Jenny, the mother, is in charge of lopping any small limbs off the logs with a hatchet. Wade, the father, does the stacking. The two daughters, June and May, aged nine and six, drink lemonade, swat away horseflies, bicker, and sing snatches of songs as they while away the time.But then something unimaginably shocking happens, an act so extreme it will scatter the family in every different direction.In a story told from multiple perspectives and in razor-sharp prose, we gradually learn more about this act, and the way its violence, love and memory reverberate through the life of every character in Idaho.

    . . It's late at night and the rain is pouring down on the Dublin city streets. A mother is grieving for her dead child. She stands silently outside the home of the teenage boy she believes responsible. She watches . . .In a kitchen on the same square, a girl waits anxiously for her mum to come home. She knows exactly where she is, but she knows she cannot reach her. A few doors down, and a widow sits alone in her room. She has just delivered a bombshell to her family during dinner and her life is about to change forever. And an aspiring theatre director has just moved in to a flat across the street. Her landlord is absent, but there are already things about him that don't quite add up . . .Welcome to Primrose Square.

    A UC Santa Barbara professor, she’s a female-serial-killer expert who’s quick with a deflection joke and terrible at getting personal. And she, just like her four best guy friends and fellow professors, is perma-single.So when a routine university function turns into a black tie gala, Mille and her circle make a pact that they’ll join an online dating service to find plus-ones for the event. There’s only one hitch: after making the pact, Millie and one of the guys, Reid Campbell, secretly spend the sexiest half-night of their lives together, but mutually decide the friendship would be better off strictly platonic.But online dating isn’t for the faint of heart. While the guys are inundated with quality matches and potential dates, Millie’s first profile attempt garners nothing but dick pics and creepers. Enter “Catherine”—Millie’s fictional profile persona, in whose make-believe shoes she can be more vulnerable than she’s ever been in person. Soon “Catherine” and Reid strike up a digital pen-pal-ship...but Millie can’t resist temptation in real life, either. Soon, Millie will have to face her worst fear—intimacy—or risk losing her best friend, forever.

    Deeply in love, Christophe and Joy Lammenais built Chateau Lammenais into a small but renowned Napa Valley winery and an idyllic home where they raised their beloved daughter, Camille, who takes on increasing responsibilities for the estate they all treasure. But after Joy's early death from breast cancer just after Camille's graduation from Stanford, a lonely Christophe soon falls prey to the machinations of a sophisticate from his native France-who moves, with her two reprobate sons, to consolidate her power over Camille and the property when Christophe is killed in a plane crash. With a French "fairy godmother" on the scene, however, the son of a neighboring vintner to assist, and a grand Harvest Ball on the horizon, lovely Camille may make some potent magic of her own..

    She would never have met Conor. Or got to know Lucas...And she wouldn't have found herself falling in love with someone she really, really shouldn't fall in love with...

    One Fifth Avenue, the Art Deco beauty towering over one of Manhattan's oldest and most historically hip neighborhoods, is a one-of-a-kind address, the sort of building you have to earn your way into -- one way or another. For the women in Candace Bushnell's new novel, One Fifth Avenue, this edifice is essential to the lives they've carefully established -- or hope to establish. From the hedge fund king's wife to the aging gossip columnist to the free-spirited actress (a recent refugee from L.A.), each person's game plan for a rich life comes together under the soaring roof of this landmark building. Acutely observed and mercilessly witty, One Fifth Avenue is a modern-day story of old and new money, that same combustible mix that Edith Wharton mastered in her novels about New York's Gilded Age and F. Scott Fitzgerald illuminated in his Jazz Age tales. Many decades later, Bushnell's New Yorkers suffer the same passions as those fictional Manhattanites from eras past: They thirst for power, for social prominence, and for marriages that are successful--at least to the public eye. But Bushnell is an original, and One Fifth Avenue is so fresh that it reads as if sexual politics, real estate theft, and fortunes lost in a day have never happened before. From Sex and the City through four successive novels, Bushnell has revealed a gift for tapping into the zeitgeist of any New York minute and, as one critic put it, staying uncannily "just the slightest bit ahead of the curve." And with each book, she has deepened her range, but with a light touch that makes her complex literary accomplishments look easy. Her stories progress so nimbly and ring so true that it can seem as if anyone might write them -- when, in fact, no one writes novels quite like Candace Bushnell. Fortunately for us, with One Fifth Avenue, she has done it again.

    Now, he uses that skill in a little-known but crucial job. As a “red teamer,” he poses as a threat, testing the security around our highest officials to find vulnerabilities—before our enemies can. He is a mock killer, capable of slipping past even the best defenses.His latest assignment is to assess the security surrounding the former CIA director at his DC area home. When Nick enters the man’s study, the home’s inner sanctum, he finds the man alone and unconscious. Someone else has been here—someone who attacked the chief and left him for dead, just moments before. Desperately attempting to save the man’s life, he contaminates the crime scene. Now, investigators believe Nick is somehow involved.Nick knows he’s the perfect scapegoat. But who is framing him, and why? To clear his name, he must find the truth—a search that leads to a nefarious conspiracy whose roots stretch back decades. The prize is the most powerful position in the world: the Oval Office.To save himself and the people he loves, Nick must stop the men who rule Washington before they bury him along with their secrets.

    Or at least, that’s what the malicious website flying round the school says. Izzy can try all she wants to laugh it off – after all, her sex life, her terms – but when pictures emerge of her doing the dirty with a politician’s son, her life suddenly becomes the centre of a national scandal. Izzy’s never been ashamed of herself before, and she’s not going to start now. But keeping her head up will take everything she has...

    Louise has a good job in a huge international corporation and she's grateful for it. The only problem is her boss who can't keep his hands to himself, but Louise can handle him. What she really doesn't have time for is romance - until she meets the company's rising star, Josh Wallace. Louise usually says no to evenings out but she's decided to let her hair down tonight. It's the office Christmas party, she has a pretty dress to wear and she's looking forward to some champagne and fun. She's completely unaware that others around her are too busy playing dangerous games to enjoy the party - until she's pulled into those games herself . . . Romance is in the air and secrets are about to be uncovered. It's going to be a night to remember at The Christmas Party.

    And someone will die.#1 New York Times bestselling author Ellen Hopkins tackles gun violence and white supremacy in this compelling and complex novel.People kill people. Guns just make it easier.A gun is sold in the classifieds after killing a spouse, bought by a teenager for needed protection. But which was it? Each has the incentive to pick up a gun, to fire it. Was it Rand or Cami, married teenagers with a young son? Was it Silas or Ashlyn, members of a white supremacist youth organization? Daniel, who fears retaliation because of his race, who possessively clings to Grace, the love of his life? Or Noelle, who lost everything after a devastating accident, and has sunk quietly into depression?One tense week brings all six people into close contact in a town wrought with political and personal tensions. Someone will fire. And someone will die. But who?

    But the company that's been contracted to construct a new Mars base, has made promises they can't fulfill and is desperate enough to cut corners. The first thing to go is the automation . . . the next thing they'll have to deal with is the eight astronauts they'll send to Mars, when there aren't supposed to be any at all.Frank - father, architect, murderer - is recruited for the mission to Mars with the promise of a better life, along with seven of his most notorious fellow inmates. But as his crew sets to work on the red wasteland of Mars, the accidents mount up, and Frank begins to suspect they might not be accidents at all. As the list of suspect grows shorter, it's up to Frank to uncover the terrible truth before it's too late.Dr. S. J. Morden trained as a rocket scientist before becoming the author of razor-sharp, award-winning science fiction. Perfect for fans of Andy Weir's The Martian and Richard Morgan, One Way takes off like a rocket, pulling us along on a terrifying, epic ride with only one way out.

    Nora is an unflinching frontierswoman awaiting the return of the men in her life--her husband, who has gone in search of water for the parched household, and her elder sons, who have vanished after an explosive argument. Nora is biding her time with her youngest son, who is convinced that a mysterious beast is stalking the land around their home.Meanwhile, Lurie is a former outlaw and a man haunted by ghosts. He sees lost souls who want something from him, and he finds reprieve from their longing in an unexpected relationship that inspires a momentous expedition across the West. The way in which Lurie's death-defying trek at last intersects with Nora's plight is the surprise and suspense of this brilliant novel.Mythical, lyrical, and sweeping in scope, Inland is grounded in true but little-known history. It showcases all of Téa Obreht's talents as a writer, as she subverts and reimagines the myths of the American West, making them entirely--and unforgettably--her own.

    It's been a year since she found her boyfriend Alex in bed with another woman, and multiple cases of wine and extensive relationship analysis with best friend Lucy have done nothing to help. Faced with a new year but no new love, Phoebe concocts a different kind of resolution. The List: ten things she's always wanted to do in bed but has never had the chance (or the courage!) to try. A bucket list for between the sheets. One year of pleasure, no strings attached. Simple, right? Factor in meddlesome colleagues, friends with benefits, getting frisky al fresco and maybe, possibly, true love and Phoebe's got her work cut out for her.[*Novel contains adult material*]

    Fed up with her small-town Texas high school that thinks the football team can do no wrong. Fed up with sexist dress codes and hallway harassment. But most of all, Viv Carter is fed up with always following the rules.Viv’s mom was a punk rock Riot Grrrl in the ’90s, so now Viv takes a page from her mother’s past and creates a feminist zine that she distributes anonymously to her classmates. She’s just blowing off steam, but other girls respond. Pretty soon Viv is forging friendships with other young women across the divides of cliques and popularity rankings, and she realizes that what she has started is nothing short of a girl revolution.

    To avoid execution, she’s told to shut her mouth and keep her head down.Becca was never really good at either.Her only hope for survival is for her sister, Cassie, to find her—that the “good twin” will stop following the rules and start breaking them, before it’s too late. Because the jailers at Crazy House soon discover they made a mistake that could get both sisters killed…