Thirteen years apart.Olivia Shaw has been missing since last Tuesday. She was last seen outside the entrance of her elementary school in Hunts Point wearing a white spring jacket, blue jeans, and pink boots. I force myself to look at the face in the photo, into her slightly smudged features, and I can't bring myself to move. Olivia Shaw could be my mirror image, rewound to thirteen years ago. If you have any knowledge of Olivia Shaw's whereabouts or any relevant information, please contact... I've spent a long time peering into the faces of girls on missing posters, wondering which one replaced me in that basement. But they were never quite the right age, the right look, the right circumstances. Until Olivia Shaw, missing for one week tomorrow. Whoever stole me was never found. But since I was taken, there hasn't been another girl. And now there is.

    John's College-and Ireland's most prolific serial killer. Having stalked his four young victims, he drowned them in the muddy waters of the Grand Canal. Sentenced to life imprisonment when he was just nineteen, Will is locked away in the city's Central Psychiatric Hospital. Freshman Alison Smith moved to the Big Smoke to enrol in St. John's and soon fell hard for Will Hurley. Her world bloomed ... and then imploded when Liz, her best friend, became the latest victim of the Canal Killer-and the Canal Killer turned out to be the boy who'd been sleeping in her bed. Alison fled to the Netherlands and, in ten years, has never once looked back. When a young woman's body is found in the Grand Canal, Garda detectives visit Will to see if he can assist them in solving what looks like a copycat killing. Instead, Will tells them he has something new to confess-but there's only one person he's prepared to confess it to. The last thing Alison wants is to be pulled back into the past she's worked so hard to leave behind. Reluctantly, she returns to the city she hasn't set foot in for more than a decade to face the man who murdered the woman she was supposed to become. Only to discover that, until now, Will has left out the worst part of all ...

    Stephen King's "dark half" may have saved the best for last.A fellow named Richard Bachman wrote Blaze in 1973 on an Olivetti typewriter, then turned the machine over to Stephen King, who used it to write Carrie. Bachman died in 1985 ("cancer of the pseudonym"), but in late 2006 King found the original typescript of Blaze among his papers at the University of Maine's Fogler Library ("How did this get here?!"), and decided that with a little revision it ought to be published.Blaze is the story of Clayton Blaisdell, Jr. --of the crimes committed against him and the crimes he commits, including his last, the kidnapping of a baby heir worth millions. Blaze has been a slow thinker since childhood, when his father threw him down the stairs--and then threw him down again. After escaping an abusive institution for boys when he was a teenager, Blaze hooks up with George, a seasoned criminal who thinks he has all the answers. But then George is killed, and Blaze, though haunted by his partner, is on his own.He becomes one of the most sympathetic criminals of all of literature. This is a crime story of surprising strength and sadness, with a suspenseful current sustained by the classic workings of fate and character--as taut and riveting as Stephen King's The Girl Who Loved Tom Gordon.

    In Prague, working as a translator, she has found a home of sorts—or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore. As such superstition has it, Melmoth travels through the ages, dooming those she persuades to join her to a damnation of timeless, itinerant solitude. To Helen it all seems the stuff of unenlightened fantasy.But, unaware, as she wanders the cobblestone streets Helen is being watched. And then Karel disappears. . . .

    At first, she focuses frantically on finding a way out, until the harrowing truth of her new existence settles in—the crushing loneliness, the terrifying madness of a captor who believes he is saving her from the end of the world, and the persistent temptation to give up. But nothing prepares Blythe for the burden of raising a child in confinement. Deter­mined to give the boy everything she has lost, she pushes aside the truth about a world he may never see for a myth that just might give mean­ing to their lives below ground. Years later, their lives are ambushed by an event at once promis­ing and devastating. As Blythe’s dream of going home hangs in the balance, she faces the ultimate choice—between survival and freedom.

    Paige’s carefully constructed life begins to unravel as the truth of Miles’s paternity threatens to destroy everything she has grown to cherish. As Paige slowly opens herself up—by befriending an eccentric mother, confronting her own deeply buried vulnerabilities, and trying to make sense of her absent father’s unexpected return—she realizes breakthroughs aren’t only for the lab. But when tragedy strikes, Paige must face the consequences of sharing a secret only she knows. With grace and humor, Julie Clark shows that while the science is fascinating, solving these intimate mysteries of who we are and where we come from unleashes emotions more complex than the strands of DNA that shape us.

    Killing men in times like these. Joan has spent a lifetime enduring the cruel acts of men. But when one of them commits a shocking act of violence in front of her, she flees New York City in search of Alice, the only person alive who can help her make sense of her past. In the sweltering hills above Los Angeles, Joan unravels the horrific event she witnessed as a child—that has haunted her every waking moment—while forging the power to finally strike back. Here is the electrifying debut novel from Lisa Taddeo, author of the #1 New York Times bestseller and international phenomenon Three Women, which was named to more than thirty best-of-the-year lists and hailed as “a dazzling achievement” (Los Angeles Times) and “a heartbreaking, gripping, astonishing masterpiece” (Esquire). Animal is a depiction of female rage at its rawest, and a visceral exploration of the fallout from a male-dominated society. With writing that scorches and mesmerizes, Taddeo illustrates one woman’s exhilarating transformation from prey into predator.

    There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi­cial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial kill­ers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right.

    Ahoy, Ava! Welcome home, my sweet jet-setting twin! So glad you were able to wrest yourself away from your dazzling life in the City of Light; I hope my death hasn't interrupted anything too crucial.Ava Antipova has her reasons for running away: a failing family vineyard, a romantic betrayal, a mercurial sister, an absent father, a mother slipping into dementia. In Paris, Ava renounces her terribly practical undergraduate degree, acquires a French boyfriend and a taste for much better wine, and erases her past. Two years later, she must return to upstate New York. Her twin sister, Zelda, is dead.Even in a family of alcoholics, Zelda Antipova was the wild one, notorious for her mind games and destructive behavior. Stuck tending the vineyard and the girls increasingly unstable mother, Zelda was allegedly burned alive when she passed out in the barn with a lit cigarette. But Ava finds the official explanation a little too neat. A little too Zelda. Then she receives a cryptic message from her sister.Just as Ava suspected, Zelda's playing one of her games. In fact, she's outdone herself, leaving a series of clues about her disappearance. With the police stuck on a red herring, Ava follows the trail laid just for her, thinking like her sister, keeping her secrets, immersing herself in Zelda's drama and her outlandish circle of friends and lovers. Along the way, Zelda forces her twin to confront their twisted history and the boy who broke Ava's heart. But why? Is Zelda trying to punish Ava for leaving, or to teach her a lesson? Or is she simply trying to write her own ending?Featuring a colorful, raucous cast of characters, Caite Dolan-Leach's debut thriller takes readers on a literary scavenger hunt for clues concealed throughout the seemingly idyllic wine country, hidden in plain sight on social media, and buried at the heart of one tremendously dysfunctional, utterly unforgettable family.

    He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep and disrupts his plans for personal redemption. With weeks to go until her due date, tough, ebullient Angel has fled her mother’s house, setting her life on a startling new path.Vivid, tender, funny, and beautifully rendered, The Five Wounds spans the baby’s first year as five generations of the Padilla family converge: Amadeo’s mother, Yolanda, reeling from a recent discovery; Angel’s mother, Marissa, whom Angel isn’t speaking to; and disapproving Tíve, Yolanda’s uncle and keeper of the family’s history. Each brings expectations that Amadeo, who often solves his problems with a beer in his hand, doesn’t think he can live up to.The Five Wounds is a miraculous debut novel from a writer whose stories have been hailed as “legitimate masterpieces” (New York Times). Kirstin Valdez Quade conjures characters that will linger long after the final page, bringing to life their struggles to parent children they may not be equipped to save.

    The Soho that Precious and Tabitha live and work in is barely recognisable anymore. And now, the building they call their home is under threat; its billionaire-owner Agatha wants to kick the women out to build expensive restaurants and luxury flats. Men like Robert, who visit the brothel, will have to go elsewhere. The collection of vagabonds and strays in the basement will have to find somewhere else to live. But the women are not going to go quietly. They have plans to make things difficult for Agatha but she isn't taking no for an answer.Hot Stew is an insightful and ambitious novel about property, ownership, wealth and inheritance. It is about the place we occupy in society, especially women, and the importance placed on class and money. It doesn't shy away from asking difficult questions but does so with humour and intelligence.

    They're searching for Ruby's father, missing in the arctic wilderness.More isolated with each frozen mile they cover, they travel deeper into an endless night. And Ruby, deaf since birth, must brave the darkness where sight cannot guide her.She won't abandon her father. But winter has tightened its grip, and there is somebody out there who wants to stop them.Somebody tracking them through the dark.

    In Ashwell, Massachusetts, at the farm of Samuel Hood and his daughter Caroline, a mysterious flock of red birds descends. Samuel, whose fame as a philosopher has waned in recent years, takes the birds' appearance as an omen that the time is ripe for his newest venture. He will start a school for young women, guiding their intellectual development as he has so carefully guided his daughter's. Despite Caroline's misgivings, Samuel's vision--revolutionary, as always; noble, as always; full of holes, as always--takes shape.It's not long before the students begin to manifest bizarre symptoms. Rashes, fits, headaches, verbal tics, night wanderings. In desperation, the school turns to the ministering of a sinister physician--based on a real historic treatment--just as Caroline's body, too, begins its betrayal. As the girls' conditions worsens, long-buried secrets emerge, and Caroline must confront the all-male, all-knowing authorities around her, the ones who insist the voices of the sufferers are unreliable. In order to save herself, Caroline may have to destroy everything she's ever known.Written in intensely vivid prose and brimming with psychological insight, The Illness Lesson is a powerful exploration of women's bodies, women's minds, and the time-honored tradition of doubting both.

    Before, she was never allowed to leave the property, never allowed to talk to Outsiders, never allowed to speak her mind. Because Father John controlled everything—and Father John liked rules. Disobeying Father John came with terrible consequences.But there are lies behind Father John's words. Outside, there are different truths.Then came the fire.

    There is a lovely lamp next to the couch on which she's sleeping, the shade adorned with butterflies. When she wakes, Francie spies a dead butterfly, exactly matching the ones on the lamp, floating in a glass of water. She drinks it before the babysitter can see.Twenty years later, Francie is compelled to make sense of that moment, and two other incidents -- her discovery of a desiccated beetle from a school paper, and a bouquet of dried roses from some curtains. Her recall is exact -- she is sure these things happened. But despite her certainty, she wrestles with the hold these memories maintain over her, and what they say about her own place in the world. As Francie conjures her past and reduces her engagement with the world to a bare minimum, she begins to question her relationship to reality. The scenes set in Francie's past glow with the intensity of childhood perception, how physical objects can take on an otherworldly power. The question for Francie is, What do these events signify? And does this power survive childhood?Told in the lush, lilting prose that led the San Francisco Chronicle to say Aimee Bender is "a writer who makes you grateful for the very existence of language," The Butterfly Lampshade is a heartfelt and heartbreaking examination of the sometimes overwhelming power of the material world, and a broken love between mother and child.