There’s the proper one her parents expect for their good Indian daughter: attending a college close to their suburban Chicago home, and being paired off with an older Muslim boy her mom deems “suitable.” And then there is the world of her dreams: going to film school and living in New York City—and maybe (just maybe) pursuing a boy she’s known from afar since grade school, a boy who’s finally falling into her orbit at school. There’s also the real world, beyond Maya’s control. In the aftermath of a horrific crime perpetrated hundreds of miles away, her life is turned upside down. The community she’s known since birth becomes unrecognizable; neighbors and classmates alike are consumed with fear, bigotry, and hatred. Ultimately, Maya must find the strength within to determine where she truly belongs.

    Her high school’s star pitcher, she is now the first woman drafted by a major league baseball team. Only days after her high school graduation, she’ll join the Pittsburgh Pirates’ Class A Short Season team . . . but not everyone is happy to have her there.On top of the pressure heaped on every pitcher, Jill must deal with defying conventions and living up to impossible expectations, all while living away from home for the first time. She’ll go head-to-head against those who are determined to keep baseball an all-male sport. Despite the reassurance of coaches and managers alike, a few of her teammates are giving her trouble. The media presence following her at each game is inescapable. And to top it all off, Jill is struggling with the responsibilities of being a national hero and a role model for young women everywhere. How can she be a role model when she’s not even sure she made the right choice for herself? Didn’t baseball used to be fun?This literary and engrossing story of a young woman trying to mark out a place for herself in a male-dominated world will captivate fans of Friday Night Lights, The Art of Fielding, John Corey Whaley, and Laurie Halse Anderson.

    Daria and her friends call themselves the Authentics, because they pride themselves on always keeping it real.But in the course of researching a school project, Daria learns something shocking about her past, which launches her on a journey of self-discovery. It seems everyone is keeping secrets. And it’s getting harder to know who she even is any longer.With infighting among the Authentics, her mother planning an over-the-top sweet sixteen party, and a romance that should be totally off limits, Daria doesn’t have time for this identity crisis. As everything in her life is spinning out of control—can she figure out how to stay true to herself?

    The super’s after her mother to pay their overdue rent, and her teachers are pushing her to apply for college, but all Nora wants is to turn eighteen and be on her own. There is a cute guy who started working with her at the deli, but is dating even worth the risk when the killer especially likes picking off couples who stay out too late?Award-winning author Meg Medina transports readers to a time when New York seemed about to explode, with temperatures and tempers running high, to discover how one young woman faces her fears as everything self-destructs around her.

    Since they were children, they’ve shared almost everything—reading the same books, running down the same sandy footpaths to the beach, eating peaches from the same market, laughing around the same sun-soaked dining table. Even sleeping in the same bed, on the very same worn cotton sheets. But they’ve never met.Sasha’s dad was once married to Ray’s mom, and together they had three daughters: Emma, the perfectionist; Mattie, the beauty; and Quinn, the favorite. But the marriage crumbled and the bitterness lingered. Now there are two new families—and neither one will give up the beach house that holds the memories, happy and sad, of summers past.The choices we make come back to haunt us; the effect on our destinies ripples out of our control…or does it? This summer, the lives of Sasha, Ray, and their siblings intersect in ways none of them ever dreamed, in a novel about family relationships, keeping secrets, and most of all, love.

    And it doesn’t help that she’s constantly being compared to her beautiful older sister, Helen. Then her rich plastic-surgery-addict aunt offers Joyce a gift to “fix” a part of herself she’d never realized needed fixing—her eyes. Joyce has heard of the fold surgery—a common procedure meant to make Asian women’s eyes seem “prettier” and more “American”—but she’s not sure she wants to go through with it. Her friend Gina can’t believe she isn’t thrilled. After all, the plastic surgeon has shown Joyce that her new eyes will make her look just like Helen—but is that necessarily a good thing? Printz Award–winning author An Na has created a surprisingly funny and thought-provoking look at notions of beauty, who sets the standards and how they affect us all. Joyce’s decision is sure to spark heated discussions about the beauty myths readers confront in their own lives.

    Except apparently “happily ever after” for Carmen involves being stuck in an unpaid summer internship! All she has to do is perform! In a ball gown! During the summer. In Miami. Fine. Except that Carmen’s company is hired for her spoiled cousin Ariana’s over the top quinceañera.And of course, her new dance partner at work is none other than Mauro Reyes, Carmen’s most deeply regrettable ex.If Carmen is going to move into the future she wants, she needs to leave the past behind. And if she can manage dancing in the blistering heat, fending off Mauro’s texts, and stopping Ariana from ruining her own quinceañera Carmen might just get that happily ever after after all.

    Sixteen-year-old Petula De Wilde is anything but wild. A family tragedy has made her shut herself off from the world. Once a crafting fiend with a happy life, Petula now sees danger in everything, from airplanes to ground beef. The worst part of her week is her comically lame mandatory art therapy class. She has nothing in common with this small band of teenage misfits, except that they all carry their own burden of guilt.When Jacob joins their ranks, he seems so normal and confident. Petula wants nothing to do with him, or his prosthetic arm. But when they’re forced to collaborate on a unique school project, she slowly opens up, and he inspires her to face her fears.Until a hidden truth threatens to derail everything.

    Then Emilie’s mom enrolls her in public school, and Emilie goes from studying at home in her pj’s to halls full of strangers. To make matters worse, Emilie is paired with starting point guard Chatham York for a major research project on Emily Dickinson. She should be ecstatic when Chatham shows interest, but she has a problem. She hasn’t told anyone about her epilepsy. Emilie lives in fear her recently adjusted meds will fail and she’ll seize at school. Eventually, the worst happens, and she must decide whether to withdraw to safety or follow a dead poet’s advice and “dwell in possibility.”

    Gradually she adjusts to a new school, new friends, and a new culture, but while Laila sees opportunity in her new life, her mother is focused on the past. She’s conspiring with CIA operatives and rebel factions to regain the throne their family lost. Laila can’t bear to stand still as an international crisis takes shape around her, but how can one girl stop a conflict that spans generations?

    They’ve endured summer vacations, Sunday brunches, even dentist visits together. Their mothers, who are best friends, are convinced that Mia and Jake would be the perfect couple, even though they can’t stand to be in the same room together.After Mia’s mom turns away yet another cute boy, Mia and Jake decide they’ve have had enough. Together, they hatch a plan to get their moms off their backs. Permanently. All they have to do is pretend to date and then stage the worst breakup of all time—and then they’ll be free.The only problem is, maybe Jake and Mia don’t hate each other as much as they once thought...

    And best of all, the poetry that helps forge her identity.July 24My mother named me Gabriella, after my grandmother who, coincidentally, didn't want to meet me when I was born because my mother was unmarried, and therefore living in sin. My mom has told me the story many, many, MANY, times of how, when she confessed to my grandmother that she was pregnant with me, her mother beat her. BEAT HER! She was twenty-five. That story is the basis of my sexual education and has reiterated why it's important to wait until you're married to give it up. So now, every time I go out with a guy, my mom says, "Ojos abiertos, piernas cerradas." Eyes open, legs closed. That's as far as the birds and the bees talk has gone. And I don't mind it. I don't necessarily agree with that whole wait until you're married crap, though. I mean, this is America and the 21st century; not Mexico one hundred years ago. But, of course, I can't tell my mom that because she will think I'm bad. Or worse: trying to be White. Gabi is Isabel Quintero's debut novel.Named to Kirkus Reviews Best Books of 2014Named to School Library Journal Best Books of 2014

    He's about to take his first-ever trip to Iran, and it's pretty overwhelming—especially when he's also dealing with clinical depression, a disapproving dad, and a chronically anemic social life. In Iran, he gets to know his ailing but still formidable grandfather, his loving grandmother, and the rest of his mom's family for the first time. And he meets Sohrab, the boy next door who changes everything.Sohrab makes sure people speak English so Darius can understand what's going on. He gets Darius an Iranian National Football Team jersey that makes him feel like a True Persian for the first time. And he understands that sometimes, best friends don't have to talk. Darius has never had a true friend before, but now he's spending his days with Sohrab playing soccer, eating rosewater ice cream, and sitting together for hours in their special place, a rooftop overlooking the Yazdi skyline.Sohrab calls him Darioush—the original Persian version of his name—and Darius has never felt more like himself than he does now that he's Darioush to Sohrab. When it's time to go home to America, he'll have to find a way to be Darioush on his own.

    She can’t count the number of times she’s been the only non-white person at the sleepover, been teased for her “weird” outfits, and been told she’s not “really” black. Also, she’s spent most of her summer crying in bed. So there’s that, too.Lately, it feels like the whole world is listening to the same terrible track on repeat—and it’s telling them how to feel, who to vote for, what to believe. Morgan wonders, when can she turn this song off and begin living for herself?Life may be a never-ending hamster wheel of agony, but Morgan finds her crew of fellow outcasts, blasts music like there’s no tomorrow, discovers what being black means to her, and finally puts her mental health first. She decides that, no matter what, she will always be intense, ridiculous, passionate, and sometimes hilarious. After all, darkness doesn’t have to be a bad thing. Darkness is just real.

    She feels simultaneously lost and trapped by a future already mapped out for her. Then her beloved grandmother dies, and Raya jumps at the chance to spend her last free summer at the ashram in India where her grandmother met and fell in love with her grandfather. Raya hopes to find her center and her true path. But she didn't expect to fall in love... with a country of beautiful contradictions, her fiercely loyal cousin, a local girl with a passion for reading, and a boy who teaches her that in Sanskrit, there are 96 different ways to say the word "love." A modern retelling of the classic Indian legend of Shakuntala and Dushyanta.