Her husband is delighted. “You think this baby is going to be like you, but it’s not like you at all,” she warns him. “This baby is an owl-baby.”When Chouette is born small and broken-winged, Tiny works around the clock to meet her daughter’s needs. Left on her own to care for a child who seems more predatory bird than baby, Tiny vows to raise Chouette to be her authentic self. Even in those times when Chouette’s behaviors grow violent and strange, Tiny’s loving commitment to her daughter is unwavering. When she discovers that her husband is on an obsessive and increasingly dangerous quest to find a “cure” for their daughter, Tiny must decide whether Chouette should be raised to fit in or to be herself—and learn what it truly means to be a mother.Arresting, darkly funny, and unsettling, Chouette is a brilliant exploration of ambition, sacrifice, perceptions of ability, and the ferocity of motherly love.

    With the help of David Tushingham, he has adapted Salman Rushdie's classic children's novel, Haroun and the Sea of Stories for the stage. Set in an exotic eastern landscape peopled by magicians and fantastic talking animals, Rushdie's novel inhabits the same imaginative space as Gulliver's Travels, Alice in Wonderland and The Wizard of Oz. Haroun sets out on an adventure to restore the poisoned source of the sea of stories. On the way he encounters many foes, intent on draining the sea of all its storytelling powers.

    At Henry's House on Isadora Island, Celia has created a faux-family homestead, a testament to tradition. Personally, however, Celia's unconventional love life has kept Isadora Island entertained for a generation.Married only once and widowed at twenty-two, Celia has spent a lifetime preaching (and practicing) Unfettered Love, preferring unions free of matrimony, free of the ties that bind -- and can just as easily strangle. Despite all the domestic upheaval, she has acquired a large extended family of children, stepchildren, partners, and ex-partners. Generous and spirited, but notoriously stubborn, Celia nonetheless draws people into her arms and her home.When, much to Celia's dismay, her daughter Bethie announces her engagement, Celia reluctantly agrees to throw a lavish celebration. To this party she must invite everyone in her whole overextended family: her steps and exes, their current partners and starchy in-laws, as well as a host of island eccentrics. As the big day approaches, Celia senses impending disaster. But nothing prepares her for the fallout when the nuclear family explodes and she must reconstruct the past in order to transform the future.

    Cletis gasped for air and cried for help. But the forest was empty. No one had ever lived to tell of seeing the witch. Taking his arm, she dragged him to the back porch of the broken hovel in which she lived. There, under the light of a single bulb, she turned to Cletis, revealing the fleshy and pocked face that all but covered the emerald green eyes that peered back at him--eyes that knew him, pierce him. Eyes that would lure him back to her time and again, enticing him into a labyrinth of ancient prophecy, time travel, magic, and danger...and a revelation of his true identity.

    Forced to discover what she can about her stolen former life, she must at the same time learn who wanted - and still wants - to destroy her and those she cares for and how she can save herself. Fledgling is a captivating novel that tests the limits of "otherness" and questions what it means to be truly human.

    His memories are clouded, except for images of glass and metal. He quickly finds that he’s not alone in this new realm. There are others who all arrived just as he did. In this strange world, people are driven by survival against forces that have little interest in continued human existence. But through the use of special tomes known as 'grimoires,' people are able to enhance themselves to increase their abilities and 'life properties,' giving them a fighting chance against the monsters that surround them. Without a chance to acclimate himself, Chaxin is thrown into a bloody confrontation with monsters born of nightmares. He soon realizes that one false step could mean his death. But death isn’t the worst that the Graymos has to offer. Can he survive in such an unforgiving world? If not, more than just his life could be at stake. Grimoire Bound is a LitRPG-Lite novel, inspired by Dark Souls, Lovecraft and Grimgar of Fantasy and Ash.

    She packs all of her belongings into her old car and drives north from Tampa, FL for several hours until she comes upon an out-of-the-way restaurant, accen-tuated by a huge golden halo instead of the more well-recognized golden arches. Th e Heavenly Grille Café is operated by three angels who take Amanda under their wings (no pun intended): Max was once a Roman Gladiator; Bertie was a loud and boisterous housewife who died unexpectedly in 1911, leaving behind a husband and two children; and Doug was a strong, handsome soldier who died serving his country in 1953. Amanda meets another young woman, Kris DeVone, who is completely opposite to herself in character and personality. While Amanda is a happy, secure Christian with tremendous faith, Kris has done everything in her power to be the ultimate "bad" girl, and does not believe in God. Amanda befriends Kris, who is seven months pregnant and has been abandoned by her live-in boyfriend. Th e women become best friends and move in together so that Amanda can help take care of the baby girl, Charlotte Grace, who is born in September 2011. By the time Christmas rolls around, both of their worlds have been turned upside down with the shocking kidnapping of Charlotte Grace. Th e next two months provide insight into Kris’ eventual relationship with God, the angels’ inability to change destiny, and a look into the lives of the kidnappers, Jack and Susan Peterson, and the reason behind why they committed such a horrible crime.

    Miles away in New York City, ornithologist Ana Gathreaux works in a darkened room full of sparrows, testing their migratory instincts. Soon, Ana will be bound for Trachis Island, along with other relatives of victims who converge on the site of the tragedy. As the search for survivors envelops the island, the mourning families gather at the inn, waiting for news of those they have lost. Here among strangers, and watched over by innkeeper Kevin Gearns, they form an unusual community, struggling for comfort and consolation. A Taiwanese couple sets out fruit for their daughter's ghost. A Bulgarian man plays piano in the dark, sending the music to his lost wife, a cellist. Two Dutch teenagers, a brother and sister, rage against their parents' death. An Iranian exile, mourning his niece, recites the Persian tales that carry the wisdom of centuries. At the center of Birds in Fall lies Ana Gathreaux, whose story Brad Kessler tells with deep compassion: from her days in the field with her husband, observing and banding migratory birds, to her enduring grief and gradual reengagement with life. Kessler's knowledge of the natural world, music, and myth enriches every page of this hauntingly beautiful and moving novel about solitude, love, losing your way, and finding something like home.

    Haunting, exquisite Rosalind Maybrick, wife of a billionaire owner, one day can't quite decide what it is she wants, and discovers too late that her whole life is transformed . . . Twenty-year-old Tiffany Morse, stuck in her job at Wal-Mart, prays, "Please make something happen here . . . This time, I mean it," and something does . . . Farley, a good trainer in a bad slump; Buddy, a ruthless trainer who can't seem to lose even though he knows that his personal salvation depends upon it; Roberto, an apprentice jockey who has "the hands" but is growing too big for his dream career with every passing day; Leo the gambler and his earnest son, Jesse, who understands everything about his father's "system" except why it doesn't work; Elizabeth, the 62-year-old theorist of sex and animal communication, and her best friend, Joy, the mare manager at the ranch at the center of the universe—all are woven together by the horses that pass among them: Two colts and two fillies who begin with the promise of talent and breeding, and now might or might not achieve stardom. There are the geldings—Justa Bob, the plain brown horse who always wins by a nose, a lovable claimer who passes from owner to owner on a heart-wrenching journey down from the winner's circle; and the beautiful Mr. T., raced in France and rescued in Texas, who is discovered to have some unusual and amazing talents. And then there is the Jack Russell terrier, Eileen, a dog with real convictions—and the will to implement them.The strange, compelling, sparkling, and mysterious universe of horse racing that has fascinated generations of punters and robber barons, horse-lovers and wits, has never before been depicted with such verve and originality, such tenderness, such clarity, and, above all, such sheer exuberance.

    A ferocious riff on women in superhero comics.A series of linked stories from the points of view of the wives and girlfriends of superheroes, female heroes, and anyone who’s ever been “refrigerated”: comic book women who are killed, raped, brainwashed, driven mad, disabled, or had their powers taken so that a male superhero’s storyline will progress.

    What would this reading trajectory say about you? With passion, humor, and insight, the editor of The New York Times Book Review shares the stories that have shaped her life.Pamela Paul has kept a single book by her side for twenty-eight years – carried throughout high school and college, hauled from Paris to London to Thailand, from job to job, safely packed away and then carefully removed from apartment to house to its current perch on a shelf over her desk – reliable if frayed, anonymous-looking yet deeply personal. This book has a name: Bob.Bob is Paul’s Book of Books, a journal that records every book she’s ever read, from Sweet Valley High to Anna Karenina, from Catch-22 to Swimming to Cambodia, a journey in reading that reflects her inner life – her fantasies and hopes, her mistakes and missteps, her dreams and her ideas, both half-baked and wholehearted. Her life, in turn, influences the books she chooses, whether for solace or escape, information or sheer entertainment.But My Life with Bob isn’t really about those books. It’s about the deep and powerful relationship between book and reader. It’s about the way books provide each of us the perspective, courage, companionship, and imperfect self-knowledge to forge our own path. It’s about why we read what we read and how those choices make us who we are. It’s about how we make our own stories.

    With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters—a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand.In Eisenberg’s world, the forces of money, sex, and power cannot be escaped, and the force of history, whether confronted or denied, cannot be evaded. No one writes better about time, tragedy and grief, and the indifferent but beautiful universe around us.

    . . Robbins takes readers on a wild, delightful ride. . . . A delight from beginning to end."--Buffalo NewsSwitters is a contradiction for all seasons: an anarchist who works for the government; a pacifist who carries a gun; a vegetarian who sops up ham gravy; a cyberwhiz who hates computers; a man who, though obsessed with the preservation of innocence, is aching to deflower his high-school-age stepsister (only to become equally enamored of a nun ten years his senior). Yet there is nothing remotely wishy-washy about Switters. He doesn't merely pack a pistol. He is a pistol. And as we dog Switters's strangely elevated heels across four continents, in and out of love and danger, discovering in the process the "true" Third Secret of Fatima, we experience Tom Robbins--that fearless storyteller, spiritual renegade, and verbal break dancer--at the top of his game. On one level this is a fast-paced CIA adventure story with comic overtones; on another it's a serious novel of ideas that brings the Big Picture into unexpected focus; but perhaps more than anything else, Fierce Invalids is a sexy celebration of language and life.Praise for Fierce Invalids Home From Hot Climates"Superb."--New York Post"Dangerous? Wicked? Forbidden? You bet. . . . Pour yourself a bowl of chips and dig in."--Daily News, New York "Robbins is a great writer . . . and definitely a provocative rascal."--The Tennessean"Whoever said truth is stranger than fiction never read a Tom Robbins novel. . . Clever, creative, and witty, Robbins tosses off impassioned observations like handfuls of flower petals."-- San Diego Union-Tribune

    The New Yorker called it "an auspicious debut," and the Los Angeles Times touted it as "a novel of extraordinary sensibility and transforming strangeness," naming it one of the ten best books of the year. American Woman, this gifted writer's second book, is a novel of even greater scope and dramatic complexity, about a young Japanese-American radical caught in the militant underground of the mid-1970s.When 25-year-old Jenny Shimada steps out of the Rhinecliff train station in New York's Hudson Valley, the last person she expects to see is Rob Frazer, a shadowy figure from her previous life. On the lam for an act of violence against the American government, Jenny agrees to take on the job of caring for three younger fugitives whom Frazer has spirited out of California. One of them, the granddaughter of a wealthy newspaper magnate in San Francisco, has become a national celebrity. Kidnapped by a homegrown revolutionary group, Pauline shocked America when she embraced her captors' ideology, denouncing family and class to enlist in their radical cell.American Woman unfolds the story of Jenny and her charges -- Pauline, Juan, and Yvonne, the remains of the busted revolutionary cadre -- as they pursue their destinies from an old farmhouse in upstate New York back to California. Provocative, suspenseful, and often wickedly comic, the novel explores the psychology of the young radicals -- outsiders all -- as isolation and paranoia inevitably undermine their ideals. American Woman is a tour de force with chilling resonance for readers today.

    Her house and her friends are picture-perfect. Even her genius husband, Maxon, has been trained to pass for normal. But when a fender bender on an average day sends her coiffed blonde wig sailing out the window, her secret is exposed. Not only is she bald, Sunny is nothing like the Stepford wife she’s trying to be. As her facade begins to unravel, we discover the singular world of Sunny, an everywoman searching for the perfect life, and Maxon, an astronaut on his way to colonize the moon. Theirs is a wondrous, strange relationship formed of dark secrets, decades-old murders and the urgent desire for connection. As children, the bald, temperamental Sunny and the neglected savant Maxon found an unlikely friendship no one else could understand. She taught him to feel -- helped him translate his intelligence for numbers into a language of emotion. He saw her spirit where others saw only a freak. As they grew into adults, their profound understanding blossomed into love and marriage. But with motherhood comes a craving for normalcy that begins to strangle Sunny’s marriage and family. As Sunny and Maxon are on the brink of destruction, at each other’s throats with blame and fear of how they’ve lost their way, Maxon departs for the moon, where he’s charged with programming the robots that will build the fledgling colony. Just as the car accident jars Sunny out of her wig and into an awareness of what she really needs, an accident involving Maxon’s rocket threatens everything they’ve built, revealing the things they’ve kept hidden. And nothing will ever be the same.