The first is a sharp analysis: through dialogues, parodies and essays, Burgess sheds new light on what he called 'an apocalyptic codex of our worst fears', creating a critique that is literature in its own right. Part two is Burgess' own dystopic vision, written in 1978. He skewers both the present and the future, describing a state where industrial disputes and social unrest compete with overwhelming surveillance, security concerns and the dominance of technology to make life a thing to be suffered rather than lived. Together these two works form a unique guide to one of the twentieth century's most talented, imaginative and prescient writers. Several decades later, Burgess' most singular work still stands.

    Soon after their arrival at Illyria, the Reniers’ rambling beachside home, Theron is sent on a diplomatic mission, leaving Stella alone with his family. As she tries to settle into her new life, Stella quickly discovers that the Reniers are not what they seem. Trapped in a world unlike anything she’s ever known, vulnerable Stella attempts to uncover her new family’s dangerous secrets—and stirs up a darkness that was meant to stay buried.

    He falls in love with Jane, the oldest Bennet girl. Everything goes well—for a while. Then the handsome bachelor’s proud best friend, Mr. Darcy, ruins everything.Elizabeth Bennet has never hated anyone as much as she hates Mr. Darcy. How could she ever forgive the man who has ruined her sister’s happiness? She knows everything she needs to know about him. He is proud, hateful, conceited, and horrid—and he wants to marry her.Elizabeth and Darcy’s memorable, witty battle of hearts and minds has made Pride and Prejudice a readers’ favorite for almost two hundred years.Readability Note: This Townsend Library Classic has been carefully edited for clarity and readability.Source: townsendpress.com

    Tobias is obsessed with two things: God and girls. Mostly girls, of course. But being a Baptist preacher's son, he can't escape God. When his father is blinded in a bizarre accident (involving hard cider and bird droppings), Tobias must ride the rails to Texas to recover a long-hidden stash of money. Along the way, he's initiated into the hobo brotherhood by Craw, a ribald vagabond-philosopher. Obstacles arise in the form of a saucy prostitute, a flaming boxcar, and a man-eating catfish. But when he meets Sarah, a tough farm girl under a dark curse, he finds out that the greatest challenge of all is love.

    Will the store survive? Will it be bought over by its evil corporate competition? All questions will be answered (but not necessarily in that order) in this hilarious debut novel.

    When he returns to that town he is shaken by the force of the outrage and hatred that greets him. Family and friends feel naked and exposed by the truths they have seen in his book, and their fury drives him from his home. He begins a search for his own identity that takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow. At last Webber returns to America and rediscovers it with love, sorrow, and hope.

    Eight years ago, her brother disappeared while fighting alongside Gypsy partisans in Spain. From his letters, Rose has just two clues to his whereabouts—his descriptions of the spectacular south slopes of the Sierra Nevada and his love for a woman who was carrying his child.In Spain, it has been eight years since Lola Aragon’s family was massacred. Eight years since she rescued a newborn girl from the arms of her dying mother and ran for her life. She has always believed that nothing could make her return…until a plea for help comes from a desperate stranger.Now, Rose, Lola, and the child set out on a journey from the wild marshes of the Camargue to the dazzling peaks of Spain’s ancient mountain communities. As they come face-to-face with war’s darkest truths, their lives will be changed forever by memories, secrets, and friendships.

    With their broad canvas and large cast of fictional and historical characters, the novels in this series present a panorama of the American political and imperial experience as interpreted by one of its most worldly, knowing, and ironic observers. Burr is a portrait of perhaps the most complex and misunderstood of the Founding Fathers. In 1804, while serving as vice president, Aaron Burr fought a duel with his political nemesis, Alexander Hamilton, and killed him. In 1807, he was arrested, tried, and acquitted of treason. In 1833, Burr is newly married, an aging statesman considered a monster by many. Burr retains much of his political influence if not the respect of all. And he is determined to tell his own story. As his amanuensis, he chooses Charles Schermerhorn Schuyler, a young New York City journalist, and together they explore both Burr's past and the continuing political intrigues of the still young United States.

    On that same day, a brilliant mathematician is locked away inside a Moscow prison that houses the country's brightest minds. He and his fellow prisoners are charged with using their abilities to sleuth out the caller's identity, and they must choose whether to aid Joseph Stalin's repressive state—or refuse and accept transfer to the Siberian Gulag camps . . . and almost certain death.First written between 1955 and 1958, In the First Circle is Solzhenitsyn's fiction masterpiece. In order to pass through Soviet censors, many essential scenes—including nine full chapters—were cut or altered before it was published in a hastily translated English edition in 1968. Now with the help of the author's most trusted translator, Harry T. Willetts, here for the first time is the complete, definitive English edition of Solzhenitsyn's powerful and magnificent classic.

    North, a well-to-do widow with a country cottage, is very busy. War circumstances brought both of her daughters home: loud but good-hearted tomboy, Violet, and highly-strung and over sensitive Heather with her two small children. Mrs. North is also taking care of her young niece, Evelyn, a lively child who loves to play on the local farm and has a great passion for animals. But at the center of all this is Oliver, Mrs. North's only son who lost his leg during the war service abroad.Recovering from his injuries, bed-ridden Oliver has nothing better to do but observe the busy lives of the people around him. Treated as a hero and a confidant by all the women in his family, Oliver begins to enjoy his new role as a self-proclaimed counselor. Due to his advice, Violet, an independent spinster, unexpectedly accepts the marriage proposal from a local farmer. Her wedding is a success and Violet finds a new happiness in her marriage, but soon Oliver's meddling in his family affairs goes too far. Will his risky instructions save or ruin Heather's marriage, which is at the brink of crisis, when her husband comes back from Australia after a few years of separation? Will Oliver learn to accept his new circumstances? Will he finally face to the reality and start to rebuild his own life?In this compendium plot, Monica Dickens, with her typical attention to detail, humor and talent for creating vivid characters, explores complicated life stories of the close-knit family and their friends at the end of the war. The Happy Prisoner was first published in 1946.

    After 25 years of their marriages, the four still enjoy each other's company. May's husband, George, is a highly successful businessman; June's Robert is a far from successful writer. May and George are ever generous, and when they move from their London flat to a country house they persuade June and Robert to accept, rent free, a cottage on the place, which is in a park of a great decaying house whose occupants are enigmatic.The two families, thoroughly enjoying their new experiences, are joined by two likable and appealing grandparents. The young people come down on weekends from London, and the three generations share idyllic weeks complete with lilacs, nightingales, and the creature comforts May provides. A problem puppy and an awkward girl from the great house underline the delights of living. But there is a hidden danger in the close proximity, for the first time, of the families, and an unwelcome aunty proves to be both a catalyst and a fairy godmother in reverse.

    Is there really room for something as unpredictable as love? Oliver Clock has everything arranged just so. A steady job running the family funeral parlour. A fridge stocked with ready meals. A drawer full of colour-coded socks. A plan (of sorts) to stay trim enough for a standard-sized coffin. And in florist Marie, he’s even found the love of his life—not that she’s aware of it.When a terrible tragedy takes Marie out of his life but leaves him with her private journal, he discovers too late that she secretly loved him back. Faced now with an empty love life, a family funeral business in trouble, a fast-approaching fortieth birthday and a notebook of resolutions he’s never achieved, Oliver resolves to open himself up to love—and all the mess that comes along with it.But, with a habit of burying his feelings, can he learn to embrace his lovability and find the woman who will make him feel whole?

    At night, music floated out over villages and gorges far into the early hours. Now the General's son has bestowed it upon the disciplined Sisters of Mary. Beginning work in the orchards and opening a school and a dispensary for the mountain people, the small band of Sisters are depended for help on the English agent, Mr Dean. But his charm and insolent candour are disconcerting. When he says bluntly 'This is no place for a nunnery', it is as if he already knows their destiny ...

    And in the air, a lone plane struggles to reach its destination. Over the course of seven pulse-pounding hours, a tense human drama plays out as a brilliant airport manager, an arrogant pilot, a tough maintenance man, and a beautiful stewardess strive to avert disaster.Featuring a diverse cast of vibrant characters, Airport is both a realistic depiction of the airline industry and a novel of nail-biting suspense.

    Curwood loved the outdoors and is known for his conservation efforts. Many of his books were made into movies as late as the 1990's. In The River's End two men who resemble each other physically lead very different lives. Conniston is a member of the Northwest Mounted Police. Keith is an outlaw. This physical trait linked these men together.