Introducing Erin Hart, who brings the beauty, poignancy, mystery, and romance of the Irish countryside to her richly nuanced first novel.When farmers cutting turf in a peat bog make a grisly discovery -- the perfectly preserved severed head of a young woman with long red hair -- Irish archaeologist Cormac Maguire and American pathologist Nora Gavin team up in a case that will open old wounds.Peat bogs prevent decay, so the decapitated young woman could have been buried for two decades, two centuries, or even much longer. Who is she? When was she killed? The extraordinary find leads to even more disturbing puzzles. The red-haired girl is clearly a case for the archaeologists, not the police. Still, her tale may have shocking ties to the present, and Cormac and Nora must use cutting-edge techniques to preserve ancient evidence.And the red-haired girl is not the only enigma in this remote corner of Galway. Two years earlier, Mina Osborne, the local landowner's Indian-born wife, went for a walk with her young son and never returned. Did Mina simply decide to disappear, or did mother and child become lost in the treacherous bog? Could they, too, be hidden in its depths, only to be discovered centuries from now? Or did the landowner, Hugh Osborne, murder his family, as some villagers suspect?Bracklyn House, Osborne's stately home, holds many secrets for Nora and Cormac and policeman Garrett Devaney. But time is running out. Devaney's superiors want him off the Osborne case. Now. He wants to stay and find a killer.Meticulously crafted and resonating with traditional music and folklore, Haunted Ground celebrates Ireland's turbulent history, revealing the eternal, subliminal connections between past and present in a riveting novel that heralds the arrival of a bright new crime-writing star.

    In fact, he would say he is extraordinary…Synaesthesia paints the sounds of his world in a kaleidoscope of colours that no one else can see. But on Friday, he discovered a new colour – the colour of murder.He’s sure something has happened to his neighbour, Bee Larkham, but no-one else seems to be taking it as seriously as they should be. The knife and the screams are all mixed up in his head and he’s scared that he can’t quite remember anything clearly.But where is Bee? Why hasn’t she come home yet? Jasper must uncover the truth about that night – including his own role in what happened…

    After working with the bestselling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan’s traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.Conway’s latest tale has Atticus Pünd investigating a murder at Pye Hall, a local manor house. Yes, there are dead bodies and a host of intriguing suspects, but the more Susan reads, the more she’s convinced that there is another story hidden in the pages of the manuscript: one of real-life jealousy, greed, ruthless ambition, and murder.

    I didn’t have anything to do with Frank’s death. I don’t have an alibi, so you’ll have to take my word for it...Forty-eight hours after leaving her husband’s body at the base of the stairs, Tanya Dubois cashes in her credit cards, dyes her hair brown, demands a new name from a shadowy voice over the phone, and flees town. It’s not the first time.She meets Blue, a female bartender who recognizes the hunted look in a fugitive’s eyes and offers her a place to stay. With dwindling choices, Tanya-now-Amelia accepts. An uneasy―and dangerous―alliance is born.It’s almost impossible to live off the grid today, but Amelia-now-Debra and Blue have the courage, the ingenuity, and the desperation, to try. Hopscotching from city to city, Debra especially is chased by a very dark secret…can she outrun her past?

    He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. Now, thirty years later, Vincent is being released.Duchess is a thirteen-year-old self-proclaimed outlaw. Her mother, Star, grew up with Walk and Vincent. Walk is in overdrive trying to protect them, but Vincent and Star seem bent on sliding deeper into self-destruction. Star always burned bright, but recently that light has dimmed, leaving Duchess to parent not only her mother but her five-year-old brother. At school the other kids make fun of Duchess―her clothes are torn, her hair a mess. But let them throw their sticks, because she’ll throw stones. Rules are for other people. She’s just trying to survive and keep her family together.A fortysomething-year-old sheriff and a thirteen-year-old girl may not seem to have a lot in common. But they both have come to expect that people will disappoint you, loved ones will leave you, and if you open your heart it will be broken. So when trouble arrives with Vincent King, Walk and Duchess find they will be unable to do anything but usher it in, arms wide closed.Chris Whitaker has written an extraordinary novel about people who deserve so much more than life serves them. At times devastating, with flashes of humor and hope throughout, it is ultimately an inspiring tale of how the human spirit prevails and how, in the end, love―in all its different guises―wins.

    She didn’t feel afraid standing in the darkness, imagining snakes, even with the smell of death in the air.Bea and Dan, recently married, let out their tiny flat to escape London for a few precious months. Driving down through France they visit Bea’s dropout brother Alex at the hotel he runs in Burgundy. Disturbingly, they find him all alone and the ramshackle hotel deserted, apart from the nest of snakes in the attic.When Alex and Bea’s parents make a surprise visit Dan can’t understand why Bea is so appalled, or why she’s never wanted him to know them; Liv and Griff Adamson are charming, and rich. They are the richest people he has ever met. Maybe Bea’s ashamed of him, or maybe she regrets the secrets she’s been keeping.Tragedy strikes suddenly, brutally, and in its aftermath the family is stripped back to its heart, and then its rotten core, and even Bea with all her strength and goodness can’t escape.

    A story of betrayal and treachery, of death and delusion, of ruthless obsession and ambition.The atmosphere of Bleak House, the sensuous thrill of Perfume, and the mystery of Jonathan Strange & Mr. Norrell all combine in a story of murder, deceit, love, and revenge in Victorian England."After killing the red-haired man, I took myself off to Quinn's for an oyster supper."So begins the extraordinary story of Edward Glyver--booklover, scholar, and murderer. As a young boy, Glyver always believed he was destined for greatness. A chance discovery convinces him that he was right: greatness does await him, along with immense wealth and influence. Overwhelmed by his discovery, he will stop at nothing to win back a prize that he knows is rightfully his.Glyver's path to reclaim his prize leads him from the depths of Victorian London, with its foggy streets, brothels, and opium dens, to Evenwood, one of England's most beautiful and enchanting country houses, and finally to a consuming love for the beautiful but enigmatic Emily Carteret. His is a story of betrayal and treachery, of death and delusion, of ruthless obsession and ambition. And at every turn, driving Glyver irresistibly onward, is his deadly rival: the poet-criminal Phoebus Rainsford Daunt.The Meaning of Night is an enthralling novel that will captivate readers right up to its final thrilling revelation.

    The Dukes of Hazzard is on TV and Curly Wurlys are in the shops. And trying to find a place in it all is young Leon.Leon is nine, and has a perfect baby brother called Jake. They have gone to live with Maureen, who has fuzzy red hair like a halo, a belly like Father Christmas, and mutters swearwords under her breath when she thinks can't hear. Maureen feeds and looks after them, and claims everything will be okay.But will they ever see their mother again? Who are the couple who secretly visit Joke? The adults are speaking in low voices, and wearing pretend faces. They are threatening to take Jake away and give him to strangers. Because Jake is white and Leon is not. As Leon struggles to cope with his anger, certain things can still make him smile – like Curly Wurlys, riding his bike fast downhill, burying his hands deep in the soil, hanging out with Tufty (who reminds him of his dad), and stealing enough coins so that one day he can rescue Jake and his mum.Evoking a Britain of the early eighties, My Name is Leon is a story of love, identity and learning to overcome unbearable loss. Of the fierce bond between siblings. And how – just when we least expect it – we somehow manage to find our way home.

    One night in Waterloo, Iowa, with young policeman Virgil Holt watching from the audience, she swaps her trademark saw for a fire ax. Is it a new version of the illusion, or an all-too-real murder? When Arden’s husband is found lifeless beneath the stage later that night, the answer seems clear.But when Virgil happens upon the fleeing magician and takes her into custody, she has a very different story to tell. Even handcuffed and alone, Arden is far from powerless—and what she reveals is as unbelievable as it is spellbinding. Over the course of one eerie night, Virgil must decide whether to turn Arden in or set her free… and it will take all he has to see through the smoke and mirrors.

    It’s always been easier for Cara Hargraves to bury herself in the past than confront the present, which is why working with a gruff but brilliant antiques dealer is perfect. While clearing out an estate, she pries open an old tin that holds the relics of a lost relationship: among the treasures, a World War II-era diary and a photograph of a young woman in uniform. Eager to find the author of the hauntingly beautiful, unfinished diary, Cara digs into this soldier’s life, but soon realizes she may not have been ready for the stark reality of wartime London she finds within the pages. In 1941, nineteen-year-old Louise Keene’s life had been decided for her—she’ll wait at home in her Cornish village until her wealthy suitor returns from war to ask for her hand. But when Louise unexpectedly meets Flight Lieutenant Paul Bolton, a dashing RAF pilot stationed at a local base, everything changes. And changes again when Paul’s unit is deployed without warning. Desperate for a larger life, Louise joins the women’s branch of the British Army in the anti-aircraft gun unit as a Gunner Girl. As bombs fall on London, she and the other Gunner Girls relish in their duties to be exact in their calculations, and quick in their identification of enemy planes during air raids. The only thing that gets Louise through those dark, bullet-filled nights is knowing she and Paul will be together when the war is over. But when a bundle of her letters to him are returned unanswered, she learns that wartime romance can have a much darker side. Illuminating the story of these two women separated by generations and experience, Julia Kelly transports us to World War II London in this heartbreakingly beautiful novel through forgotten antique treasures, remembered triumphs, and fierce family ties.

    There she will become nursery maid, chaperone and confidante to the Mitford sisters, especially sixteen-year-old Nancy - an acerbic, bright young woman in love with stories.But then a nurse - Florence Nightingale Shore, goddaughter of her famous namesake - is killed on a train in broad daylight, and Louisa and Nancy find themselves entangled in the crimes of a murderer who will do anything to hide their secret . . .'A glorious indulgence. Dazzling' - Daisy Goodwin'Inventive, glittering, clever, ingenious' - Susan Hill'Fascinating, I loved it' - Julian Fellowes'An enthralling mystery' - Juliet Nicolson'Audacious, breathtaking' - Alex Gray

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    But her greatest victory suddenly turned into a nightmare. Traumatized, betrayed, and publicly vilified for the shocking circumstances surrounding the cannibal murder case, Kate could only watch as her career ended in scandal.Fifteen years after those catastrophic events, Kate is still haunted by the unquiet ghosts of her troubled past. Now a lecturer at a small coastal English university, she finally has a chance to face them. A copycat killer has taken up the Nine Elms mantle, continuing the ghastly work of his idol.Enlisting her brilliant research assistant, Tristan Harper, Kate draws on her prodigious and long-neglected skills as an investigator to catch a new monster. Success promises redemption, but there’s much more on the line: Kate was the original killer’s intended fifth victim…and his successor means to finish the job.

    1850. The Great Exhibition is being erected in Hyde Park and among the crowd watching the spectacle two people meet. For Iris, an aspiring artist, it is the encounter of a moment – forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning. When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love.But Silas has only thought of one thing since their meeting, and his obsession is darkening . . .

    It was supposed to be the perfect summer getaway--until they met Severine, the girl next door. For Kate Channing, Severine was an unwelcome presence, her inscrutable beauty undermining the close-knit group's loyalties amid the already simmering tensions. And after a huge altercation on the last night of the holiday, Kate knew nothing would ever be the same. There are some things you can't forgive, and there are some people you can't forget, like Severine, who was never seen again. Now, a decade later, the case is reopened when Severine's body is found in the well behind the farmhouse. Questioned along with her friends, Kate stands to lose everything she's worked so hard to achieve as suspicion mounts around her. Desperate to resolve her own shifting memories and fearful she will be forever bound to the woman whose presence still haunts her, Kate finds herself buried under layers of deception with no one to set her free.