Trapped in a remote Alaskan forest, pinned under his own SUV, gnawed upon by nature's finest predators, Marv Pushkin -- Corporate Warrior, Positive Thinker, Esquire subscriber -- waits impatiently for an ambulance and explains in detail the many reasons why this unfolding tragedy is everyone's fault but his own.

    For the next ten years, Hornby’s incandescently funny "Stuff I’ve Been Reading” chronicled a singular reading life — one that is measured not just in "books bought” and "books read,” as each column begins, but in the way our feelings toward Celine Dion say a lot about who we are, the way Body Shop Vanilla Shower Gel can add excitement to our days, and the way John Updike might ruin our sex lives. Hornby’s column is both an impeccable, wide-ranging reading list and an indispensable reminder of why we read.

    So he jumped into his fully alarmed Japanese S.U.V. and drove to American sports shrines for a year, everywhere from Larry Bird's boyhood home in French Lick, Indiana, to the cornfield just outside of Dyersville, Iowa, where Field of Dreams was filmed. Now in paperback, Road Swing is the story of his journey.

    This set includes Singing And Swinging And Getting Merry, I Know Why The Caged Bird Sings, Maya Angelou: Poems and Wouldn't Take Nothing For My Journey Now.

    In the seventeen wide-ranging essays collected for the first time in Love and Other Ways of Dying, he brings his full literary powers to bear, pondering happiness and grief, memory and the redemptive power of human connection. In the remote Ukranian countryside, Paterniti picks apples (and faces mortality) with a real-life giant; in Nanjing, China, he confronts a distraught jumper on a suicide bridge; in Dodge City, Kansas, he takes up residence at a roadside hotel and sees, firsthand, the ways in which the racial divide turns neighbor against neighbor. In each instance, Paterniti illuminates the full spectrum of human experience, introducing us to unforgettable everyday people and bygone legends, exploring the big ideas and emotions that move us. Paterniti reenacts François Mitterrand’s last meal in a rustic dining room in France and drives across America with Albert Einstein’s brain in the trunk of his rental car, floating in a Tupperware container. He delves with heartbreaking detail into the aftermath of a plane crash off the coast of Nova Scotia, an earthquake in Haiti, and a tsunami in Japan—and, in searing swirls of language, unearths the complicated, hidden truths these moments of extremity teach us about our ability to endure, and to love. Michael Paterniti has spent the past two decades grappling with some of our most powerful subjects and incomprehensible events, taking an unflinching point of view that seeks to edify as it resists easy answers. At every turn, his work attempts to make sense of both love and loss, and leaves us with a profound sense of what it means to be human. As he writes in the Introduction to this book, “The more we examine the grooves and scars of this life, the more free and complete we become.”

    K. Chesterton. These essays were originally published in the 'Daily News', and cover a range of topics ranging from Gargoyles to strolls around Marble Arch. The essays contained herein include: The Surrender of a Cockney, The Nightmare, The Telegraph Poles, A Drama of Dolls, The Men and His Newspaper, The Appetite of Earth, Simmons and the Social Tie, Cheese, The Red Town, The Furrows, and many more. Gilbert Keith Chesterton (1874 - 1936) was an English writer, poet, philosopher, dramatist, journalist, theologian, and biographer. Many vintage texts such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this book now, in an affordable, high-quality, modern edition. It comes complete with a specially commissioned biography of the author."

    But she has, and here is the record of that change in the decade since the publication of her last nonfiction collection, The Language of the Night. And what a mind — strong, supple, disciplined, playful, ranging over the whole field of its concerns, from modern literature to menopause, from utopian thought to rodeos, with an eloquence, wit, and precision that makes for exhilarating reading.

    Fusing family memoir with a meditation on creative block, depression, solitude, class, place and the intractable politics of our present moment, Dan Fox draws upon his experiences as a writer to consider the role that fallow periods and states of impasse play in art and life. LIMBO is an essay about getting by when you can't get along, employing a cast of artists, exiles, ghosts, hermits and sailors - including the author's older brother who, in 1985, left England for good to sail the world - to reflect on the creative, emotional and political consequences of being stuck, and how these are also crucial to our understanding of inspiration, flow and productivity. From Thomas Aquinas to radical behavioural experiments, from creative constraints to the social horrors of THE TWILIGHT ZONE and Get Out's SUNKEN PLACE, LIMBO argues that there can be no growth without stagnancy, no movement without inactivity, and no progress without refusal.

    . . yet. Here, for the first time, current twentysomethings come together on their own terms, in their own words, and begin to define this remarkably diverse and self-aware generation. Tackling an array of subjects–career, family, sex, religion, technology, art–they form a vibrant, unified community while simultaneously proving that there is no typical twentysomething experience.In this collection, a young father works the late-night shift at Wendy’s, learning the finer points of status, teamwork, and french fries. An artist’s nude model explains why she’s happy to be viewed as an object. An international relief worker wrestles with his choices as he starts to resent the very people who need his help the most. A devout follower of Joan Didion explains what New York means to her. And a young army engineer spends his time in Kuwait futilely trying to grow a mustache like his dad’s.With grace, wit, humor, and urgency, these writers invite us into their lives and into their heads. Twentysomething Essays by Twentysomething Writers is a rich, provocative read as well as a bold statement from a generation just now coming into its own.Praise for Twentysomething Essays by Twentysomething Writers“Being in your twenties is weird. The world tells you you’re a grown-up, but damn if you feel like one. With 29 sharply observant and well-written snapshots of life between the ages of 19 and 30, Twentysomething Essays by Twentysomething Writers couldn’t have captured this more perfectly.”–Nylon“You’ll devour this compilation of essays by funny, smart, insightful young writers in just a few hours.”–Jane Magazine “[Twentysomething Essays by Twentysomething Writers offers] a wide variety of experience. . . . If we are still looking for a voice for this generation, I’d nominate this eclectic choir instead.”–Orlando Sentinel“[Ranging] from playful and absurd to poignant and earnest . . . [Twentysomething Essays by Twentysomething Writers is] a bold reminder that this generation is extremely diverse and very capable. . . . These essays will speak to you no matter your age.”–Austinist.com “Delightful . . . Whether admitting they are only just beginning to see their own parents as people or struggling to balance graduate study and parenthood, the essayists blend morbid irony and idealism. . . . This highly readable collection of voices is more assured and memorable than one might have expected from such a venture.”–Publishers Weekly “Earnest, honest, and well-written . . . a propitious look at writers coming of age right now, and it’s a pleasant surprise.”–The Phoenix (Boston)“A slice of Gen Y life: everything from OCD, rape, and depression to a nude-art-class model, online communities, and how to find (and keep) a drummer. Pick up your copy.”–stuff@night (Boston)“The essays . . . have an urgency, an immediacy, even as the subject matter runs the gamut from sex to death.”–Los Angeles Times Book Review

    Demetri's first literary foray features longer-form essays and conceptual pieces (such as Protagonists' Hospital, a melodrama about the clinic doctors who treat only the flesh wounds and minor head scratches of Hollywood action heroes), as well as his trademark charts, doodles, drawings, one-liners, and lists (i.e., the world views of optimists, pessimists and contortionists), Martin's material is varied, but his unique voice and brilliant mind will keep readers in stitches from beginning to end.

    He describes his idyllic childhood in Eastern Tennessee, helping to operate his grandfolks' backyard nuclear plant. He explains how he sold his soul to the Devil to make him a better bluesman, and how the Devil tried to sell it back. And he reveals what happened when Neil Diamond invited him to dinner, and more importantly, why he had to wear a hardhat. Along the way he tackles the questions we've all asked ourselves from time to time, such as, which element did people breath before oxygen was discovered in 1774? (neon.) What's the difference between iron and lead? (There isn't one: ask anyone who has ever been hit in the head by a length of pipe.) And, if Jesus was a carpenter, "How come not a single example of his craftsmanship exists, not even a crude chest of drawers?" In the tradition of Woody Allen's "Without Feathers", "Things Snowball" is a comic, inventive book: subversive and entertaining.

    But the romantic hike he planned ended with her broken body lying at the bottom of a steep cliff. In the aftermath of Toni’s shocking death, grief wasn’t the only thing shared by her friends and family. So was suspicion.Nearly twenty years before, Harold’s first wife had also died under gruesome and mysterious circumstances—she was crushed to death under a car while changing a flat tire. Just as with Toni, the pair had been married for exactly twelve years.Two accidents decades apart. Two tragedies in which Harold was not only the lone witness but the lone beneficiary, too. It was a coincidence too extraordinary to believe. This time, Harold would pay—in a true-crime story of vows broken and a family’s fight for justice. Cover Design by Pepe Nymi.

    and of the extraordinary people Miller knew there: writers (and writers who didn't write), mystics seeking truth in meditation (and the not-so-saintly looking for sex-cults or celebrity), sophisticated children and adult innocents; geniuses, cranks and the unclassifiable.Henry Miller writes with a buoyancy and brimming energy that are infectious. He has a fine touch for comedy. But this is also a serious book the testament of a free spirit who has broken through the restraints and cliches of modern life to find within himself his own kind of paradise.

    Here, collected for the first time, are his famous lectures, which include Mansfield Park, Bleak House, and Ulysses. Edited and with a Foreword by Fredson Bowers; Introduction by John Updike; illustrations.

    Published in 1950, one of the chillier moments of the Cold War, Trilling's essays examine the promise—and limits—of liberalism, challenging the complacency of a naïve liberal belief in rationality, progress, and the panaceas of economics and other social sciences, and asserting in their stead the irreducible complexity of human motivation and the tragic inevitability of tragedy. Only the imagination, Trilling argues, can give us access and insight into these realms and only the imagination can ground a reflective and considered, rather than programmatic and dogmatic, liberalism.Writing with acute intelligence about classics like Huckleberry Finn and the novels of Henry James and F. Scott Fitzgerald, but also on such varied matters as the Kinsey Report and money in the American imagination, Trilling presents a model of the critic as both part of and apart from his society, a defender of the reflective life that, in our ever more rationalized world, seems ever more necessary—and ever more remote.