Circling themes of intimacy and time, they return to the urgency of conversation: that fragile bridge across the frozen attitudes that divide our world. But at the heart of the collection is a deeper preoccupation, with those blurry places where humans might walk with gods, where the body might touch the beyond, where the enchanted might intersect effortlessly with the everyday. Where one stumbles upon what the poet simply calls ‘love without a story’.

    Set in Aligarh in the early 1960s, after the dust of Partition had ostensibly settled, Topi Shukla is an intriguing story about two friends--one Hindu and one Muslim.

    One day, their paths cross and their destinies are forever changed.Thirteen year old Aryan Khosla has no friends, rarely meets his busy and quarrelling parents, and is tormented by a gang of school bullies. He feels his birth was a mistake and thinks no one would notice if he disappeared from this world.Thirty-three year old Ria Marathe, a successful scriptwriter, lost her husband and only son in a terrible accident, and later came to know her childhood sweetheart husband was cheating on her for a long time. Faced with a lifetime of misery, she has decided to commit suicide.Sixty-three year old Rana Rathod, a long forgotten author, has carelessly lived off the trust created by his wealthy family and feels betrayed by his two children who sided with his wife during their brutal divorce thirty years back. He fears he is going to die a bitter man.Will Aryan lose his childhood to his loneliness? Will Ria lose her life to her tragedy? Will Rana lose his dignity to his past sins?Circle of Three is about finding a new beginning in life, of forgiving and ultimately, finding hope.

    Tiloka, Rano's husband, is murdered leaving her with four children to look after and a hostile mother-in-law to contend with. Helpful friends and the village elders decide that Mangal, Tiloka's younger brother, should offer her protection in the form of marriage. And so a wedding of reluctant partners takes place.

    A short novel, that may also be viewed as a set of connected mini-narratives, it can also be considered as one of the foremost instances of metafiction in twentieth century Hindi literature. This book talks about the encounter of narrator with 3 different women during his teenage, youth & adulthood.

    He has enshrined in them every kind of experience from the pangs of hunger and sex to the rapture of mystic vision. Its range includes stark realistic pictures of the material world as well as the realm of fantasy haunted by ghosts and spirits. Basheer has written on love and hate, on politicians and pickpockets, on the fancies of childhood and on the disillusionments of adult life with an intense sense of the tragedy of life and at the same time an irrepressible sense of humour.

    "A sort of frost seems to have descended on the souls of the human agents ... Every confrontation - and the play is a series of confrontations - instead of thawing the ice, leaves it a bigger iceberg.' -R.L.Nigam, in 'Enact'

    So, this book is all about encouraging common people to travel,""The world is not very safe for women and not ideal, but that doesn't mean they (women) should remain in their homes only. When a woman stands in a bus-stop alone it is unsafe for her, but once 50 ladies stand in a bus-stop together, they are safe. So, women should come out to make the country safer for themselves,"

    Kesavante Vilapangal is the life of Kesavan, a clark cum novelist who has written a novel on EMS.Kesavante Vilaapangal received Vayalar Award in 2003.

    She is a perplexed botch, who never thinks before she talks. Megha realises that she fancies the creative course of action involved in making ad films, rather than her current job of creating marketing strategies for products. Her ornery boss is not electrified with the idea of brand managers turning into ad conceptualizing officers, though.Megha then meets the creative head of the company, Yudhistir Joshi. Yudi seems to bring out Megha’s atrocious side. Although he’s an exceptionally good looking man, Megha and Yudi publicly fight and argue. He hates her guts and she vice-versa. Yudi apprises her to quit from the creative team every single time, however, Megha, who’s finally in a blissful atmosphere, refuses to abandon her ecstatic ship. Little does she know that their friction will give way to sparks!Concurrently, ‘Vile’ Varun, Megha’s boss, puts her down in front of his bosses at every opportunity. He claims that she is inadequate for her profile.On the other hand, there is a crowd of eligible NRI bachelors on her list of problems, as Megha’s mother decides to put her up on the marriage market.No Deadline For Love is a first person narrative by the protagonist, Megha. The book reads almost like a journal entry, and is full of icy observations. The occasional hilarious quotes lighten up the reader’s mood, and the elementary pinch in the storyline, apart from her spontaneous description of the events, are the comical nicknames given to characters.

    Written in a taut and beautifully naturalistic tone, it remains Stig Dagerman’s most widely read novel and is one of the crowning works of his short but celebrated career.

    * New Edition. * Includes a new translation of 'Fotikchand'.

    It revolves around a limited number of characters, confines itself in time and space, and has a well-plotted narrative that drives its central theme. Within the traditional framework, however, creativity flowers and a fresh and imaginative story emerges. This volume is chock-full with such stories, written by authors well known in their regional languages as well as those who have made a name for themselves in English literary circles. Carefully selected by India's literary giant, the late Khushwant Singh, these pieces represent the best of Indian writing from around the country.

    They were, after all, born as conjoined twins. But a horrific revelation drives a wedge between the siblings, plunging Chandan into a cycle of guilt and blame from which he cannot escape. One of Mahesh Dattani's most popular works, Tara was also one of the first Indian plays in English to highlight the dangers of gender discrimination, and the insidious ways in which it operates in our society.