Start with SWITCHED AT MARRIAGE EPISODES 1 & 2. Should a fake bride have in-law problems? Justin's mom is desperate to protect him from who she thinks is a predatory, gold digging wife, namely me. And my parents aren't making the situation any better.Can my marriage of convenience survive the in-laws? Scroll up and grab your copy today!

    She's smart, beautiful and takes pride in being a shoulder for everyone to cry on…but when no one is around and reality sets in, she's filled with hurt—a hurt that she can't seem to overcome. Everywhere she turns, she's reminded of the reasons that trust isn't too high on her priority list. But when her heart forms a bond with the one man that she's been trying to steer clear of, her entire mindset begins to change. For most of his life, Caleb has been that guy—the one that no woman should take seriously. He's a playboy, and he doesn't shy away from the title. Women know upfront what he's bringing to the table, and if they don't like it, then they can keep it moving. But what happens when the tables turn? Caleb isn’t used to being the one begging for more, but when it comes to Gabi…that’s exactly the case. He can't stay away, and he doesn't want to. Determined to get what he wants, Caleb goes the extra mile to win Gabi’s heart. But when lines are crossed, and trust is broken, everything takes a turn for the worst. Something so promising quickly turns into heartbreak. Will there be a future for Caleb and Gabi? Or will walking away from each other become their only option?

    To Fire, that’s equivalent to blowing his brains out. He’s not standing for that; no matter what. He let it be known to Pure, that there is no out, and they’re in it for the long haul. Pure thought she saw it all when it comes to Fire, but she hasn’t seen nothing yet. He’s desperate not to lose his family, and is willing to go all out before he does. Zoni comes to her senses and realize she isn’t ready to completely throw away what her and Yurey have. She’s madly in love, and in this case, she feels love conquers all. But showing up to Yurey’s place unannounced, reveals something she wasn’t quite ready for. Something that a little more than love, is needed to fix things. Trouble finds himself battling with his feelings towards Jumma. He’s not sure what he’s feeling but the one thing he does know, is he wants her to remain in his life. He also knows Jumma wants more, and tired of being in the friend zone. But, it isn’t easy being committed to one woman, for Trouble. And Jumma refuses to waste time on a man who doesn’t know what he wants. Seeing that Jumma means business, Trouble has to decide whether the countless amount of women, is worth losing the one woman he’s ever really cared about. In the end, only the couples who love is truly Bona Fide, will remain standing after all they’re about to face.

    Lexus is the middle daughter and being Big Jim’s princess has been nothing shy of perfect for her, until she meets Xavier, or Zay, as he’s known in the streets. Zay is a new soldier who was hired by her brother, Princeton to work for their family. As soon as Lexus and Zay meet there’s an instant attraction, especially since he played hero for her and her best friend, Malaysia. Zay feels the attraction to Lexus almost immediately, but has been warned by her brother that she is off limits. Malaysia is the jealous best friend who wants what Lexus has, by any means necessary. What is she willing to do to get what she wants? Princeton is the only son, who plans to follow in his dad’s footsteps. The tension between he and Big Jim is seen by everyone on the crew. As their beef continues to boil out of control, Princeton begins his plans to take over the empire. But will he wait for his dad to step down before he takes his spot as king of Brooklyn? Will Lexus and Zay be able to fight their feelings for each other or will they act on those feelings despite the warnings from her family? Will Malaysia be the best friend she portrays herself to be or will her jealousy drive a wedge between her and Lexus? Will Princeton’s drama take him to the top or will it be his downfall? Find out how this family gets down as everyone tries to claim what’s theirs, even when it belongs to someone else.

    The guide should be used with the novel, not instead of it, so please pick up a copy before buying this book if you haven’t already done so. Snapshot Books is meant to enhance the experience of fans as a refresher, and for use by book clubs. Inside you will discover: A book summary and analysis with commentary Character list A look at symbols, themes and motifs Commentary on the book as well as details on plot, settings and final thoughts Great for book club questions and discussion topics Snapshot Books introduces a companion to Edge of Eternity, by Ken Follett for fans and book clubs to enhance your reading experience.

    But Salamanca Cottage is not all that it seems and soon she finds that she is not alone. Then she has decide if the being she talks to and finds herself becoming fond of is real or merely a manifestation of her grief and longing.

    Born into the pleasant middle-class world of Kansas City, Missouri, in 1911, Harlow (nee Harlean Carpenter) was the daughter of a solid, if dull, dentist, whose wife had unfulfilled aspirations to a career in films. The family was hardly prepared for what came next. Jean became a bride at sixteen, was separated at eighteen, a film goddess at twenty, a wife again at twenty-one, and a widow within a few months of the wedding. Her husband, top MGM executive Paul Bern, committed suicide (it was widely and mistakenly believed) out of despair over impotence.Bern's suicide threatened to plunge Jean Harlow into a scandal that might have ended her career. But, driven by her irresistible sparkle, glamour, and sensuality, the young star's fortunes continued to skyrocket in unforgettable films like Red Dust, Dinner at Eight, Bombshell, Reckless, China Seas, and Libeled Lady as she appeared with the likes of Clark Gable, John and Lionel Barrymore, Mary Astor, Marie Dressler, Wallace Beery, Rosalind Russell, Spencer Tracy, and William Powell.She married a third time in 1933, was divorced a year later, only to become engaged to her sometime costar William Powell. Noting that the extremely well-paid Blonde Bombshell was perpetually on the ragged edge of bankruptcy, Powell hired a private detective to investigate Harlow's stepfather, Marino Bello, who - it turned out - had long been defrauding her. Despite this and the on-again, off-again engagement to Powell, Harlow seemed unstoppable. Then, in the midst of filming Saratoga in 1937, the twenty-six-year-old Platinum Girl succumbed to kidney failure.In this, the first biography of Harlow since Irving Shulman's sensationalistic and often inaccurate 1964 book, Eve Golden explores the woman behind the legends and the scandals. The world evoked here is at once glamorous, nostalgic, poignant, and tragic. Yet, in its way, the brief life of Jean Harlow is a story of success, of a triumphal struggle with Hollywood and the consequences of rapid fame. Golden's deeply researched narrative is lavishly illustrated with rare film stills, posters, and exclusive photographs from family archives. Harlow emerges not as an oversexed mannequin, but as a vulnerable, hard-working, and tremendously likable woman who molded herself into a remarkable actress. This is an important book about one of Hollywood's most extraordinary personalities.

    

    DeMille lived a life as epic as any of his cinematic masterpieces. As a child DeMille learned the Bible from his father, a theology student and playwright who introduced Cecil and his older brother, William, to the theater. Tutored by impresario David Belasco, DeMille discovered how audiences responded to showmanship: sets, lights, costumes, etc. He took this knowledge with him to Los Angeles in 1913, where he became one of the movie pioneers, in partnership with Jesse Lasky and Lasky’s brother-in-law Samuel Goldfish (later Goldwyn). Working out of a barn on streets fragrant with orange blossom and pepper trees, the Lasky company turned out a string of successful silents, most of them directed by DeMille, who became one of the biggest names of the silent era. With films such as The Squaw Man, Brewster’s Millions, Joan the Woman, and Don’t Change Your Husband, he was the creative backbone of what would become Paramount Studios. In 1923 he filmed his first version of The Ten Commandments and later a second biblical epic, King of Kings, both enormous box-office successes. Although his reputation rests largely on the biblical epics he made, DeMille’s personal life was no morality tale. He remained married to his wife, Constance, for more than fifty years, but for most of the marriage he had three mistresses simultaneously, all of whom worked for him. He showed great loyalty to a small group of actors who knew his style, but he also discovered some major stars, among them Gloria Swanson, Claudette Colbert, and later, Charlton Heston. DeMille was one of the few silent-era directors who made a completely successful transition to sound. In 1952 he won the Academy Award for Best Picture with The Greatest Show on Earth. When he remade The Ten Commandments in 1956, it was an even bigger hit than the silent version. He could act, too: in Billy Wilder’s classic film Sunset Boulevard, DeMille memorably played himself. In the 1930s and 1940s DeMille became a household name thanks to the Lux Radio Theater, which he hosted. But after falling out with a union, he gave up the program, and his politics shifted to the right as he championed loyalty oaths and Sen. Joseph McCarthy’s anticommunist witch hunts. As Scott Eyman brilliantly demonstrates in this superbly researched biography, which draws on a massive cache of DeMille family papers not available to previous biographers, DeMille was much more than his clichéd image. A gifted director who worked in many genres; a devoted family man and loyal friend with a highly unconventional personal life; a pioneering filmmaker: DeMille comes alive in these pages, a legend whose spectacular career defined an era.

    To commemorate its seventy-fifth anniversary in 2014, The Making of Gone With The Wind presents more than 600 items from the archives of David O. Selznick, the film’s producer, and his business partner John Hay “Jock” Whitney, which are housed at the Harry Ransom Center at the University of Texas at Austin. These rarely seen materials, which are also being featured in a major 2014 exhibition at the Ransom Center, offer fans and film historians alike a must-have behind-the-camera view of the production of this classic.Before a single frame of film was shot, Gone With The Wind was embroiled in controversy. There were serious concerns about how the film would depict race and violence in the Old South during the Civil War and Reconstruction. While Clark Gable was almost everyone’s choice to play Rhett Butler, there was no clear favorite for Scarlett O’Hara. And then there was the huge challenge of turning Margaret Mitchell’s Pulitzer Prize–winning epic into a manageable screenplay and producing it at a reasonable cost. The Making of Gone With The Wind tells these and other surprising stories with fascinating items from the Selznick archive, including on-set photographs, storyboards, correspondence and fan mail, production records, audition footage, gowns worn by Vivien Leigh as Scarlett, and Selznick’s own notoriously detailed memos.This inside view of the decisions and creative choices that shaped the production reaffirm that Gone With The Wind is perhaps the quintessential film of Hollywood’s Golden Age and illustrate why it remains influential and controversial decades after it was released.

    144 pp. Ages 14 and up. Pub: 3/98.

    These and other hitherto unfamiliar stories of directors belonging to the 100 crore club like Rohit Shetty and Rakeysh Omprakash Mehra; the adventurous Kabir Khan; and the maverick, Mahesh Bhatt take us through the unusual lives of 15 filmmakers of extraordinary films. Sonia Golani achieves the incredible by sitting each director down to candidly discuss the hype around the Oscars; the exclusivity of the 100 crore club ; effect of corporatization and much more. Decoding Bollywood is more about demystifying the world of Bollywood than a mere decoding of 15 directors who have created benchmarks in their respective genres for generations to follow.

    Some of the country s finest theatre and film talents all at key stages in their careers participated in its creation, but the journey was anything but smooth. Among other things, it involved bumping off disco killers and talking gorillas, finding air-conditioned rooms for dead rats, persuading a respected actor to stop sulking and eat his meals, and resisting the temptation to introduce logic into a madcap script. In the end, it was worth it.Kundan Shah s Jaane Bhi Do Yaaro is now a byword for the sort of absurdist, satirical humour that Hindi cinema just hasn t seen enough of. This is the story of how it came to be despite incredible odds and what it might have been. Jai Arjun Singh s engaging take on the making of the film and its cult following is as entertaining as the film itself.

    It chronicles the good with the ugly, revealing the great power McQueen wielded. It features numerous behind-the-scenes stories from some of his (and cinema's) greatest films, including The Magnificent Seven, The Great Escape, The Sand Pebbles, The Thomas Crown Affair, Bullitt, The Getaway, and Papillon. The book's triumph is the way in which the author explores McQueen in full through his larger-than-life exploits but as important, the lesser known, humanitarian side of the Hollywood legend. It also captures the fundamental essence of what made McQueen cinema's "King of Cool."

    Hundreds of film stills, many in color, plus dialogue, quotations, and other sources add to and illustrate each chapter's overriding theme.