She knows she is different, that she is destined to become a feted authoress, owner of great riches and of Paradise House . . .After reading The Lady Irania, publishers Brace and Gilchrist are certain the novel will be a success, in spite of - and perhaps because of - its overblown style. But they are curious as to who could have written such a book: 'Some old lady, romanticising behind lace-curtains' . . . 'Angelica Deverell is too good a name to be true . . . she might be an old man. It would be an amusing variation. You are expecting to meet Mary Anne Evans and in Walks George Eliot twirling his moustache.' So nothing can prepare them for the pale young woman who sits before them, with not a seed of irony or a grain of humour in her soul.

    The use of metaphor is delicate and subtle; often the women are strong and capable and the men less so; shallow and selfish motives are exposed.The dates of these stories range from 1909 to 1986 and there are thirty in all. The ten stories which are already in print in Persephone editions of their work are by Katherine Mansfield, Irène Némirovsky, Mollie Panter-Downes (twice), Elizabeth Berridge, Dorothy Whipple, Frances Towers, Margaret Bonham, Diana Gardner and Diana Athill. The ten stories which have already been published in the Quarterly and Biannually are by EM Delafield; Dorothy Parker; Dorothy Whipple; Edith Wharton; Phyllis Bentley; Dorothy Canfield Fisher; Norah Hoult; Angelica Gibbs; Penelope Mortimer; and Georgina Hammick. And lastly the ten stories which are new are by Susan Glaspell, Pauline Smith, Malachi Whitaker, Betty Miller, Helen Hull, Kay Boyle, Shirley Jackson, Sylvia Townsend Warner, Elizabeth Spencer and Penelope Fitzgerald.

    A cheating wife, back with her boring husband, is wracked with agonizing love for the unavailable partner of her brief fling; a writer seeks inspiration at a writers' retreat whilst avoiding the group seducer's invitation; a wife's party flirtations propel her possessive husband into another woman's bed; two fun-loving women face a sinister sexual assault during a Greek holiday; a teenager experiences enraptured detachment during her first kiss.Beautifully written, perceptive, touching, and funny, Midsummer Night in the Workhouse is Diana Athill at her best.

     Every Eye concerns Hattie, a woman not really at home anywhere, least of all among her manipulative family, which has assigned her the role of shabby-genteel London spinster. She has understood little about her existence, and about her strange, aborted love affair with a much older man--the central mystery of her life. Now, while in Ibiza with her new young husband, the meaning of her past is becoming clear, its hidden patterns emerging from gray English shadows into the blazing Mediterranean sun."It is in Ibiza that the story breaks free from its resentments," said Anita Brookner in praise of this remarkable neglected novel, "a lucidly written account of various kinds of confusion ... and a valuable lesson in where to look for freedom."

    Mrs. Aubrey, a former concert pianist, struggles to keep the family afloat, but then she is something of a high-strung eccentric herself, as is all too clear to her daughter Rose, through whose loving but sometimes cruel eyes events are seen. Still, living on the edge holds the promise of the unexpected, and the Aubreys, who encounter furious poltergeists, turn up hidden masterpieces, and come to the aid of a murderess, will find that they have adventure to spare.In The Fountain Overflows, a 1957 best seller, Rebecca West transmuted her own volatile childhood into enduring art. This is an unvarnished but affectionate picture of an extraordinary family, in which a remarkable stylist and powerful intelligence surveys the elusive boundaries of childhood and adulthood, freedom and dependency, the ordinary and the occult.

    Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal’s every effort to direct them, and a renewed, if selective, submission to his Islamic faith. Set against London’s racial and cultural tapestry, venturing across the former empire and into the past as it barrels toward the future, White Teeth revels in the ecstatic hodgepodge of modern life, flirting with disaster, confounding expectations, and embracing the comedy of daily existence.

    But Quintin, the seducer of one dove, is also the husband of another. And Petta, his once beautiful wife, is fighting back age as fiercely as Ellie is plunging into it.

    In the first chapter her brother, a devout Catholic (whereas Patience is a rather unthinking Catholic, nevertheless she undeniably is one) comes to tea to tell her that her husband Edward is being unfaithful. Patience, who is perfectly happy with her husband, her children and her St John’s Wood life, is not too upset, in fact she is more curious than anything else because a) her husband had never seemed inattentive, on the contrary, b) she is mystified at the thought of another woman going to bed with Edward out of choice.Fortuitously (for this is a caper, a farce, a satire, something unreal – which is why coincidence is allowable) Patience meets Philip and upon going back with him to his room in Regent’s Park ‘realises that through seven years of marriage she has never understood the meaning of married love, has never had a moment of sexual pleasure, has been cheated by her husband of true happiness.’ This is what Tribune magazine told its readers, assuring them that there was ‘no melodrama – or pornography here. Patience is a truly delightful, idyllic story of a simple soul’s discovery of the beauties of sexual love and her attempts to reconcile it with her mild Catholicism and her ardent maternal love.’

    Beneath the once decorous surface of their lives, unsavories like blackmail and adultery are now to be glimpsed. As spooky as it is witty, poignant and wickedly hilarious, Memento Mori may ostensibly concern death, but it is a book which leaves one relishing life all the more.

    This charming, delightful and extremely funny book about daily life in a frugal English household was named by booksellers as the out-of-print novel most deserving of republication.This is a gently self-effacing, dry-witted tale of a long-suffering and disaster-prone Devon lady of the 1930s. A story of provincial social pretensions and the daily inanities of domestic life to rival George Grossmith's Diary of a Nobody.

    A deep sense of tradition binds him to his inheritance, though he loathes the social circus he is a part of. Deception, infidelity and greed hide beneath the glittering surface of good manners. Among the guests at a lavish party are two people who will change Sebastian's life: Lady Roehampton, who will initiate him in the art of love; and Leonard Anquetil, a polar explorer who will lead Sebastian and his free-spirited sister Viola to question their destiny.A portrait of fashionable society at the height of the era, THE EDWARDIANS revealed all that was glamorous about the period - and all that was to lead to its downfall. First published in 1930, it was Vita Sackville-West's most successful book.

    The child, Jordan, is rescued by Dog Woman and grows up to travel the world like Gulliver, though he finds that the world’s most curious oddities come from his own mind. Winterson leads the reader from discussions on the nature of time to Jordan’s fascination with journeys concealed within other journeys, all with a dizzying speed that shoots the reader from epiphany to shimmering epiphany.

    is a passionate assertion of the futility of war' (the Spectator). Its author had been an actress and suffragette; after 1914 she worked at the Scottish Women's Hospital at Royaumont and organised Concerts at the Front. William - an Englishman was written in a tent within sound of guns and shells; this 'stunning... terrifically good' novel (Radio 4's A Good Read) is in one sense a very personal book, animated by fury and cynicism, and in another a detached one; yet is always 'profoundly moving' (Financial Times).In the view of Persephone Books, William is one of the greatest novels about war ever written: not the war of the fighting soldier or the woman waiting at home, but the war encountered by Mr and Mrs Everyman, wrenched away from their comfortable preoccupations - Socialism, Suffragettism, so gently mocked by Cicely Hamilton - and forced to be part of an almost dream-like horror (because they cannot at first believe what is happening to them). The scene when William and Griselda emerge after three idyllic weeks in a honeymoon cottage in the remote hills of the Belgian Ardennes, and encounter German brutality in a small village, is unforgettable. The book, which won the Prix Femina-Vie Heureuse in 1919, is a masterpiece, written with an immediacy and a grim realism reminiscent of an old-fashioned, flickering newsreel.

    Several of the stories in 'The Woman Novelist' are about women behaving badly, and many of them are uncomfortable reading.

    We are shown the matriarchs around whom their families spin; but whether they direct their children gently or forcefully, in the end they have to accept them as they are.