The real-life scientist who founded the "Body Farm" has broken cold cases and revolutionized forensics . . . and now he spins an astonishing tale inspired by his own experiences.Renowned anthropologist Dr. Bill Brockton has spent his career surrounded by death at the Body Farm. Now he's being called upon to help solve a baffling puzzle in a remote mountain community. The mummified corpse of a young woman dead for thirty years has been discovered in a cave, the body bizarrely preserved and transformed by the environment's unique chemistry. But Brockton's investigation is threatening to open old wounds among an insular people who won't forget or forgive. And a long-buried secret prematurely exposed could inflame Brockton's own guilt—and the dangerous hostility of bitter enemies determined to see him fail . . . by any means necessary.With Fascinating Insider Information on the Body Farm!

    Yet Rowan Winter, once her closest friend, suspects there is more to the story. Ever since she was young, Marianne had paralyzing vertigo. She would never have gone so close to the roof's edge.Marianne -- and the whole Glass family -- once meant everything to Rowan. For a teenage girl, motherless with a much-absent father, this lively, intellectual household represented a world of glamour and opportunity.But since their estrangement, Rowan knows only what the papers reported about Marianne's life: her swift ascent in the London art world, her much-scrutinized romance with her gallerist. If she wants to discover the truth about her death, Rowan needs to know more. Was Marianne in distress? In danger? And so she begins to seek clues -- in Marianne's latest work, her closest relationships, and her new friendship with an iconoclastic fellow artist.But the deeper Rowan goes, the more sinister everything seems. And a secret in the past only she knows makes her worry about her own fate . . .

    Nowadays twenty-two-year-old Siobhán O’Sullivan runs the family bistro named for her mother, along with her five siblings, after the death of their parents in a car crash almost a year ago.   It’s been a rough year for the O’Sullivans, but it’s about to get rougher. One morning, as they’re opening the bistro, they discover a man seated at a table, dressed in a suit as if for his own funeral, a pair of hot pink barber scissors protruding from his chest.   With the local garda suspecting the O’Sullivans, and their business in danger of being shunned—murder tends to spoil the appetite—it’s up to feisty redheaded Siobhán to solve the crime and save her beloved brood.

    Then Wesley's old friend from university, archaeologist Neil Watson, unearths the bodies of a strangled young woman and a new-born baby on the site of a seventeenth century merchant's house: though luckily for the overstretched police force the skeletons are centuries old. But as the search for the missing child intensifies and the true identity of the body on the cliff path is established, Wesley begins to suspect a tragic link, spanning the centuries, between his investigations and Neil's: for motives of jealousy, sexual obsession and desperate longing are as old as time. And when the dark secret of the merchant's house is finally revealed, Wesley must act swiftly to avert a further tragedy.

    . . and to maintain an increasingly unbearable life-defining secret. So when her husband is offered a lucrative job in Luxembourg, she jumps at the chance to leave behind her double-life, to start anew.She begins to reinvent herself as an expat, finding her way in a language she doesn’t speak, doing the housewifely things she’s never before done—play-dates and coffee mornings, daily cooking and unending laundry. Meanwhile, her husband works incessantly, doing a job Kate has never understood, for a banking client she’s not allowed to know. He’s becoming distant and evasive; she’s getting lonely and bored.Then another American couple arrives. Kate soon becomes suspicious that these people are not who they claim to be, and terrified that her own past is catching up to her. So Kate begins to dig, to peel back the layers of deception that surround her. She discovers fake offices and shell corporations and a hidden gun; a mysterious farmhouse and numbered accounts with bewildering sums of money; a complex web of intrigue where no one is who they claim to be, and the most profound deceptions lurk beneath the most normal-looking of relationships; and a mind-boggling long-play con threatens her family, her marriage, and her life.

    Ruth Galloway is in her late thirties and lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer or a copycat murderer, linked in some way to the site near Ruth’s remote home?

    But railroad police Special Agent Sydney Rose Parnell, brought in by the Denver Major Crimes unit to help investigate, can't shake the feeling that larger forces are behind this apparent crime of passion.In the depths of an icy winter, Parnell and her K9 partner, Clyde ― both haunted by their time in Iraq ― descend into the underground world of a savage gang of rail riders. There, they uncover a wide-reaching conspiracy and a series of shocking crimes. Crimes that threaten everything Parnell holds dear.As the search for the truth puts her directly in the path of the killer, Parnell must struggle with a deadly question: Can she fight monsters without becoming one herself?

    Two years ago, Gretchen kidnapped Archie and tortured him for ten days, but instead of killing him, she mysteriously decided to let him go. She turned herself in, and now Gretchen has been locked away for the rest of her life, while Archie is in a prison of another kind---addicted to pain pills, unable to return to his old life, powerless to get those ten horrific days off his mind. Archie's a different person, his estranged wife says, and he knows she's right. He continues to visit Gretchen in prison once a week, saying that only he can get her to confess as to the whereabouts of more of her victims, but even he knows the truth---he can't stay away. When another killer begins snatching teenage girls off the streets of Portland, Archie has to pull himself together enough to lead the new task force investigating the murders. A hungry young newspaper reporter, Susan Ward, begins profiling Archie and the investigation, which sparks a deadly game between Archie, Susan, the new killer, and even Gretchen. They need to catch a killer, and maybe somehow then Archie can free himself from Gretchen, once and for all. Either way, Heartsick makes for one of the most extraordinary suspense debuts in recent memory.

    Along the way, she finds handsome Laurent Dernier, a sexy if nefarious Frenchman who it's not clear is there to help or hinder Maggie's search for the girl. Meanwhile, her sister's murderer sets his sights on the little girl — and Maggie.The first book of the Maggie Newberry Mystery Series, Murder in the South of France was originally titled Murder on the Côte d’Azur.

    . . and vanished.Missing persons investigator Brenna Spector has a rare neurological disorder that enables her to recall every detail of every day of her life. A blessing and a curse, it began in childhood, when her older sister stepped into a strange car never to be seen again, and it’s proven invaluable in her work. But it hasn’t helped her solve the mystery that haunts her above all others—and it didn’t lead her to little Iris. When a local woman, Carol Wentz, disappears eleven years later, Brenna uncovers bizarre connections between the missing woman, the long-gone little girl . . . and herself.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

     STEPPING INTO HER WORST NIGHTMARE... Because when she returned, she found an open bedroom window and her three-year-old son, Nathan, gone. The boy would never be seen again. A NIGHTMARE THAT ONLY BECAME WORSE.A tip leads detectives to the killer, a repeat sex offender, and inside his apartment, a gruesome discovery. A slam-dunk trial sends him off to death row, then several years later, to the electric chair. CASE CLOSED. JUSTICE SERVED...OR WAS IT?Now, more than thirty years later, Patrick Bannister unwittingly stumbles across evidence among his dead mother's belongings—it paints her as the killer and her brother, a wealthy and powerful senator, as the one pulling the strings. WHAT REALLY HAPPENED TO NATHAN KINGSLEY?There's a hole in the case a mile wide, and Patrick is determined to close it. But what he doesn't know is that the closer he moves toward the truth, the more he's putting his life on the line, that he’s become the hunted. Someone's hiding a dark secret and will stop at nothing to keep it that way.The clock is ticking, the walls are closing, and the stakes are getting higher as he races to find a killer—one who's hot on his trail. One who's out for his blood.

    That’s when Lucy began conjuring stories. The police investigation revealed few confirmed details, so she created tales to fill in the gaps, to explain what happened that day her brother disappeared—and young Lucy was the only witness.Now decades later, with the whole world watching, Lucy’s past and present are colliding, and this bestselling author skilled in telling stories is losing control of her own narrative. Where is Dan? What happened to Lucy's brother? And is the brilliant mystery writer—an expert in devising red herrings and hidden clues—revealing all she knows about both disappearances?With twists and turns, Gilly Macmillan reveals the answers in this clever and compulsively readable mystery sure to thrill fans of Ruth Ware and Shari LaPena.