Billy Frecknall was nine years old, and the country was at war. What could that mean to a nine-year-old? A great deal, not least being the fact that Billy to all intents and purposes no longer had a Dad, because his father had enlisted in the army in the early days of the war, and they didn’t even know where he was. That night saw the biggest air raid Billy’s home town of Nottingham had experienced, and there were many casualties, including Billy’s Mum. Billy survived, but finding his Dad became even more urgent than before. His quest leads him into many adventures and a great deal of danger, but his courage never falters. Billy is a cheerful, intelligent, resourceful boy who has the gift of winning the hearts of most people he encounters – he will probably win yours too!

    Lucy and her little brother Ricardo follow their puppy and the mysterious, golden-eyed Tiger-cat into a secret tunnel leading to a foreign country - a country where children are held prisoner in the jungle.Cover designed by Jo Hunt.

    Written during a six-week period prior to his death in Paris in 1960, it offers a fascinating glimpse into the writer’s process as well as providing an important addition to Wright’s body of work.In rough form, Wright expands the style of a crime thriller to grapple with themes of race, class, and generational conflicts as newly appointed police chief Ruddy Turner begins to suspect his own son, Tommy, a student at the University of Chicago, of a series of murders in Brentwood Park. Under pressure to solve the killings and prove himself, Turner spirals into an obsession that forces him to confront his ambivalent relationship with a son he struggles to understand.Prescient, raw, and powerful, A Father's Law is the final gift from a literary giant.“We can be grateful for what [Wright] left behind and for what this book gives us to contemplate.”  — Washington Post Book World

    Swerving elegantly from humor to heartbreak, from Colorado to Florida, from Dante's Paradise to Homer's Iliad, from knowledge to ignorance to awe, Phillips turns his gaze upward and outward, probing and upending notions of the beyond. "Feeling, real feeling / with all its faulty / Architecture, is / Beyond a god's touch"--but it does not elude Phillips. Meditating on feverish boyhood, on two paintings by Chuck Close, on Shakespeare's Measure for Measure, on a dead rooster by the side of the road in Ohio, on an elk grazing outside his window, his language remains eternally intoxicating, full of play, pathos, and surprise. "The end," he writes, "like / All I've ever told you, is uncertain." Or, elsewhere: "The only way then to know a truth / Is to squint in its direction and poke." Phillips--who received a 2013 Whiting Writers' Award as well as the PEN/Joyce Osterweil Award--may not be certain, but as he squints and pokes in the direction of truth, his power of perception and elegance of expression create a place where beauty and truth come together and drift apart like a planet orbiting its star. The result is a book whose lush and wounding beauty will leave its mark on readers long after they've turned the last page.

     Breathing new life into a story that has been rife with controversy and prejudice for over two centuries, the film follows the rise of the visionary Virginian slave, Nat Turner. Hired out by his owner to preach to and placate slaves on drought-plagued plantations, Turner eventually transforms into an inspired, impassioned, and fierce anti-slavery leader. Beautifully illustrated with stills from the movie and original illustrations, the book also features an essay by writer/director, Nate Parker, contributions by members of the cast and crew, and commentary by educator Brian Favors and historians Erica Armstrong Dunbar and Daina Ramey Berry who place Nat Turner and the rebellion he led into historical context. The Birth of a Nation reframes the way we think about slavery and resistance as it explores the passion, determination, and faith that inspired Nat Turner to sacrifice everything for freedom.

    But when his son is taken away from him, he's left with nothing but the Memphis bar he manages. Then he hires Fay, a young white waitress, who has a volatile brother named Carl in tow. Nickel finds himself consumed with the idea of Taft -- Fay and Carl's dead father -- and begins to reconstruct the life of a man he never met. But his sympathies for these lost souls soon take him down a twisting path into the lives of strangers...

    All she did was fall in love with a white Christian carnivore instead of a conventional Indian boy. Years later, with her parents not speaking to her and her controversial relationship in tatters, all Preeti has left is her career at a prestigious Los Angeles law firm.But when Preeti receives word of a terrible accident in the city where she was born, she returns to India, where she’ll have to face her estranged parents…and the complicated past they left behind. Surrounded by the sights and sounds of her heritage, Preeti catches a startling glimpse of her family’s battles with class, tradition, and sacrifice. Torn between two beautifully flawed cultures, Preeti must now untangle what home truly means to her.

    But the truth is far more sinister, says Austin Ruse. We're actually living in the age of the low information voter, easily mislead by all-too-convincing false statistics and studies. In Fact-Shaming, Ruse debunks so-called "facts" used to advance political causes one after the other, revealing how poorly they stand up to actual science.

    No Dirty Little Secrets about Black History, Heroes & Other Troublemakers Read a customer review or write one .

    A series of killings prompts officials to coerce Bauman to track down the killer. His quest takes readers into the web of corruption that is inherent in a big state prison.

    After sorting out the labels Black, English Whites, Afrikaners, and Coloreds, the discussion pushes on to more difficult questions: Why should you never give a White woman a white-gold engagement ring? Why do Indian men always play sports in jeans? and How do Colored gangsters fare in the navy?

    However, this book will provide an introduction to the powerful and dramatic history that is loosely termed 'Black History'. The study of Black History in the West has to be seen primarily in the context of American history where all men are created equal and that slavery and the fight for civil rights had its most profound effect.

    Raised in a small, white New England town, she grew up with a persistent longing. After a five-year search marked by disappointment, she finds her birth mother and a half-sister named Sarah, the name originally given to her. When she locates her birth father and several of his eleven other children, she is then confronted with a revelation that threatens to destabilize all she has uncovered. In telling of her struggles, McKinley challenges us to rethink our own preconceptions about race, loyalty, and love.

    She doesn’t go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn’t know is that Eli has been a teenager for a very long time…Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013.

    She loves her cute son Hintsa, her witty husband Mandla, her comfortably challenging work with the tourism board, and her best friends Nosizwe and Lauren. But she has to admit – its tough being Superwoman in South Africa today. Try being the perfect traditional wife and African mother at home, the perfect promotable black woman at work, and the perfect foil for her Benetton friends one black and Xhosa, one white and English! Thandi admits defeat and decides she needs that great South African bourgeois accessory: a maid. And since she doesnt have the heart to boss about a sister in her own home, she decides it must be a white maid. Marita joining the household seems to disrupt the comfortable space Thandi, Siz and Lauren have settled into. The secrets of the three womens lives are dramatically exposed and they are forced to confront their assumptions about relationships, history and each other.