They sneak into his room, steal his toys, and occasionally, they try to eat him.The place is teeming with monsters!Lucky for Charles, Echo City has Margo Maloo, monster mediator. No matter who’s causing trouble, Margo knows exactly what to do—the neighborhood kids say monsters are afraid of her. It's a good thing, because Echo City's trolls, ogres, and ghosts all have one thing in common: they don't like Charles very much.

    Although a prolific writer of plays, travelogues, novels, and poems, Andersen is best remembered for his fairy tales, a literary genre he so mastered that he himself has become as mythical as the tales he wrote. Andersen's popularity is not limited to children; his stories - called eventyrs, or "fantastic tales" - express themes that transcend age and nationality.During his lifetime he was acclaimed for having delighted children worldwide and was feted by royalty. Andersen's fairy tales, which have been translated into more than 125 languages, have become culturally embedded in the West's collective consciousness, readily accessible to children, but presenting lessons of virtue and resilience in the face of adversity for mature listeners/readers as well. They have inspired motion pictures, plays, ballets, and animated films.

    To renew it, goblins must perform an ancient ritual involving the rarest of their kind—a newborn changeling. But when the fateful night arrives to trade a human baby for a goblin one, something goes terribly wrong. After laying the changeling in a human infant’s crib, the goblin Kull is briefly distracted from his task. By the time he turns back, the changeling has already perfectly mimicked the human child. Too perfectly: Kull cannot tell them apart. Not knowing which to bring back, he leaves both babies behind.Tinn and Cole are raised as human twins, neither knowing what secrets may be buried deep inside one of them. Then when they are twelve years old, a mysterious message arrives, calling the brothers to be heroes and protectors of magic. The boys must leave behind their sleepy town of Endsborough and risk their lives in the Wild Wood, crossing the perilous Oddmire swamp and journeying through the Deep Dark to reach the goblin horde and discover who they truly are.

    In a journal he calls The Miraculous, he records stories of the inexplicable and the extraordinary. These miracles fill Wunder with the feeling that he is not alone, that the world is magical, that he is part of something brighter than he can imagine.But then his newborn sister dies, at only eight days old. If that can happen, then miracles don’t exist. So Wunder gets rid of The Miraculous. And he stops believing.Then Wunder meets Faye—a cape-wearing, outspoken girl with losses of her own. Together, they find an abandoned house by the cemetery and the old woman who lives there—and who might be a witch. The old woman asks for Wunder and Faye’s help. She asks them to go through graveyards and forests, to townhalls and police stations, by bike and by train. She asks them to believe. And together, they go on a journey that leads them to friendship, to healing—and to miracles.THE MIRACULOUS is Jess Redman’s stunning debut about facing grief, trusting the unknown, and finding the brightness in the darkest moments.

    Her slime is the slimiest and her grime is the grimiest. Alas, she is neighbors with Boris Kleanitoff, a persnickety ghoul so tidy he vacuums his vampire bats. What could ever bring these two together? Why, a hoppin' Halloween party, of course!

    Aesop was reputedly a tongue-tied slave who miraculously received the power of speech; from his legendary storytelling came the collections of prose and verse fables scattered throughout Greek and Roman literature. First published in English by Caxton in 1484, the fables and their morals continue to charm modern readers: who does not know the story of the tortoise and the hare, or the boy who cried wolf?

    He’d like nothing more than to fly away to a palm tree with his beloved sister, Aggie. But when Aggie is purchased by twelve-year-old Fritz, and Alastair is adopted by elderly dance-enthusiast and pie-baker Albertina Plopky, the future looks ready to crash-land.In-between anxiously plucking his feathers, eating a few books, and finding his own poetic voice, Alastair plots his way to a family reunion. But soon he’s forced to choose between the life he’s always dreamed of and admitting the truth: that sometimes, the bravest adventure is in letting go.

    But everything changed when Dr. Walker lost his job in the wake of a mysterious incident. Now in dire straits, the family must relocate to an old Victorian house that used to be the home of occult novelist Denver Kristoff—a house that feels simultaneously creepy and too good to be true.By the time the Walkers realize that one of their neighbors has sinister plans for them, they're banished to a primeval forest way off the grid. Their parents? Gone. Their friends? A world away. And they aren't alone. Bloodthirsty medieval warriors patrol the woods around them, supernatural pirates roam the neighboring seas, and a power-hungry queen rules the land. To survive, the siblings will have to be braver than they ever thought possible—and fight against their darkest impulses. The key may lie in their own connection to the secret Kristoff legacy. But as they unravel that legacy, they'll discover it's not just their family that's in danger . . . it's the entire world.

    All Betty Widdershins wants is an adventure--one that takes her far away from Crowstone, the gloomy island where she's always lived. But instead of an adventure, Betty and her sisters, Fliss and Charlie, are given of a set of magical objects, each with its own powers: a scruffy carpet bag, a set of wooden nesting dolls, and a gilt-framed mirror. And these magical objects come with their own terrible secret: the sisters' family is haunted by a generations-long curse that prevents them from ever leaving their island--at the cost of death. The sisters set out to break the curse and free their family forever. But after stumbling upon a mysterious prisoner who claims to be able to help them, they find themselves in great danger. And in order to break the curse--and stay alive--they must unravel a mystery that goes back centuries, one that involves shipwrecks, smugglers, and sorcery of the most perilous kind.

    It seems the sisters need Maud to help stage elaborate séances for bereaved, wealthy patrons. As Maud is drawn deeper into the deception, playing her role as a "secret child," she is torn between her need to please and her growing conscience – until a shocking betrayal makes clear just how heartless her so-called guardians are. Filled with tantalizing details of turn-of-the-century spiritualism and page-turning suspense, this lively historical novel features a winning heroine whom readers will not soon forget.

    Then she meets Ivy Vega. At first, Ivy, pale and dressed all in black, looks like Olivia's opposite. Then the girls look beyond the glittery pink blush and thick black eyeliner to discover they're identical--identical twins!Olivia and Ivy are brimming with plans to switch places and pull every twin trick in the book. But Olivia soon discovers that she and Ivy aren't exactly the same. Ivy's a vampire. And she's not the only one in town.

    For their silence, she bespells a bedknob to carry them where-ever and when-ever. In Bonfires and Broomsticks two years later, they bring necromancer Emelius Jones to visit. But his neighbors want to burn him at the stake for disappearing in the Great Fire of London.

    Just like that. Easy as pie.Sure, she hasn’t mastered reverse propulsion and her loops are kind of sloppy, but she’s real good at loop-the-loops.Problem is, the good folk of Lowland County are afraid of Piper. And her ma is at her wit’s end. So it seems only fitting that she leave her parents’ farm to attend a top-secret, maximum-security school for kids with exceptional abilities.School is great at first with a bunch of new friends whose skills range from super-strength to super-genius. (Plus all the homemade apple pie she can eat!) But Piper is special, even among the special. And there are consequences.Consequences too dire to talk about. Too crazy to consider. And too dangerous to ignore.At turns exhilarating and terrifying, Victoria Forester’s debut novel is an unforgettable story of defiance and courage about an irrepressible heroine who can, who will, who must...fly.

    Problem was, these stories, many of which found their way into the general social consciousness, reflected the way in which these men lived and saw their world: that is, the stories were sexist, discriminatory, unfair, culturally biased, and in general, demeaning to witches, animals, goblins, and fairies everywhere.Finally, after centuries of these abusive tales, which have been handed down--unknowingly--from one male-biased generation to the next, James Finn Garner has taken it upon himself (that's right, yet another man) to enlighten and liberate these classic bedtime stories and retell them in a way that is much more in keeping with the society in which we live today.Politically Correct Bedtime Stories, then is the fruit of Garner's labors. We'd like to think that future generations of fairy-tale fans will see this as a worthy attempt to develop meaningful literature that is totally free from bias and purged from the influences of a flawed cultural past.

    The aim of these editions is to be as close as possible to Beatrix Potter's intentions while benefiting from modern printing and design techniques. The colours and details of the watercolours in the volumes are reproduced more accurately than ever before, and it has now been possible to disguise damage that has affected the artwork over the years. Most notably, The Tale of Peter Rabbit restores six of Potter's original illustrations. Four were sacrificed in 1903 to make space for illustrated endpapers, and two have never been used before. Of course, Beatrix Potter created many memorable children's characters, including Benjamin Bunny, Tom Kitten, Jemima Puddle-duck and Jeremy Fisher. But whatever the tale, both children and adults alike can be delighted by the artistry in Potter's illustrations, while they also enjoy a very good read. Because they have always been completely true to a child's experience, Potter's 23 books continue to endure.