In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

    Aliette de Bodard, multiple award winner and author of The Tea Master and the Detective, now brings readers fourteen dazzling tales that showcase the richly textured worldbuilding and beloved characters that have brought her so much acclaim.Come discover the breadth and endless invention of her universes, ranging from a dark Gothic Paris devastated by a magical war; to the multiple award-winning Xuya, a far-future space opera inspired by Vietnamese culture where scholars administrate planets and sentient spaceships are part of families.In the Nebula award and Locus award winning "Immersion", a young girl working in a restaurant on a colonized space station crosses paths with an older woman who has cast off her own identity. In the novelette "Children of Thorns, Children of Water", a shapeshifting dragon infiltrating a ruined mansion finds more than he's bargained for when his partner is snatched by eerie, child-like creatures. And in the award-winning "Three Cups of Grief, by Starlight", three very different people--a scholar, an engineer, and a spaceship--all must deal with the loss of a woman who was the cornerstone of their world. This collection includes a never-before seen 20,000-word novella, "Of Birthdays, and Fungus, and Kindness", set in Bodard's alternative dark Paris. Limited: 1250 signed numbered hardcover copiesTable of Contents: Introduction The Shipmaker The Jaguar House, in Shadow Scattered Along the River of Heaven Immersion June The Waiting Stars Memorials The Breath of War The Days of the War, as Red as Blood, as Dark as Bile The Dust Queen Three Cups of Grief, by Starlight A Salvaging of Ghosts Pearl Children of Thorns, Children of Water Of Birthdays, and Fungus, and Kindness (original novella) Story Notes

    He is living in rural Sitra Falls, Oregon trying to deal with hyper-vigilance and ease back into civilian life.When an unusual looking young woman enters his favorite breakfast place he befriends her. Little does he know he'll kill for her before lunch and start an adventure that will take him around the world and off planet.When you have every sort of alphabet agency human and alien hunting for you survival is the hard part. But you might as well get rich too.

    But when a terrified woman falls through his bathroom ceiling, he's forced back into a life of gunfights, double agents and paranormal research. The secret he's been keeping for nearly four decades might reunite him with his lost love, or kill millions.This new short story by John August falls into the genre of paranoid "spy-fi" popularized by writers like Jorge Luis Borges and shows like The Prisoner and The Man from U.N.C.L.E.== What Others Say =="I really dug the story. Gave it a glance just to see, got totally hooked, and blazed on through to the end."-- Michael Chabon (The Amazing Adventures of Kavalier & Clay, The Yiddish Policemen's Union) "The Variant" is both a good, fun, smart story and an interesting experiment in indie self-publishing for fiction."-- John Gruber, daringfireball.net== About the Author ==An excerpt of The Variant is available at johnaugust.com/variant About the AuthorJohn August is the screenwriter of eight feature films, including Go, Big Fish, Charlie and the Chocolate Factory and Corpse Bride. He wrote and directed the 2007 movie The Nines.He can be found on Twitter, @johnaugust

    These stories are today.Following up on her first collection, Story Prize finalist Maureen F. McHugh explores the catastrophes, small and large, of twenty-first century life—and what follows after. What happens after the bird flu pandemic? Are our computers smarter than we are? What does the global economy mean for two young girls in China? Are we really who we say we are? And how will we survive the coming zombie apocalypse?

     Author's note: This story was previously published as ENTER THE DEATH CIRCUS. EPISODE 1: When love is crime, who will save the guilty? After falling in love and fathering a child, a young criminal refuses to voluntarily throw himself into a lake of fire to gain his community's forgiveness. So he's sentenced to death and sold to the owner of a spaceship that buys criminals like him. But the ship and its crew are not quite what they appear to be.

    Only his second collection (the first was Dark Carnival, later reworked into The October Country), it is a marvelous, if mostly dark, quilt of science fiction, fantasy, and horror. In an ingenious framework to open and close the book, Bradbury presents himself as a nameless narrator who meets the Illustrated Man--a wanderer whose entire body is a living canvas of exotic tattoos. What's even more remarkable, and increasingly disturbing, is that the illustrations are themselves magically alive, and each proceeds to unfold its own story, such as "The Veldt," wherein rowdy children take a game of virtual reality way over the edge. Or "Kaleidoscope," a heartbreaking portrait of stranded astronauts about to reenter our atmosphere--without the benefit of a spaceship. Or "Zero Hour," in which invading aliens have discovered a most logical ally--our own children. Even though most were written in the 1940s and 1950s, these 18 classic stories will be just as chillingly effective 50 years from now. --Stanley WiaterContents:· Prologue: The Illustrated Man · ss * · The Veldt [“The World the Children Made”] · ss The Saturday Evening Post Sep 23 ’50 · Kaleidoscope · ss Thrilling Wonder Stories Oct ’49 · The Other Foot · ss New Story Magazine Mar ’51 · The Highway [as by Leonard Spalding] · ss Copy Spr ’50 · The Man · ss Thrilling Wonder Stories Feb ’49 · The Long Rain [“Death-by-Rain”] · ss Planet Stories Sum ’50 · The Rocket Man · ss Maclean’s Mar 1 ’51 · The Fire Balloons [“‘In This Sign...’”] · ss Imagination Apr ’51 · The Last Night of the World · ss Esquire Feb ’51 · The Exiles [“The Mad Wizards of Mars”] · ss Maclean’s Sep 15 ’49; F&SF Win ’50 · No Particular Night or Morning · ss * · The Fox and the Forest [“To the Future”] · ss Colliers May 13 ’50 · The Visitor · ss Startling Stories Nov ’48 · The Concrete Mixer · ss Thrilling Wonder Stories Apr ’49 · Marionettes, Inc. [Marionettes, Inc.] · ss Startling Stories Mar ’49 · The City [“Purpose”] · ss Startling Stories Jul ’50 · Zero Hour · ss Planet Stories Fll ’47 · The Rocket [“Outcast of the Stars”] · ss Super Science Stories Mar ’50 · Epilogue · aw *

    with a peculiar talent.After years of destitution, Adam Eden's life is finally on the up. But, whilst out celebrating his recent good fortune, Adam unwittingly chooses death over embarrassment.Awaking in a future of leisure, luxury, and immortality, Adam suffers serious shrinkage and is branded an 'undesirable'. Shunned by family and neighbours for his first-life sins, can he find respect and redemption in this tightly controlled world? Facing a grim eternity, Adam wants out.A randomly chosen day trip changes everything.Though cruel and heartless, they always let you choose your weapon.

    For a woman like Hadley, deemed not acceptable to procreate, there’s only one recourse. Unlicensed for motherhood, she can alleviate her grief and frustration at a “baby library,” where a curiously endless supply of infants is available for a two-week loan. But the borrowed life that serves as a temporary balm leads to a journey of self-discovery that will forever change the direction of Hadley’s future.Roxane Gay’s Graceful Burdens is part of Out of Line, an incisive collection of funny, enraging, and hopeful stories of women’s empowerment and escape. Each piece can be read or listened to in a single thought-provoking sitting.

    In his singular universe, televisions talk (and sometimes sing), animals live in small apartments where their nephews visit from the sea, and men and women and boys and girls fall down wells and fly through space and find love on Ferris wheels. In a voice full of fable, myth, and dream, Stories for Nighttime and Some for the Day draws us into a world of delightfully wicked recognitions, and introduces us to a writer of uncommon talent and imagination.Contains 40 stories, including "The Duck," "The Man and the Moose," and "Death and the Fruits of the Tree," as heard on NPR's This American Life, "The Book," as heard on Selected Shorts, and "The TV," as found in The New Yorker.A selection of the Barnes & Noble Discover Great New Writers Program and the Starbucks Coffee Bookish Reading Club.Winner of the 2011 Nobbie Award for Best Book of the Year."This guy can write!" –Ray Bradbury, author of Fahrenheit 451

    Quarterly 4 contains Issues 34 (Monsters), 35 (Dark Comedy) and 36 (Different), plus exclusive new content!TABLE OF CONTENTSIssue 34: Monsters“The Fire” by Timothy T. Murphy“Inhuman Resources” by William Gerke“Waiting in the Light in the Hungry Months” by Megan Engelhardt“Skin and Scales” by Rachel Bender“Monsters, Monsters Everywhere” by Carrie Cuinn“Raw Materials” by Bernie Mojzes (Exclusive New Fiction)Issue 35: Dark Comedy“Jezebel’s Blouse” by Timothy T. Murphy“Jason’s Shoes” by Richard Bist“The Execution of Zacharius Grubb” by Bethan Claire Price“Chasing Persephone” by Natalie Stachowski“Worse Than a Devil” by Sarina DorieIssue 36: Different“Black Betty” by Nisi Shawl“Portrait of a Courtesan” by Megan Arkenberg“The Last Recall” by Mason Ian Bundschuh“Second Place” by Sarah A. Drew“Zeppelin Follies” by Cat Rambo“The Remote-Controlled Doggirl” by Lara Ek“Beaumains” by Jo ThomasPoem: “Stuck On a Boat With a Soccer Mom” by Helen Estrada“Young Lions” by Zachary Jernigan“My Other Half” by Maria Stanislav“There Was a Little Girl” by Tom Howard (Exclusive New Fiction)ArtCover Art – “The Very Ugly Duckling” by Minna Sundberg

    A well-timed leak has revealed that the US government might have engaged in first contact. Cora Sabino is doing everything she can to avoid the whole mess, since the force driving the controversy is her whistleblower father. Even though Cora hasn’t spoken to him in years, his celebrity has caught the attention of the press, the Internet, the paparazzi, and the government—and with him in hiding, that attention is on her. She neither knows nor cares whether her father’s leaks are a hoax, and wants nothing to do with him—until she learns just how deeply entrenched her family is in the cover-up, and that an extraterrestrial presence has been on Earth for decades.Realizing the extent to which both she and the public have been lied to, she sets out to gather as much information as she can, and finds that the best way for her to uncover the truth is not as a whistleblower, but as an intermediary. The alien presence has been completely uncommunicative until she convinces one of them that she can act as their interpreter, becoming the first and only human vessel of communication. Their otherworldly connection will change everything she thought she knew about being human—and could unleash a force more sinister than she ever imagined.

    Since its publication in 1895, The King in Yellow has inspired other horror-genre writers including H. P. Lovecraft, and the text is referenced by many works of fiction, in music, and by the hit television series True Detective, starring Matthew McConaughey and Woody Harrelson. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library_We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

    Bread is a good start for sustenance.Don Eyr and Serana were survivors who came to Low Port – it gave them air, water, a place to stand and a place to make bread. The place to sleep meant they needed a certain amount of safety and to get that they founded a bakery at the corner of Crakle and Toom, brought in others seeking to survive in the midst of the poverty and ignorance, and built a tiny bastion of a self-sufficient community dedicated to raising competent, alert children who understood decency.Low Port toughs tried to break the bakery and a planet-shaking blast from the skies nearly did it in, but the bakery was hope, and people who have hope will fight to keep it.This chapbook collects four stories about sustenance, all about the bakery, its people, and its influence. ″Degrees of Separation,″ ″Fortune’s Favors,″ and "Block Party" are reprints. The novelette ″Our Lady of Benevolence″ appears here for the first time.

    . .Kindred Spirits is about Elena, who decides to queue to see the new Star Wars movie and meets Gabe, a fellow fan.Midnights was previously published as part of the My True Love Gave to Me anthology, edited by Stephanie Perkins and Kindred Spirits was previously published as a World Book Day title.