A time of shadows, secret societies, and dens filled with opium addicts. Into this world comes the most fantastic emissary of evil society has ever known… Dr. Fu-Manchu. Denis Nayland Smith pursues his quarry across continents and through the back alleys of London. As victim after victim disappears at the hands of the Devil Doctor, Smith must unravel his murderous plot before it is too late.  Includes a special feature by Leslie S. Kilnger

    Now she’s set her eyes on a backwater burg—where, while posing as an innocent (albeit drop-dead gorgeous) newcomer to town, she means to sniff out old grudges and engineer new opportunities, deftly playing different people and different interests against each other the better, as always, to make a killing. But then something snaps: the master manipulator falls prey to a pure and wayward passion.Aimée has become the avenging angel of her own nihilism, exacting the destruction of a whole society of destroyers. An unholy original, Jean-Patrick Manchette transformed the modern detective novel into a weapon of gleeful satire and anarchic fun. In Fatale he mixes equal measures of farce, mayhem, and madness to prepare a rare literary cocktail that packs a devastating punch.

    He operates in the Soho of the 1930s, a metropolitan tangle of dodgy geezers, prostitutes, spivs and strong-arm men. Twice filmed, Night and the City is a seminal low-life novel, which presents a vivid glimpse of a lost London. It also marks the return of a lost London author, Gerald Kersh, a maverick character whose life was as colourful as those of his most flamboyant creations.

    On the same day that Roy Cady is diagnosed with a terminal illness, he senses that his boss, a dangerous loan-sharking bar-owner, wants him dead. Known “without affection” to members of the boss’s crew as “Big Country” on account of his long hair, beard, and cowboy boots, Roy is alert to the possibility that a routine assignment could be a deathtrap. Which it is. Yet what the would-be killers do to Roy Cady is not the same as what he does to them, which is to say that after a smoking spasm of violence, they are mostly dead and he is mostly alive.Before Roy makes his getaway, he realizes there are two women in the apartment, one of them still breathing, and he sees something in her frightened, defiant eyes that causes a fateful decision. He takes her with him as he goes on the run from New Orleans to Galveston, Texas—an action as ill-advised as it is inescapable. The girl’s name is Rocky, and she is too young, too tough, too sexy—and far too much trouble. Roy, Rocky, and her sister hide in the battered seascape of Galveston’s country-western bars and fleabag hotels, a world of treacherous drifters, pickup trucks, and ashed-out hopes. Any chance that they will find safety there is soon lost. Rocky is a girl with quite a story to tell, one that will pursue and damage Roy for a very long time to come in this powerful and atmospheric thriller, impossible to put down. Constructed with maximum tension and haunting aftereffect, written in darkly beautiful prose, Galveston announces the arrival of a major new literary talent.

    Now a modern classic, as gripping in its tautly plotted action as it is penetrating in its exploration of a criminal mind, it tells the shocking tale of a young man who will stop at nothing--not even murder--to get where he wants to go. For he has dreams; plans. He also has charm, good looks, sex appeal, intelligence. And he has a problem. Her name is Dorothy; she loves him, and she's pregnant. The solution may demand desperate measures. But, then, he looks like the kind of guy who could get away with murder. Compellingly, step by determined step, the novel follows this young man in his execution of one plan he had neither dreamed nor foreseen. Nor does he foresee how inexorably he will be enmeshed in the consequences of his own extreme deed.

    As their relationship grows, they cross paths with the Chechen mafia; a man grown dangerous with age and thwarted hopes; two hapless stick-up artists; a very curious cop; and the original owner of the puppy, who wants his dog back. . . .

    But that ended the day he saw a beautiful Mob wife become a Mob widow. Now Paul is going to break every one of the rules he’s lived by to protect the woman he loves—even if it means he might be left holding the bag..."Personal, hard-hitting, idiosyncratic...Everything was about storytelling, the great yarn."— Quentin Tarantino"One of the great movie directors of the 20th century...most certainly its greatest storyteller."— Wim Wenders In a career that spanned half a century, Samuel Fuller wrote and directed classic movies that inspired filmmakers as varied as Steven Spielberg, Martin Scorsese, Francis Ford Coppola, Jean-Luc Godard, Jim Jarmusch, Wim Wenders, and Quentin Tarantino. He also wrote unforgettable novels such as the noir classic THE DARK PAGE—and this book, his last, which has never previously been published in the English language.

    She goes to bed with him, and she likes that part. Then she kills him, and she likes that even better. On her way out, she cleans out his wallet. She keeps moving, and has a new name for each change of address. She's been doing this for a while, and she's good at it.And then a chance remark gets her thinking of the men who got away, the lucky ones who survived a night with her. She starts writing down names. And now she's a girl with a mission. Picking up their trails. Hunting them down. Crossing them off her list...

    Crime correspondent for the Evening Post. He didn't know it was going to be a season in hell. A dead little girl with a swan's wings stitched to her back. A gypsy camp in a ring of fire. Corruption everywhere you look.In Nineteen Seventy Four, David Peace brings passion and stylistic bravado to this terrifyingly intense journey into a secret history of sexual obsession, greed and sadism.

    But when Mike got a load of the set-up at the Brighton mansion, two things changed his mind: a slimy private secretary named Montrose, and a phony doctor whose theories began where Freud's left off. Both of them were just a little too anxious to convince the stubborn redhead that Phyllis was "a very sick girl." And Mike Shayne was a man who liked to make up his own mind.

    Often a desperate blond, a jealous husband, and, of course, a tough-but-tender P.I. the likes of Sam Spade or Philip Marlowe. Perhaps Raymond Chandler summed it up best in his description of Dashiell Hammett's style: "Hammett gave murder back to the kind of people that commit it....He put these people down on paper as they were, and he made them talk and think in the language they customarily used for these purposes."Hard-Boiled: An Anthology of American Crime Stories is the largest and most comprehensive collection of its kind, with over half of the stories never published before in book form. Included are thirty-six sublimely suspenseful stories that chronicle the evolutiuon of this quintessentially American art form, from its earliest beginnings during the Golden Age of the legendary pulp magazine Black Mask in the 1920s, to the arrival of the tough digest Manhunt in the 1950s, and finally leading up to present-day hard-boiled stories by such writers as James Ellroy. Here are eight decades worth of the best writing about betrayal, murder, and mayhem: from Hammett's 1925 tour de force "The Scorched Face," in which the disappearance of two sisters leads Hammett's never-named detective, the Continental Op, straight into a web of sexual blackmail amidst the West Coast elite, to Ed Gorman's 1992 "The Long Silence After," a gripping and powerful rendezvous involving a middle class insurance executive, a Chicago streetwalker, and a loaded .38. Other delectable contributions include "Brush Fire" by James M. Cain, author of The Postman Always Rings Twice, Raymond Chandler's "I'll Be Waiting," where, for once, the femme fatale is not blond but a redhead, a Ross Macdonald mystery starring Macdonald's most famous creation, the cryptic Lew Archer, and "The Screen Test of Mike Hammer" by the one and only Micky Spillane. The hard-boiled cult has more in common with the legendary lawmen of the Wild West than with the gentleman and lady sleuths of traditional drawing room mysteries, and this direct line of descent is on brilliant display in two of the most subtle and tautly written stories in the collection, Elmore Leonard's "3:10 to Yuma" and John D. MacDonald's "Nor Iron Bars." Other contributors include Evan Hunter (better known as Ed McBain), Jim Thompson, Helen Nielsen, Margaret Maron, Andrew Vachss, Faye Kellerman, and Lawrence Block.Compellingly and compulsively readable, Hard-Boiled: An Anthology of American Crime Stories is a page-turner no mystery lover will want to be without. Containing many notable rarities, it celebrates a genre that has profoundly shaped not only American literature and film, but how we see our heroes and oursleves.

    This masterpiece collection represents a high watermark of America’s underbelly. Crime writing gets no better than this.CONTENTSErle Stanley Gardner: Come and Get ItFredric Brown: Cry SilencePeter Collison: Arson PlusFredrick Nebel: Doors in the DarkLester Dent: LuckDashiell Hammett: The Maltese FalconStewart Sterling: Ten Carats of LeadWyatt Blassingame: Murder Is Bad LuckTalmadge Powell: Her Dagger Before MeCharles G. Booth: One ShotRichard Sale: The Dancing RatsKatherine Brocklebank: BraceletsThomas Walsh: Diamonds Mean DeathRoul Whitfield: Murder in the RingWalter C. Brown: The Parrot That Wouldn’t TalkMerle Constiner: Let the Dead AloneCarrol John Daly: Knights of the Open PalmWilliam Cole: Waiting for RustyRamon Decolta: Rainbow DiamondsWilliam Rollins Jr.: The Ring on the Hand of DeathTheodore A. Tinsley: Body SnatcherD wight V. Babcock: Murder on the GaywayCleve F. Adams: The KeyWilliam Campbell Gault: The Bloody BokharaBrett Halliday: A Taste for CognacDay Keene: Sauce for the GanderW.T. Ballard: A Little DifferentCharles M. Green: The Shrieking SkeletonHank Searls: Drop Dead TwiceDale Clark: The Sound of the ShotFrederick C. Davis: Flaming AngelDon M. Mankiewicz: Odds on DeathNorvell Page: Those CatriniHugh B. Cave: Smoke in Your EyesRobert Reeves: Blood, Sweat and BiersWhitman Chambers: The Black BottleMilton K. Ozaki: The Corpse The Didn’t KickRaymond Chandler: Try the GirlNorbert Davis: Don’t You Cry for MeRay Cummings: T. McGuirk Steals A DiamondSteve Fisher: Wait For MeFrank Gruber: Ask Me AnotherHorcase McCoy: Dirty WorkJulius Long: Merely MurderJohn D. MacDonald: Murder in One SyllableH.H. Stinson: Three Apes from the EastD.L. Champion Death Stops PaymentRichard Connell: The Color of HonorBruno Fischer: Middleman for MurderRichard Deming: The Man Who Choose the DevilC.M. Kornbluth: Beer-Bottle PolkaCornell Wollrich: Borrowed Crime

    Easy is drinking in a friend's bar, wondering how he'll meet his mortgage, when a white man in a linen suit walks in, offering good money if Easy will simply locate Miss Daphne Monet, a blonde beauty known to frequent black jazz clubs.

    So how did she wind up shot to death on the roof of New York s seediest strip club? It s up to detective John Blake to uncover his ex-girlfriend s secret life as a striptease queen. But the deeper he digs, the darker the secrets he uncovers, until a shattering face-off in an East Village tenement changes his life forever. First time in paperback--a stunning debut novel from an author whose stories have been selected for BEST MYSTERY STORIES OF THE YEAR and THE YEAR S BEST HORROR STORIES, as well as short-listed for the Shamus Award by the Private Eye Writers of America.

    Just like one of the hardasses in his own books. The man knows what to do with paper and ink. Read the damn thing." -Charlie Huston "Someone once said of Raymond Chandler that he wrote 'as if pain hurt and life mattered.' That's true of Josh Stallings, too. Hop on, kick the starter, and let him lead you on a long, painful, but entertaining ride through Moses McGuire's world. One hint: wear your helmet and your leathers. It might get messy." -Tad Williams BEAUTIFUL, NAKED AND DEAD is hard-boiled crime novel. Moses McGuire a suicidal strip club bouncer is out to avenge the death of one of his girls. From his East L.A. home, through the legal brothels of Nevada and finally to a battle with the mob in the mountains above Palo Alto, it is a sex soaked, rage driven, road trip from hell.