Addie, desperate for answers, must look into her heart -- and into Jack's lies and shadowy secrets -- for evidence that will condemn or redeem the man she has come to love.When Jack St. Bride arrives by chance in the sleepy New England town of Salem Falls, he decides to reinvent himself. Tall, blond, and handsome, Jack was once a beloved teacher and soccer coach at a girls' prep school -- until a student's crush sparked a powder keg of accusation and robbed him of his reputation. Now, working for minimum wage washing dishes for Addie Peabody at the Do-Or-Diner, Jack buries his past, content to become the mysterious stranger who has appeared out of the blue. With ghosts of her own haunting her, Addie Peabody is as cautious around men as Jack St. Bride is around women. But as this unassuming stranger steps smoothly into the diner's daily routine, she finds him fitting just as comfortably inside her heart -- and slowly, a gentle, healing love takes hold between them. Yet planting roots in Salem Falls may prove fateful for Jack. Amid the white-painted centuries-old churches, a quartet of bored, privileged teenage girls have formed a coven that is crossing the line between amusement and malicious intent. Quick to notice the attractive new employee at Addie's diner, the girls turn Jack's world upside down with a shattering allegation that causes history to repeat itself -- and forces Jack to proclaim his innocence once again. Suddenly nothing in Salem Falls is as it seems: a safe haven turns dangerous, an innocent girl meets evil face-to-face, a dishwasher with a Ph.D. is revealed to be an ex-con. As Jack's hidden past catches up with him, the seams of this tiny town begin to tear, and the emerging truth becomes a slippery concept written in shades of gray. Now Addie, desperate for answers, must look into her heart -- and into Jack's lies and shadowy secrets -- for evidence that will condemn or redeem the man she has come to love.

    But in the summer of 1989, when fifteen-year-old Lindy Simpson--free spirit, track star, and belle of the block--experiences a horrible crime late one evening near her home, it becomes apparent that this idyllic stretch of Southern suburbia has a dark side, too. In My Sunshine Away, M.O. Walsh brilliantly juxtaposes the enchantment of a charmed childhood with the gripping story of a violent crime, unraveling families, and consuming adolescent love. Acutely wise and deeply honest, it is an astonishing and page-turning debut about the meaning of family, the power of memory, and our ability to forgive.

    Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then a neighbor, Big Foot, turns up dead. Soon other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind . . .A deeply satisfying thriller cum fairy tale, Drive Your Plow over the Bones of the Dead is a provocative exploration of the murky borderland between sanity and madness, justice and tradition, autonomy and fate. Whom do we deem sane? it asks. Who is worthy of a voice?Duration: 11 hours 39 minutes.

    a literary pirate; an individual capable of doing all that must be done in the universe of books that publishers, authors, and readers must not have a part inLondon, 1890—Pen Davenport is the most infamous bookaneer in Europe. A master of disguise, he makes his living stalking harbors, coffeehouses, and print shops for the latest manuscript to steal. But this golden age of publishing is on the verge of collapse. For a hundred years, loose copyright laws and a hungry reading public created a unique opportunity: books could easily be published without an author’s permission. Authors gained fame but suffered financially—Charles Dickens, Mark Twain, Robert Louis Stevenson, to name a few—but publishers reaped enormous profits while readers bought books inexpensively. Yet on the eve of the twentieth century, a new international treaty is signed to grind this literary underground to a sharp halt. The bookaneers are on the verge of extinction.From the author of The Dante Club, Matthew Pearl, The Last Bookaneer is the astonishing story of these literary thieves’ epic final heist. On the island of Samoa, a dying Robert Louis Stevenson labors over a new novel. The thought of one last book from the great author fires the imaginations of the bookaneers, and soon Davenport sets out for the South Pacific island. As always, Davenport is reluctantly accompanied by his assistant Fergins, who is whisked across the world for one final caper. Fergins soon discovers the supreme thrill of aiding Davenport in his quest to steal Stevenson’s manuscript and make a fortune before the new treaty ends the bookaneers’ trade forever. But Davenport is hardly the only bookaneer with a mind to pirate Stevenson’s last novel. His longtime adversary, the monstrous Belial, appears on the island, and soon Davenport, Fergins, and Belial find themselves embroiled in a conflict larger, perhaps, than literature itself.In The Last Bookaneer, Pearl crafts a finely wrought tale about a showdown between brilliant men in the last great act of their professions. It is nothing short of a page-turning journey to the heart of a lost era.

    Let them slip away like the words of some half-remembered song and when one came back, she wasn't the one we were trying to recall to begin with.'So begins Tikka Molloy's recounting of the summer of 1992 - the summer the Van Apfel sisters, Hannah, the beautiful Cordelia and Ruth - disappear.Eleven and one-sixth years old, Tikka is the precocious narrator of this fabulously endearing coming-of-age story, set in an eerie Australian river valley suburb with an unexplained stench. The Van Apfel girls vanish from the valley during the school's 'Showstopper' concert, held at the outdoor amphitheatre by the river. While the search for the sisters unites the small community on Sydney's urban fringe, the mystery of their disappearance remains unsolved forever.Brilliantly observed, sharp, lively, funny and entirely endearing, this novel is part mystery, part coming-of-age story - and quintessentially Australian. Think The Virgin Suicides meets Jasper Jones meets Picnic at Hanging Rock.

    Left to their own devices, the inseparable sisters spend their days studying record jackets, concocting elaborate fantasies about the life of the mysterious neighbor who moves in down the street, and playing dangerous games on the mountain that rises up behind their house.When young women start showing up dead on the mountain, the girls' father is charged with finding the man responsible, known as The Sunset Strangler. Seeing her father's life slowly unravel when he fails to stop the murders, Rachel embarks on her most dangerous game yet: setting herself up as bait to catch the killer, with consequences that will destroy her father's career and alter the lives of everyone she loves. It is not until thirty years later that Rachel, who has never given up hope of vindicating her father, finally smokes out the killer, bringing her back to the territory of her childhood, and uncovering a long-buried family secret. As with her novel Labor Day, Maynard's newest work is part thriller, part love story. Loosely inspired by the Trailside Killer case that terrorized Marin County in the late seventies, her tale delves deep into the alternately thrilling and terrifying landscape of a young girl's first explorations of adult sexuality and the loss of innocence, the bond between sisters - and into a daughter's tender but damaged relationship with her father, and what it is to finally trust a man.

    Natalie is headstrong, manipulative—and beautiful; Alice is a dreamer who loves books and birds. During their family’s summer holiday at the lake, Alice falls under the thrall of a struggling young painter, Thomas Bayber, in whom she finds a kindred spirit. Natalie, however, remains strangely unmoved, sitting for a family portrait with surprising indifference. But by the end of the summer, three lives are shattered.Decades later, Bayber, now a reclusive, world-renowned artist, unveils a never-before-seen work, Kessler Sisters—a provocative painting depicting the young Thomas, Natalie, and Alice. Bayber asks Dennis Finch, an art history professor, and Stephen Jameson, an eccentric young art authenticator, to sell the painting for him. That task becomes more complicated when the artist requires that they first locate Natalie and Alice, who seem to have vanished. And Finch finds himself wondering why Thomas is suddenly so intent on resurrecting the past.In The Gravity of Birds histories and memories refuse to stay buried; in the end only the excavation of the past will enable its survivors to love again.

    Rescued after a hurricane in South America, doomed to a life of poverty with a swallow medal as her only legacy, the orphaned toddler was adopted by an American family and taken to a new life. As a beautiful, intelligent woman of nineteen, she is in love, engaged, and excited about the future — until another traumatic event shatters her dreams. Menina flees to Spain to bury her misery in research for her college thesis about a sixteenth-century artist who signed his works with the image of a swallow — the same image as the one on Menina’s medal. But a mugging strands Menina in a musty, isolated Spanish convent. Exploring her surroundings, she discovers the epic sagas of five orphan girls who were hidden from the Spanish Inquisition and received help escaping to the New World. Is Menina’s medal a link to them, or to her own past? Did coincidence lead her to the convent, or fate? Both love story and historical thriller, The Sisterhood is an emotionally charged ride across continents and centuries.

    In the ensuing weeks, then months, the police investigation turns up nothing. Echoes of the disappearance reverberate across a tightly woven community, with the fear and loss felt most deeply among its women.Set on the remote Siberian peninsula of Kamchatka, Disappearing Earth draws us into the world of an astonishing cast of characters, all connected by an unfathomable crime. We are transported to vistas of rugged beauty – densely wooded forests, open expanses of tundra, soaring volcanoes and the glassy seas that border Japan and Alaska – and into a region as complex as it is alluring, where social and ethnic tensions have long simmered, and where outsiders are often the first to be accused.In a story as propulsive as it is emotionally engaging, and through a young writer's virtuosic feat of empathy and imagination, this powerful novel provides a new understanding of the intricate bonds of family and community, in a Russia unlike any we have seen before.Beautifully written, thought-provoking, intense and cleverly wrought, this is the most extraordinary first novel from a mesmerising new talent.

    The ship's comforts and possibilities seem infinite. The children - two eleven-year-olds, an eight-year-old, and a six-year-old—love the nonstop buffet and the independence they have at the Kids' Club. But when they all go ashore in beautiful Central America, a series of minor misfortunes leads the families farther and farther from the ship's safety. One minute the children are there, and the next they're gone. What follows is a riveting, revealing story told from the perspectives of the adults and the children, as the once-happy parents - now turning on one another and blaming themselves - try to recover their children and their lives. Celebrated for her ability to write vivid, spare, moving fiction, Maile Meloy shows how quickly the life we count on can fall away, and how a crisis changes everyone's priorities. The fast-paced, gripping plot of Do Not Become Alarmed carries with it an insightful, provocative examination of privilege, race, guilt, envy, the dilemmas of modern parenthood, and the challenge of living up to our own expectations.

    This unknown legacy, now Merritt’s, will change and define her as she navigates her new life—a new life complicated by the arrival of her too young stepmother and ten-year-old half-brother.Soon, in this house of strangers, Merritt is forced into unraveling the Heyward family past as she faces her own fears and finds the healing she needs in the salt air of the Low Country.

    And then, on that particular October evening, it literally arrived at my doorstep."Eight months after dropping out of Tarble, an all-women's college, twenty-two-year-old Ruby Rousseau is still haunted by the memories of her senior year-a year marred by an affair with her English professor and a deep depression that not only caused her to question her own sanity but prompted a failed suicide attempt.And then a mysterious paisley print suitcase arrives, bearing Ruby's name and address on the tag. When Ruby tries to return the luggage to its rightful owner, Beth Richards, her dorm mate at Tarble, she learns that Beth disappeared two days earlier, and the suitcase is the only tangible evidence as to her whereabouts.Consumed by the mystery of the missing girl and the contents of the luggage-a tattered copy of Virginia Woolf's A Room of One's Own, the book on which Ruby based her senior thesis, and which she believes instigated her madness-she sets out to uncover the truth, not only about Beth Richards's past but also her own. In doing so, Ruby is forced to reexamine the people from her past: the professor who whisked her away to New Orleans and then shattered her heart and the ghosts of dead women writers who beckoned her to join their illustrious group. And when Ruby's storyline converges with Beth's in a way she never imagined, she returns to the one place she swore she never would: her alma mater.

    The detective assigned to the case, Conor Reid, swore to protect the sisters from then on.Beth moved on, throwing herself fully into the art world, running the family gallery, and raising a beautiful daughter with her husband Pete. Kate, instead, retreated into herself and took to the skies as a pilot, always on the run. When Beth is found strangled in her home, and Moonlight goes missing again, Detective Reid can’t help but feel a sense of déjà vu.Reid immediately suspects Beth’s husband, whose affair is a poorly kept secret. He has an airtight alibi—but he also has a motive, and the evidence seems to point to him. Kate and Reid, along with the sisters’ closest childhood friends, struggle to make sense of Beth’s death, but they only find more questions: Who else would have wanted Beth dead? What’s the significance of Moonlight?Twenty years ago, Reid vowed to protect Beth and Kate—and he’s failed. Now solving the case is turning into an obsession . . .

    He’s traumatized and wordless; everything he knows has been taken from him in an afternoon. It’s not clear what he saw, or what he remembers.Lucy, who’s grappling with a personal upheaval of her own, feels a profound, unexpected connection to the little boy. She wants to help him…but will recovering his memory heal him, or damage him further? Across town, Clare will soon be turning one hundred years old. She has long believed that the lifetime of secrets she’s been keeping don’t matter to anyone anymore, but a surprising encounter makes her realize that the time has come to tell her story. As Ben, Lucy, and Clare struggle to confront the events that shattered their lives, something stronger than fate is working to bring them together. An expertly stitched story that spans nearly a century—from the Great Depression through the Vietnam War era and into the present—The Possible World is a captivating novel about the complicated ways our pasts shape our identities, the power of maternal love, the loneliness born out of loss, and how timeless bonds can help us triumph over grief.

    Her disappearance destroys her mother, who spends the rest of her life at the lake house, hoping in vain that her favorite daughter will walk out of the woods. Emily’s two older sisters stay, too, each keeping her own private, decades-long vigil for the lost child. Sixty years later Lucy, the quiet and watchful middle sister, lives in the lake house alone. Before she dies, she writes the story of that devastating summer in a notebook that she leaves, along with the house, to the only person to whom it might matter: her grandniece, Justine. For Justine, the lake house offers a chance to escape her manipulative boyfriend and give her daughters the stable home she never had. But it’s not the sanctuary she hoped for. The long Minnesota winter has begun. The house is cold and dilapidated, the frozen lake is silent and forbidding, and her only neighbor is a strange old man who seems to know more than he’s telling about the summer of 1935.Soon Justine’s troubled oldest daughter becomes obsessed with Emily’s disappearance, her mother arrives with designs on her inheritance, and the man she left behind launches a dangerous plan to get her back. In a house steeped in the sorrows of the women who came before her, Justine must overcome their tragic legacy if she hopes to save herself and her children.