From punk to mod to New Romantic, and eventually to acclaimed poet, Simon Armitage writes about a life where music and poetry have been core.

    Included are: Alice's Adventures in Wonderland, Through the Looking-Glass, Sylvie and Bruno, Sylvie and Bruno Concluded, "The Hunting of the Snark," and Lewis' poetry, phantasmagoria, stories, miscellany, and "acrostics, inscriptions, and other verse."The following have also never appeared in print except in their original editions: "Resident Women Students," "Some Popular Fallacies about Vivisection," "Lawn Tennis Tournaments," "Rules for Court Circular," "Croquet Castles," "Mischmasch," "Doublets," "A Postal Problem," "The Alphabet-Cipher," and "Introduction to The Lost Plum Cake."

    The Early Years collects the lyrics—formative and classic—from the first ten albums of this true bard of hard living. A celebration of both his words and of the artist himself, this lyrical biography charts the course from Wait's emotional debut album, Closing Time (1977), to the experimental stirrings in Heartattack and Vine (1991) and One from the Heart (1992). Here the words achieve a new potency, adding further dimension to this singularly gifted artist.

    He doesn’t intend things to fall apart around him, but they generally do just that! Since childhood, he hated the surname fate pushed upon him by an uncaring father and a doting mother. His father abandons the family in order to run off with a ‘slapper’ from his workplace, leaving a bitter wife who’s only solace is the local Catholic priest. Father Reilly’s visits to her home are the only relief from the day to day drudgery. Roger befriends a girl, Mary, and at last finds something worthwhile in his young life. But, Mary lets him down when she goes off with Roger’s arch enemy, Billy Brown. Roger’s faith in women is destroyed and he vows never to become involved again, which is not difficult for Roger who appears to take very little interest in anything of a physical nature. The story takes the reader through Roger’s school days, university, and his dramatic entrance into the workforce. At first, Roger’s naivety causes all kinds of hilarious disasters, some of them with fatal consequences. Later in life, as he matures, he becomes more calculating, always putting himself first in order to take advantage of a situation. From time to time he touches base with home and his first love, Mary; never realising that the torch she once carried for him still burns brightly. In the vein of Tom Sharpe and Ben Elton, this story leads the reader through life according to Roger. You will either love him or hate him; however, you will almost certainly know someone just like him!

    She decides to swap the hectic streets of London for a slower pace of life in the sleepy Kent village of Cloverdale St Mary, but her move to the countryside runs into problems when she finds that her new home is haunted. Meadow Cottage is still home to the man who re-built it from a derelict ruin twenty years before, the ghost of Harry Black. Candice defies his attempts to force her to leave and they agree to share the idyllic village home. The question is can a mortal and a ghost live together?

    For years, millions of people have used this great program. Especially since it is imbedded in all the new phones. Of course, there is a way to disable autocorrect if you really want to. However, not many people do. Why would they? It is just too hilarious when it happens!

    Growing up in Yorkshire and then CountyDurham, the boy who would be Reeves somehow managed to escape the attentions of 'Randy Mandy' and get a crash course in pig castration, before having encounters with Jimi Hendrix and the Yorkshire Ripper.Peopled with weird and wonderful characters, Vic Reeves' memoir is authentic, witty and inventive, and as unique as you'd expect from one of Britain's most exceptional comedy talents.

    The second book from Brandon Boyd which follows up the successful White Fluffy Clouds, From the Murks of the Sultry Abyss comes in a special outer box, a limited edition #d sheet of stickers of artwork from Boyd, and the book itself comes sealed.

    Best known as the lead singer and enigmatic front man, songwriter, bassist of The Church, Steve has experienced both amazing international success and all the excesses that go with it, as well as a well known heroin addiction that delivered some very dark times. The Church has been a significant and constant influence on the Australian music industry and readers will be keen to hear from one of the industry's most successful, creative and long-standing key protagonists. Kilbey is Australian rock and roll royalty and for the first time this is his story. Come inside the world of Steve Kilbey singer songwriter and bassist of one of Australia's best loved bands, The Church. From his migrant ten pound pom childhood through his adolescence growing up during the advent of The Beatles, Dylan and The Stones to his early adventures in garage bands and neighbourhood jams. His misadventures with a full time job and a 9 to 5 life and wild adventures with The Church as they conquer Australia and then the world. The tours. The records. The women. And then the heroin addiction which enslaved him for ten long years. Then the two sets of twins he fathers along the way and branching off into acting, painting and writing. From snowy Sweden to a cell in New York City, from Ipanema beach to Bondi, Kilbey stumbles through his surrrealistic life as an idiot savant that will make you smile as well as want to kick him up the arse. After coming out the other side his tale is simply too good not to be told. Narrated with unusual and often pristine clarity we and with much focus on his considerable musical talent.

    He just comes with boundless energy, spirit, and love, all waiting to be shaped. And one of the powerful forces in the shaping is the wish to grow up to be "just like Dad," who was himself a young boy once. With apologies to mothers and daughters, there's really nothing like the primal bond between a son and his father. A little book of wisdom for fathers on raising boys, "Father to Son" is a guide to the joys and responsibilities of fatherhood. Divided into sections covering the different stages of a boy's life, the book features one succinct lesson per page--some lighthearted, some serious, all supported by the book's strong moral backbone. Here is the importance of passing along skills-- "Show him how to eat an Oreo." "Show him how to put a baseball in a new glove and wrap a belt around it." Of setting a good example--"Be home for dinner." "Do push-ups together." Of staying involved-- "Race him. You'll never forget the day he beats you." "Be sure to meet his girlfriends." Being flexible--"If his favorite thing about organized sports is the uniform, let him wear it to school." Offering guideposts, material and intangible-- "Hang a punching bag in the garage." "Put a computer in his room. Never a TV." "Never tell him boys don't cry-ask him why he's crying." Nurturing responsibility-- "Make him understand that even a small lie makes him a liar." "Teach him the joy of finishing a job." And instilling wonder--"Teach him the joys of staring at the moon." "Encourage him to go barefoot."

    Vivid, eloquent, haunting, For the Time Being evokes no less than the terrifying grandeur of all that remains tantalizingly and troublingly beyond our understanding.

    Besides being president, the natives treat him as a god. to the American DEA he is a dangerous criminal. US President Clifford J. Clooney decides to invade. Onto this island of sun, surf, beautiful women and mysterious ruins arrives Bondi surf journalist Brian Bradshaw. Brian came to find a story, then return home to write it. He didn't expect to get involved in something almost impossible to comprehend, fall in love and get taken literally for the ride of his life.

    And now he has gathered from around the world the poems he loves – poems that have inspired and challenged him over the years, a number of which he has set to music. This wide-ranging and deeply moving anthology combines the ancient and the modern, the hallowed and the profane, the famous and the little known, to speak to two of literature’s great themes that have proven so powerful in his music: love and death – plus everything in between.Here are poems by Yehuda Amichai, W.H. Auden, Tusiata Avia, Hera Lindsay Bird, William Blake, Bertolt Brecht, Constantine Cavafy, Alison Croggon, Mahmoud Darwish, Emily Dickinson, John Donne, Ali Cobby Eckermann, James Fenton, Thomas Hardy, Kevin Hart, Gwen Harwood, Seamus Heaney, Philip Hodgins, Homer, Gerard Manley Hopkins, Langston Hughes, John Keats, Ono No Komachi, Maxine Kumin, Philip Larkin, Li-Young Lee, Norman MacCaig, Paula Meehan, Czeslaw Milosz, Les Murray, Pablo Neruda, Sharon Olds, Ovid, Sylvia Plath, Dorothy Porter, Rumi, Anne Sexton, William Shakespeare, Izumi Shikibu, Warsan Shire, Kenneth Slessor, Wislawa Szymborska, Máire Mhac an tSaoi, Ko Un, Walt Whitman, Judith Wright, W.B. Yeats and many more.

    So great was his stature as an Urdu poet that he never had to mould his poetry to suit the demands of film songwriting; instead, producers and composers adapted their requirements to his poetry. His songs in films like Pyaasa, Naya Daur and Phir Subah Hogi have attained the status of classics. This exhaustive biography traces the poet’s rich life, from his troubled childhood and his equally troubled love relationships, to his rise as one of the pre-eminent personalities of the Progressive Writers Movement and his journey as lyricist through the golden era of Hindi film music, the 1950s and 1960s.

    He was an architect of British comedy, paving the way for Monty Python, and then became a major Hollywood star, forever remembered as Igor in Mel Brooks’ Young Frankenstein. A writer, director, performer and true pioneer of his art, he died aged only 48. His name was Marty Feldman, and here, at last, is the first ever biography. Acclaimed author Robert Ross has interviewed Marty’s friends and family, including his sister Pamela, Tim Brooke-Taylor, Michael Palin and Terry Jones, and also draws from extensive, previously unpublished and often hilarious interviews with Marty himself, taped in preparation for the autobiography he never wrote. No one before or since has had a career quite like Marty’s. Beginning in the dying days of variety theatre, he went from the behind the scenes scriptwriting triumphs of Round the Horne and The Frost Report to onscreen stardom in At Last the 1948 Show and his own hit series Marty. That led to transatlantic success, his work with Mel Brooks, and a five-picture deal to write and direct his own movies.From his youth as a tramp on the streets of London, to the height of his fame in America – where he encountered everyone from Orson Welles to Kermit the Frog, before his Hollywood dream became a nightmare – this is the fascinating story of a key figure in the history of comedy, fully told for the first time.