There he caught sight of the woman in black, the mere mention of whom terrifies the locals, for she is a specter who haunts the neighborhood where her illegitimate child was accidentally killed. Anyone who sees her dies! The lawyer has invited some friends to watch as he and the actor recreate the events of that dark and stormy night. A classic of the genre.

    Set in a bar in a remote part of Ireland, The Weir tells of a young woman who has a story to frighten the locals out of their lives.

    His tricks and turns have a purpose. They are bridges over a deep pit of sympathy and sorrow, illuminated by a tragic vision of stunted and frustrated lives.' Fintan O'Toole, Irish TimesMartin McDonagh's searingly brilliant new play premi�res at the National Theatre, London in November 2003.

    The two begin to interlock as the characters make their exits from Nothing On only to find themselves making entrances into the even worse nightmare going on backstage. In the end, at the disastrous final performance, the two plots can be kept separate no longer, and coalesce into a single collective nervous breakdown.

    Williams through the most sympathetic voice among his characters, 'is a true story about the time and the world we live in.' He has made it seem true-or at least curiously and suspensefully possible-by the extraordinary skill with which he has wrung detail after detail out of a young woman who has lived with horror. Anne Meacham, as a girl who has been the sole witness to her cousin's unbelievably shocking death, is brought into a 'planned jungle' of a New Orleans garden to confront a family that is intensely interested in having her deny the lurid tale she has told. The post-dilettante's mother is, indeed, so ruthlessly eager to suppress the facts that she had the girl incarcerated in a mental institution and she is perfectly willing, once she finishes her ritualistic five o'clock frozen daiquiri, to order the performance of a frontal lobotomy. A nun stands in rigid attendance; a doctor prepares a hypodermic to force the truth; greedy relatives beg her to recant in return for solid cash. Under the assorted, and thoroughly fascinating, pressures that are brought to bear, and under the intolerable, stammering strain of reliving her own memories, Miss Meacham slowly, painfully, hypnotically paints a concrete and blistering portrait of loneliness.of the sudden snapping of that spider's web that is one man's life, of ultimate panic and futile flight. The very reluctance with which the grim, hopeless narrative is unfolded binds us to it; Mr. Williams threads it out with a spare, sure, sharply vivid control of language.and the spell is cast."

    This climactic event—when Nora slams the door on everything in her life—instantly propelled world drama into the modern age. In A DOLL’S HOUSE, PART 2, many years have passed since Nora’s exit. Now, there’s a knock on that same door. Nora has returned. But why? And what will it mean for those she left behind?

    She's sweet as brown sugar with candied yams... Honey-coated complexion... Music camay... Let's hear it for the girl... She's from around the way... Sade is not your typical around the way California girl. Coming from a good family, in the rough part of Compton, the senseless murder of her mother at a young age leaves her family in shambles, and Sade forging a way as a woman without the gentle guidance that only a mother can provide. With her razor sharp tongue, and free spirit, Sade is trying hard to blaze her own trail, despite the wishes of her controlling father and bougie ex boyfriend. Q is the Robin Hood of Tree Top Piru. Under the hardened, heartless exterior that he puts up, is a man longing for the stable love he’s been missing from his baby mama Camari. With enemies lurking around every corner, and treacherous women always trying to claim his heart, a chance encounter on a doomed night sets him on the path to finding the sense of calm that he’s been longing for in his chaotic life. Is Q even capable of loving someone that needs to be loved? Or has his heart been entirely shut off from love because of the ways of the women in his past? Will shared experiences create unbreakable bonds between Q and Sade? Or will secrets, lies, and jealousy rip them apart before their love affair even begins? Get into the story of Q and Sade, two star crossed lovers from Compton. Romeo and Juliet ain’t got nothing on this real hood love story!

    

    She’s tried to work, pray, sex, sleep and smoke her problems away but she can’t escape the gloomy, grey clouds hovering over her head. Just wanting to be happy, she's blinded by love; Messiah only sees what she wants to see – always building up to be let down and ultimately crashing. She craves love and admiration but doesn’t love herself enough to know when it’s time to let go of an old flame. Directionless, she coasts along through life numb, until she meets Shyhiem, the man who will change her life forever. He’s everything she never knew she wanted, but everything that she absolutely needed. Without permission, Shyhiem marches into her life and turns everything upside down. He’s rude, cocky, angry and devastatingly handsome. To the world, he’s nothing but an ex-convict with a chip on his shoulder; but to Messiah, he’s an angel sent down from heaven who teaches her how to love again. When Messiah finds herself wasting time, daydreaming about when she’ll see or speak to him again, she knows she’s in trouble. Love wasn’t in the equation for her - especially since she still has feelings for her ex - and Shyhiem has a ghetto baby mother and two kids… Will their love prevail or will self-doubt, self-pity, and a sense of emptiness stop everything before it starts?

    

    

    Never has she met a man like him, and though neither of them knows what the future holds, Aniqa is sure of one thing: Je’Marcus must go. A man always wants that old thang back, though, and when Je’Marcus makes good on his promise to love her to death, Aniqa’s locked in the fight of her life, chasing the kind of love only a boss can give. Linc is a hitta in every sense of the word, and he’ll go to war against anyone that comes for the Carmichael throne, but when he uncovers the ultimate betrayal in his tight-knit circle, he questions whether he should remain loyal to the one person he looks up to—who just might be the biggest snake of them all. No one knocks Linc off his square—he’s the solution before people even realize there’s a problem, but when Aniqa captures his heart like no woman before her, Linc finds himself feeling something he’s spent his whole life running away from—love. Linc’s mind says, “Lord, please save her for me,” but can he make his next move his best and capture Aniqa’s heart? Beautiful is a sophistoratchet beauty that’s always on ten—if you’re knuckin’ then she’s buckin! Fiercely protective of Aniqa, her A-1 from way back, Beautiful’s a rider for hers. They say blood is thicker than water, but when Beautiful rolls up on some shocking news about “family,” will she choose to ride with her family or stay down for her bestie? Aniqa’s still crushin’ while Linc wants to love her down, but will she give in and let Linc put some BOSS up in her life?

    

    Will Eno has been called "a Samuel Beckett for the John Stewart generation" (New York Times); Middletown features a wide array of characters—Cop, Mechanic, Librarian, to name just a few—who together populate the play with his trademark subversive style.Will Eno is the author of Thom Pain (based on nothing), which ran for a year Off-Broadway and was a 2005 Pulitzer Prize finalist. Other works include Oh, the Humanity and other good intentions, The Flu Season, Tragedy: a tragedy, and Intermission.