highland Scots played as much of a role as its unique geography in the cataclysmic events of the 1700sthe French and Indian Wars and the battles of the American Revolution. Patriots eventually wrenched the valley from British interests and the Iroquois nations, but at fearsome cost. When the fighting was over, the valley lay in ruins and as much as two-thirds of its population lay dead or had been displaced. But by not holding this vital inland waterwaythe gateway to the West, "the river between the mountains"America might have lost the Revolution, as well as much or all of the then poorly defined province of New York.

    As well as the most famous and lively documents, diaries and court cases of the period, the author has uncovered less known sources which added together offer a new angle on the years between 1637 and 1652 when Cromwell's Roundheads and Charles I's Cavaliers fought over Anglican reforms and Scottish rule.

    Afterword by Richard Wilbur.

    In this volume, Alcibiades the wizard’s giant eye cannot stop crying, flooding the entire dungeon. They must find the Giant who gave his eye to remedy this rather wet situation. We also discover the origin of John-John the Terrible, the monster split into two living halves.

    As an impressionable bride of seventeen who married a man more than twice her age, Grace's remarkable beauty (likened by journalists to "a May morning") soon attracted the attentions of other men. A disastrous liaison with a consummate rake not only branded Grace as a demi-rep - a woman with half a reputation - but the scandal provoked Dr. John Eliot, her philandering husband, to pursue a divorce.Grace became mistress of the most infamous peer in England, George James, Lord Cholmondeley, whose "secret perfections" were reputed to inspire "female enthusiasm." Cholmondeley commemorated the relationship by commissioning two works from eminent portraitist Thomas Gainsborough, first in 1778 and later in 1782, the same year Grace gave birth to a daughter, Georgiana (who may, in fact, have been the child of the Prince of Wales). Had Grace been an aristocrat, she and Cholmondeley might have had a future together, but it was not to be.The tabloids broke the news: "Miss Dalrymple has embarked for France, and it is said parted with her noble gallant." Grace was soon to find a new protector in that nation's richest man, Philippe, Duc d'Orleans. Though Grace was ensconced as "one of the most brilliant and popular among the fashionable 'impures,'" her liaison with the duke turned perilous when Orleans fell to the Revolution's guillotine, just as she narrowly escaped with her life."People die, but love may not," declares author Jo Manning of her subject's romantic and historic misadventures. A connoisseur of the times, Manning ably demonstrates - through contemporary newspapers, magazines, prints, and portraits as well as Grace's posthumously published journal - how life in George III's England and Marie Antoinette's France can seem strangely familiar, especially when history turns to affairs of the heart.

    Revealing the young general's reasons for leading the expedition against Egypt in 1798 and showcasing his fascinating views of the Orient, Cole delves into the psychology of the military titan and his entourage. He paints a multi-faceted portrait of the daily travails of the soldiers in Napoleon's army, including how they imagined Egypt, how their expectations differed from what they found, and how they grappled with military challenges in a foreign land. Cole ultimately reveals how Napoleon's invasion, the first modern attempt to invade the Arab world, invented and crystallized the rhetoric of liberal imperialism.

    In order to rescue his old friend Juremi, imprisoned in the Urals, Poncet travels in disguise to Russia, where he engages in a diplomatic duel of wits with Peter the Great. The friends, reunited, are captured by nomads and sold as slaves in Afghanistan. This the beginning of Poncet’s circuitous return to Isfahan, where his wife and daughter are trapped inside the walls by a besieging army of the Afghan king, Mahmud.Subtle, erudite, exciting, and beautifully crafted, this is historical fiction that belongs on the shelf beside the work of Patrick O’Brian.

    As they discuss the merits of the piece and art in general, the father hears his children upstairs giggling. This childish mirth is barbaric and devastating to the father, for in their laughter he hears them mocking his "old-fashioned" viewpoint and the energy he wastes by collecting lifeless objects. In his mind, they have no respect for what has been of greatest importance in his life.

    24 photos.

    . . . If you’re passionate about eating well during your next trip to Paris, you couldn’t ask for a better travel companion than Alexander Lobrano’s charming, friendly, and authoritative Hungry for Paris, the first new comprehensive guide in many years to the city’s restaurant scene. Lobrano, Gourmet magazine’s European correspondent, has written for almost every major food and travel magazine since he became an American in Paris in 1986. Here he shares his personal selection of the city’s 102 best restaurants, each of which is portrayed in savvy, fun, lively descriptions that are not only indispensable for finding a superb meal but a pleasure to read. Lobrano reveals the hottest young chefs, the coziest bistros, the best buys–including those haute cuisine restaurants that are really worth the money–and the secret places Parisians love most, together with information on the most delicious dishes, ambience, clientele, and history of each restaurant. A series of delightful essays cover various aspects of dining in Paris, including “Table for One” (how to eat alone), “The Four Seasons” (the best of seasonal eating in Paris), and “Eating the Unspeakable” (learning to eat what you don’t think you like). All restaurants are keyed to helpful maps, and the book is seasoned with beautiful photographs by Life magazine photographer Bob Peterson that will only help whet your appetite for tasting Paris.

    This unique collection of documents, edited and annotated by Jean-Jacques Eigeldinger, reveals Chopin as teacher and interpreter of his own music. Included in this study is extensive appendix material that presents annotated scores, and personal accounts of Chopin's playing by pupils, writers, and critics.