VERA & LINUS is a series of short sketches. The book's theme is the love between the two protagonists, Vera and Linus. They are mischief makers and tricksters of the most daring sort, and they are constantly up to no good, but the language holds them with a clear restraint, a restraint born perhaps out of the peculiar nature of their love, a love both for each other and the things of the world. Their mastery, and shifting natures allow them to compel the workaday world as they see it, but not to rule over each other, and so their game begins, as Vera struggles to outwit Linus, and Linus to outwit Vera.

     Farzana is one of the prostitutes at Begum's kotha and Ramakant Bannerjee, the writer, loves her deeply. He's promised to marry her once he has enough money. He's currently writing his most ambitious novel, the story of Kaneez. As the story of Kaneez unfolds, so does the intriguing life of Farzana. What fate does she meet? Read on to find out.

    A mock elegy for the heady joys of old-time Soho, 'The Song of Lunch' displays the full range of Reid's wit, craft and human sympathy.

    

    Shortly before the story opens he has endured a ridiculously humiliating incident that put him off his instrument—as part of a string quartet, he was sent unaware by the Musicians’ Union to “open” for a reunion tour of over-the-hill Hessian metal-gods Volstagg (based on Meat Loaf), who threw the classical musicians offstage. Biding his time until he can afford to leave Philth Town (a tweaked Philadelphia), he now works in a deli run by a despotic Dutchman and lives in a boarding house (The Desmon), among whose other residents are Armless Rob (self-explanatory), Yancey Fishnet (dominatrix), Emmylou Mattressback (basically what you’d expect), and others. Including Tinsel Greetz, an ill-informed anarchist prone to disaster, and Charlie's best friend.As the story opens, Tinsel has founded a “barter system” economy for the various misfits in the Desmon and its affiliated businesses (The Grain Shack, the dive bar Maxine’s, a veterinary office) which results in the destruction of the Shack, a huge pack of dogs being left at the Desmon for Tinsel to deal with, threats of lawsuits and bodily harm, and Tinsel hiding out with his inexplicably understanding girlfriend Zelda. Charlie has been supplementing his deli paycheck via the “Willard Rounds,” the illegal method Philth Town’s Sanitation Department has evolved to deal with its out-of-control sewer rat problem: paying “slag-hands” to go down into the sewers armed with pipes and duffel bags and pays them a fee per quantity of dead rats (“Willard,” above, and “Ben,” as the rats are collectively called, are references to the movies Willard [1971, recently remade starring Crispin Glover] and Ben [1972] in which rats avenge the wrongs done to their human guardians). Tinsel is persona non grata and has lost his gig playing guitar at a bar, so Charlie initiates him into life as a slag-hand, ending in a ridiculously generous haul. To celebrate, Charlie and Tinsel get drunk and—unfortunately—trash Zelda's apartment just as a foreign investor is about to come buy some of her photographs for a French media conglomerate. Furious, Zelda throws them out whereupon they are beaten up by skinheads and end up waking up the next morning worse for wear in a hotel room in one of the poshest hotels in the city, with Louise (the “investor,” who's actually a French journalist). Charlie is instantly, stupidly in love with Louise, reduced to stammering incoherence and suddenly relating to the lyrics of “Total Eclipse of the Heart.” And strange as it might seem, it appears to be mutual.Over the next forty-eight hours, Charlie is on a hellbent journey from disaffected, self-destructive, downwardly mobile slacker to redeeming his former creativity and maturity, as Tinsel and Louise vie for his loyalties. Along the way there are hilarious scenes where the two cleaned-up slag-hands attempt to navigate the stressful environment of a nice restaurant (complete with compulsive table-crumbers and a schmaltzy table-side troubadour who receives his comeuppance when Charlie takes his violin and bears down with classical fury, getting a standing ovation); the three play a vicious game of Death Match culminating in watching a Felix Trinidad-Hector Camacho fight at Maxine’s; and a final denouement in which fallen cinematic genius Delvin Corollo is shooting a vapid costume drama outside the hotel (based on Martin Scorsese and The Age of Innocence) and Tinsel and Charlie conspire to destroy the shoot.Brewing under the surface, Charlie is being forced to confront the “hate” part of his “love-hate” relationship with his extremely trying friend. Louise has offered to take him with her when she leaves town—to cover an uprising in New Guinea, and whatever comes next. Tinsel shows no sign of abandoning his hare-brained schemes—he’s planning to rob a bank now—and Charlie has become disgusted with himself for putting up with Tinsel’s behavior, which includes not only a lack of hygiene and normalcy, but more seriously a streak of casual misogyny and xenophobia that Charlie has always assumed was a joke, but now is not so sure. In a final scene both hilarious and poignant, Charlie takes his revenge on the evil Dutchman who persecuted him at the deli and gives Tinsel the means to attempt the bank job—in other words, enough rope to hang himself.

    A striking and emotionally resonant collection, SUBWAY DANCER AND OTHER STORIES is a compilation of stories originally published in some of the most respected literary magazines in the country, including The Antioch Review, Virginia Quarterly Review, Glimmer Train and Ploughshares. In the award-winning story “Bloodlines,” two neighbors of different ethnicities are friends in spite of their differences…until an argument about expensive purebred dogs versus mutts from the pound brings the whole neighborhood’s precarious balance crashing down. “Bloodlines” was reprinted in Bark Magazine’s best-selling anthology Dog is My Co-Pilot and was cited in Best American Short Stories. In Witness to Breath, a woman living a dangerous life working on the streets takes in an elderly dog left behind when his owner is killed in a robbery. Despite never having been a dog person, their brief relationship changes her in ways she never could have expected.In Disappearances, a man not fluent in his own emotions tries unsuccessfully to broadside a train in his pickup truck, then spends the rest of the story figuring out the first clue to why he’d try to do such a thing.Among the other riveting and beautifully crafted stories included in this collection, “Five Singing Gardeners and One Dead Stranger” and “Requiem For a Flamer” were nominated for the Pushcart Prize, and “The Man Who Found You in the Woods” was cited in Best American Short Stories. This collection includes an Author’s Note by Catherine Ryan Hyde.

    Before you try to judge or condemn me like you walked in my shoes or experienced half the pain I had to endure, First read my story! My life was far from a fairy tale. I've been victimized, falsely imprisoned, and crossed by everyone I knew. My journey to finding love and having everything go wrong in the process has changed me. I had no choice but to fight... Fight for a love I so desperately wanted but was never worthy enough to find. A love that ultimately altered my mental for the worst!My prayers went unanswered!My cries weren't noticed!My plea for salvation was denied!After the numerous trial and tribulations I had to endure... And being the product of such an horrific environment... There's only one question I want to know. "Am I wrong for turning into the person I've become?"

    There is something very familiar about Simon that brings Eleanor great peace, and Simon feels the same way. But when Eleanor's boyfriend, Abe, sees her talking to Simon, his jealousy is unleashed, and he warns her to stay away from Simon. Eleanor refuses, planning to break up with Abe - until an emergency changes her plan. But Eleanor cannot stop thinking about Simon and is shocked when he reveals a secret about their childhood years. Torn between Abe and Simon, Eleanor prays to Gott for an answer. Should she leave the possessive Abe and run to Simon?

    A woman grapples with survivor’s guilt after a body is found in her garden bed; an ageing beauty queen contemplates her past; a world champion free-diver disappears during routine training...In moments disquieting or quietly inspiring, this collection considers the complexity of the connections we make—with our family, friends and neighbours, and with those met briefly or never at all.In her timely debut, Emily Paull voices a chorus of characters that reveal and re-evaluate the expectations of women in Australia today—after all, well-behaved women rarely make history.

    Why, for sixty years, did she persist in loving someone who never gave as much as he was given? In her quest for understanding, she writes her story to this exceptional man. Meeting as children in Chicago, they move to opposite coasts. Elliot embarks on a remarkable legal career in Washington and New York while Judith raises her children alone in California, after tragedy. Coming together again and again throughout their lives, their love is never equal, Elliot defining the terms of the relationship.Judith examines the role of Beauty in love, for Elliot's face and form were beautiful. She considers the role of Consolation, how they supported one another in devastating times. Insanity, Magic, Deceit, Sensory Fulfillment, and, finally, Being Seen—Judith looks at these many aspects of her love.Her feelings for this man cost her, impinged on every other relationship in her life: friends, her two husbands, even her three children. After sixty years, however, it all changes. Judith makes one more profound sacrifice, finally achieving a sort of long-awaited happiness in her love.

    But as she plans her escape to New York City, turmoil erupts and the demands of family stand between her and her suitcase. Darla must, for the first time in her life, cast an unflinching eye on the hard-to-accept truths regarding love, responsibility, and survival. The Bingo Queens of Paradise lyrically blends a powerful comic voice with a poignant tale of a woman who longs to pursue her dreams.

    There have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head. McSweeney’s has won multiple literary awards, including two National Magazine Awards for fiction, and has had numerous stories appear in The Best American Magazine Writing, the O. Henry Awards anthologies, and The Best American Short Stories. Design awards given to the quarterly include the AIGA 50 Books Award, the AIGA 365 Illustration Award, and the Print Design Regional Award.