Maxim Gorky, pseudonym of Alexei Maksimovich Peshkov, Soviet novelist, playwright and essayist, who was a founder of social realism. Although known principally as a writer, he was closely associated with the tumultuous revolutionary period of his own country. The Mother, one of his best-known works, is the story of the radicalization of an uneducated woman that was later taken as a model for the Socialist Realist novel, and his autobiographical masterpiece Childhood.

    By turns a tragedy and a farce, an acidic black comedy and an indictment of modern politics, The Eagle’s Throne is a seriously entertaining and perceptive story of international intrigue, sexual deception, naked ambition, and treacherous betrayal.In the near future, at a meeting of the United Nations Security Council, Mexico’s idealistic president has dared to vote against the U.S. occupation of Colombia and Washington’s refusal to pay OPEC prices for oil. Retaliation is swift. Concocting a “glitch” in a Florida satellite, America’s president cuts Mexico’s communications systems–no phones, faxes, or e-mails–and plunges the country into an administrative nightmare of colossal proportions.Now, despite the motto that “a Mexican politician never puts anything in writing,” people have no choice but to communicate through letters, which Fuentes crafts with a keen understanding of man’s motives and desires. As the blizzard of activity grows more and more complex, political adversaries come out to prey. The ineffectual president, his scheming cabinet secretary, a thuggish and ruthless police chief, and an unscrupulous, sensual kingmaker are just a few of the fascinating characters maneuvering and jockeying for position to achieve the power they all so desperately crave.From the Hardcover edition.

    Believing in the supreme Ismaili motto “Nothing is true, everything is permitted,” Sabbah wanted to “experiment” with how far he could manipulate religious devotion for his own political gain through appealing to what he called the stupidity and gullibility of people and their passion for pleasure and selfish desires. The novel focuses on Sabbah as he unveils his plan to his inner circle, and on two of his young followers — the beautiful slave girl Halima, who has come to Alamut to join Sabbah's paradise on earth, and young ibn Tahir, Sabbah's most gifted fighter. As both Halima and ibn Tahir become disillusioned with Sabbah's vision, their lives take unexpected turns. Alamut was originally written in 1938 as an allegory to Mussolini's fascist state. In the 1960's it became a cult favorite throughout Tito's Yugoslavia, and in the 1990s, during the Balkan's War, it was read as an allegory of the region's strife and became a bestseller in Germany, France and Spain.

    The speaker is Auxilio Lacouture, a Uruguayan woman who moved to Mexico in the 1960s, becoming the "Mother of Mexican Poetry," hanging out with the young poets in the cafes and bars of the University. She's tall, thin,brand blonde, and her favorite young poet in the 1970s is none other than Arturo Belano (Bolano's fictional stand-in throughout his books). As well as her young poets, Auxilio recalls three remarkable women; the melancholic young philosopher Elena, the exiled Catalan painter Remedios Varo, and Lilian Serpas, a poet who once slept with Che Guevara.brAnd in the course of her imaginary visit to the house of Remedios Varo,brAuxilio sees an uncanny landscape, a kind of chasm. This chasm reappears in a vision at the end of the book; an army of children is marching toward it, singing as they go. The children are the idealistic young Latin Americans who came to maturity in the 70s, and the last words of the novel are; "And that song is our amulet."

    D. Salinger, Bartleby Co. could be described as a meditation: a walking tour through the annals of literature. Written as a series of footnotes (a non-work itself), Bartleby embarks on such questions as why do we write, why do we exist? The answer lies in the novel itself: told from the point of view of a hermetic hunchback who has no luck with women, and is himself unable to write, Bartleby is an utterly engaging work of profound and philosophical beauty.

    It starts on the night of January 29, 1690, a ten-year-old boy abandoned -- the stern men who've kept him since infancy have wearied of him. The boy wanders, barefoot and starving, through a snowstorm to reach a gibbet bearing the corpse of a hanged criminal. Beneath the gibbet is a ragged woman, frozen to death. The boy is about to move onward when he hears a sound within the woman's garments: He discovers an infant girl, barely alive, clutching the woman's breast. A single drop of frozen milk, resembling a pearl, is on the woman's lifeless breast...

    But Tanus will have to defy the same gods to attain the reward they have forbidden him, an object more prized than battle's glory: possession of the Lady Lostris, a rare beauty with skin the color of oiled ceder--destined for the adoration of a nation, and the love of one extraordinary man.

    The surroundings are glamorous, wine flows freely, and the exhilarated young Hofmiller asks his host's lovely daughter for a dance, only to discover that sickness has left her painfully crippled. It is a minor blunder, yet one that will go on to destroy his life, as pity and guilt gradually implicate him in a well-meaning but tragically wrongheaded plot to restore the unhappy invalid to health."Stefan Zweig was a dark and unorthodox artist; it's good to have him back." —Salman Rushdie

    It tells the story of the virtuous Greeks Glaucus and Ione, their escape from Pompeii amid the eruption of Vesuvius in 79 CE, and their eventual conversion to Christianity, against a background of Roman decadence and corrupt Eastern religion.

    But as she does so through four seasons of one extraordinary year, she discovers that nothing comes for free. Told by a narrator whose urgent, unforgettable voice will break your heart, The Colour of Milk is an astonishing novel.

    He lives in an undistinguished middle-class housing development in Maipu, a town in the suburbs of Santiago, Chile. When the neighbors camp out overnight, the protagonist gets his first glimpse of Claudia, an older girl who asks him to spy on her uncle Raul.       In the second section, the protagonist is the writer of the novel begun in the first section. His father is a man of few words who claims to be apolitical but who quietly sympathized—to what degree, the author isn’t sure—with the Pinochet regime. His reflections on the progress of the novel and on his own life—which is strikingly similar to the life of his novel’s protagonist—expose the raw suture of fiction and reality.      Ways of Going Home switches between author and character, past and present, reflecting with melancholy and rage on the history of a nation and on a generation born too late—the generation who, as the author-narrator puts it, learned to read and write while their parents became accomplices or victims. It is the most personal novel to date from Alejandro Zambra, the most important Chilean author since Roberto Bolaño.

    Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar’s life, so different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments: marriage into a “proper” family estranges him from his parents; his career is stymied; his wife and daughter turn coldly away from him; a transforming experience of new love ends under threat of scandal. Driven ever deeper within himself, Stoner rediscovers the stoic silence of his forebears and confronts an essential solitude.John Williams’s luminous and deeply moving novel is a work of quiet perfection. William Stoner emerges from it not only as an archetypal American, but as an unlikely existential hero, standing, like a figure in a painting by Edward Hopper, in stark relief against an unforgiving world.

    Spanish architect Ignacio Abel arrives at Penn Station, the final stop on his journey from war-torn Madrid, where he has left behind his wife and children, abandoning them to uncertainty. Crossing the fragile borders of Europe, he reflects on months of fratricidal conflict in his embattled country, his own transformation from a bricklayer’s son to a respected bourgeois husband and professional, and the all-consuming love affair with an American woman that forever alters his life.Winner of the 2012 Prix Méditerranée Étranger and hailed as a masterpiece, In the Night of Time is a sweeping, grand novel and an indelible portrait of a shattered society, written by one of Spain’s most important contemporary novelists.

    Eighty-year-old Georgy Jachmenev is haunted by his past—a past of death, suffering, and scandal that will stay with him until the end of his days. Living in England with his beloved wife, Zoya, Georgy prepares to make one final journey back to the Russia he once knew and loved, the Russia that both destroyed and defined him. As Georgy remembers days gone by, we are transported to St. Petersburg, to the Winter Palace of the czar, in the early twentieth century—a time of change, threat, and bloody revolution. As Georgy overturns the most painful stone of all, we uncover the story of the house of special purpose.

    Here are genies and flying carpets, Aladdin and Sinbad, Ali Baba, and many other familiar stories, made new by the magical pen of the acknowledged dean of Arabic letters.