Denzil and Anni TaylorYoung backpackers Gemma and Hayley arrive at a remote mango farm, out of money and desperate for work. The farm's owner, Tate Llewellyn, welcomes them in with open arms. An enigmatic, wealthy chemist, Tate spends his days running his hobby farm and cultivating rare orchids in his greenhouse.The weeks go on, a blur of fruit-picking with the other international backpackers, parties, campfires and wading beneath waterfalls in the nearby hot springs. Tate calls the girls his orchids...his pretty orchids... Until the night the girls find themselves on a dark highway, bruised and bloodied.How did paradise turn so ugly?Senior Detective Bronwen McKay and psychologist Megan Arlotti question the terrified girls. But Hayley and Gemma are telling two very different stories of what happened to them over the past three months.Which story is the truth and what are the girls covering up?

    Yet Rowan Winter, once her closest friend, suspects there is more to the story. Ever since she was young, Marianne had paralyzing vertigo. She would never have gone so close to the roof's edge.Marianne -- and the whole Glass family -- once meant everything to Rowan. For a teenage girl, motherless with a much-absent father, this lively, intellectual household represented a world of glamour and opportunity.But since their estrangement, Rowan knows only what the papers reported about Marianne's life: her swift ascent in the London art world, her much-scrutinized romance with her gallerist. If she wants to discover the truth about her death, Rowan needs to know more. Was Marianne in distress? In danger? And so she begins to seek clues -- in Marianne's latest work, her closest relationships, and her new friendship with an iconoclastic fellow artist.But the deeper Rowan goes, the more sinister everything seems. And a secret in the past only she knows makes her worry about her own fate . . .

    The "Red Wolf," as he was dubbed by the press, has been in prison for over twenty years, serving a life sentence for the gruesome and ritualistic murders of several women across the country, although he has always protested his innocence. The police have had no reason to listen, yet Heather isn't the only one to have cause to re-examine the murders. The body of a young woman has just been found, dismembered and placed inside a tree, the corpse planted with flowers. Just as the Red Wolf once did.What did Heather's mother know? Why did she kill herself? And with the monstrous Red Wolf safely locked inside a maximum security prison, who is stalking young women now? Teaming up with DI Ben Parker, Heather hopes to get some answers for herself and for the newest victims of this depraved murderer. Yet to do that, she must speak to Michael Reave herself, and expose herself to truths she may not be ready to face. Something dark is walking in the woods, and it knows her all too well.

    What they don't say though, is that sometimes your first love won't forget you...A police interview room is the last place Angela expected to find herself today. It's been hours, and they keep asking her the same inane questions over and over. "How do you know the victim?" "What's your relationship with Mr. Parker?" Her ex's wife has gone missing, and anyone who was close to the couple is a suspect. Angela is tired of the bottomless questions and tired of the cold room that stays the same while a rotating litany of interrogators changes shifts around her. But when criminologist Novak takes over, she can tell he's not like the others. He's ready to listen, and she knows he'll understand. When she tells him that her story begins a decade before, long before Saskia was in the picture, he gives her the floor.A twenty-something young professional, Angela claims to have no involvement. How could she? It's been years since she and H.P., Mr. Parker that is, were together. As her story unfolds, it deepens and darkens. There's a lot to unpack... betrayal, jealousy, and a group of people who all have motives for retribution. If Angela is telling the truth, then who's lying?

    A struggling actor, a Brit in America without a green card, Claire needs work and money to survive. Then she gets both. But nothing like she expected. Claire agrees to become a decoy for a firm of divorce lawyers. Hired to entrap straying husbands, she must catch them on tape with their seductive propositions. The rules? Never hit on the mark directly. Make it clear you’re available, but he has to proposition you, not the other way around. The firm is after evidence, not coercion. The innocent have nothing to hide. Then the game changes. When the wife of one of Claire’s targets is violently murdered, the cops are sure the husband is to blame. Desperate to catch him before he kills again, they enlist Claire to lure him into a confession. Claire can do this. She’s brilliant at assuming a voice and an identity. For a woman who’s mastered the art of manipulation, how difficult could it be to tempt a killer into a trap? But who is the decoy . . . and who is the prey?

    Above all, she’s a loving partner to her wonderful husband, Collin.Then there are the parts of herself that Mel keeps hidden. She’s exhausted, worried and unfulfilled. So much so that one night, after a writers’ group meeting, Mel begins an affair with a successful local author named Luke. Suddenly she’s transformed into a role she doesn’t recognize—a woman who deceives with unseemly ease. A woman who might be capable of just about anything.When Mel finds Luke’s dead body in his lavish rented house, she realizes just how high the stakes have become. Not only does she have to keep her affair a secret in order to preserve her marriage, but she desperately needs to avoid being implicated in Luke’s death. But who would want to kill him? Who else in her life is keeping secrets? And most terrifying of all, how far will they—and she—go to keep those secrets hidden?

    H. Herron. “Mama? Help me.” Laurie Ahmadi has worked as a 911 police dispatcher in her quiet Northern California town for nearly two decades. She considers the department her family; her husband, Omid, is its first Arab American chief, and their teenaged daughter, Jojo, has grown up with the force. So when Laurie catches a 911 call and, to her horror, it’s Jojo, the whole department springs into action. Jojo, drugged, disoriented, and in pain, doesn’t remember how she ended up at the home of Kevin Leeds, a pro football player famous for his on-the-field activism and his work with the CapB—“Citizens Against Police Brutality”—movement. She doesn’t know what happened to Kevin’s friend and trainer, whose beaten corpse is also discovered in the house. And she has no idea where her best friend Harper, who was with her earlier in the evening, could be. But when Jojo begins to dive into Harper’s social media to look for clues to her whereabouts, Jojo uncovers a shocking secret that turns everything she knew about Harper—and the police department—on its head. With everything they thought they could rely on in question, Laurie and Jojo begin to realize that they can’t trust anyone to find Harper except themselves . . . and time is running out.

    A stolen child. Revenge. Death. And an ordinary house at the end of an ordinary street.All these things are true. And yet they are all lies...You think you know what's inside the last house on Needless Street. You think you've read this story before. That's where you're wrong.In the dark forest at the end of Needless Street, lies something buried. But it's not what you think...

    Their Dad was the local GP and they lived in the beautiful house on the hill. Their best friend, Brinley Booth, lived next door. They would do anything for each other but everything shifted on that fateful day when Dr Richard Carter and his wife Pamela were stabbed fourteen times with a pair of scissors in what has become the most talked about double murder of the modern age.The girls were aged ten and twelve at the time. One, nicknamed the Angel of Death, spent eight years in a children’s secure unit accused of the brutal killings. The other lived in foster care out of the limelight and prying questions. Now, on the anniversary of the trial, a documentary team has tracked down one of the sisters, persuading her to speak about the events of that night for the first time.Her explosive interview sparks national headlines and Brinley Booth, now a journalist, is tasked with covering the news story which brings to light fresh evidence and triggers a chain of events which will have devastating consequences.

    That was before he was tried for the murder of a young woman and acquitted. before his admission to a care home for dementia. Now his daughter has come to see him, to take him on a trip. Only she's not his daughter and, if she has her way, he's not coming back . . .Because Carl's past has finally caught up with him. The young woman driving the car is convinced her passenger is guilty, and that he's killed, other young women. Including her sister Rachel. Now they're following the trail of his photographs, his clues, his alleged crimes. To see if he remembers any of it. Confesses to any of it. To discover what really happened to Rachel. Has Carl truly forgotten what he did or is he just pretending? Perhaps he's guilty of nothing and she's the liar. Either way in driving him into the Texan wilderness she's taking a terrible risk. For if Carl really is a serial killer, she's alone in the most dangerous place of all . . .

    Desperate to learn the truth about where she’s been and what has happened to her but terrified of what she may find, Caitlin embarks on a search for answers. Her journey takes her from the safe suburban world she knows to a seedy town she’s never heard of, where a terrible truth from her past lies hidden—a truth she can’t quite remember yet can’t completely forget.

    The photo shows a shuttered, ramshackle house on top of a steep hill. On the back, a puzzling inscription: Destiny calls us.Ava is certain that it’s a clue to her elusive past. Twenty-three years ago, she’d been found wrapped in a yellow blanket in the narthex of the Holy Saviour Catholic Church—and rescued—or so she’d been told. Her mother claimed there was no more to the story, so the questions of her abandonment were left unanswered. For Ava, now is the time to find the roots of her mother’s lies. It begins with the house itself—once the scene of a brutal double murder.When Ava enlists the help of the two people closest to her, a police detective and her best friend, she fears that investigating her past could be a fatal mistake. Someone is following them there. And what’s been buried in Ava’s nightmares isn’t just a crime. It’s a holy conspiracy.

    As he moves in and out of dreamlike memories and seemingly random appearances of a persistent ex-girlfriend at his bedside, he fears he may be losing his grip on reality, much like his mother who recently passed away from dementia.Most distressing, he believes he’s being plagued by strange telephone calls, in which a woman claiming to be the titular character of his hit novel Dream Girl swears she will be coming to see him soon. The character is completely fictitious, but no one has ever believed Gerry when he makes that claim. Is he the victim of a cruel prank—or is he actually losing his mind★ There is no record of the calls according to the log on his phone. Could there be someone he has wronged★ Is someone coming to do him harm as he lies helplessly in bed★Then comes the morning he wakes up next to a dead body—and realizes his nightmare is just beginning...

    But when Scarlett’s killer is released early from prison with a cast-iron alibi, Greg realizes that his past is about to explode into his present, with terrifying consequences.To expose the truth he must open up old wounds. As a talk therapist, Greg knows all about dark secrets, but when a childhood friendship comes to the fore and the police turn their spotlight on him, the thought of analyzing his own psyche is a disturbing prospect. How far can he trust his own memories?With his life coming apart at the seams, and his grip on reality beginning to unravel, Greg must face the ghosts of his past if he hopes to prove his innocence and live to see another day.

    Life has never been easy for the three Campbell sisters. Jess, Courtney, and Dani live on a remote ranch in Western Canada where they work hard and try to stay out of the way of their father’s fists. One night, a fight gets out of hand and the sisters are forced to go on the run, only to get caught in an even worse nightmare when their truck breaks down in a small town. Events spiral out of control and a chance encounter with the wrong people leaves them in a horrific and desperate situation. They are left with no choice but to change their names and create new lives. Eighteen years later, they are still trying to forget what happened that summer when one of the sisters goes missing and they are pulled back into their past. This time there’s nowhere left to run. As much of a thriller as it is a deep exploration of the bonds among sisters, THOSE GIRLS is an unforgettable portrait of desperation, loyalty, and evil.