Estep follows her first novel, "Diary of An Emotional Idiot, " with a set of linked stories that glimpses two women through the eyes of the men in their lives.

    Bruce Cameron, author of The Midnight Plan of the Repo Man"A smart mix of humor and humanity... An energy drink for the funny bone." --Jane Wagner, author of The Search for Signs of Intelligent Life in the UniverseBrad Fingerman was an art director in the glamorous world of New York advertising. He had the respect of his peers, a beautiful wife, and a bright future. That is, his future was bright before he spectacularly nuked his career, discovered his wife's infidelity, and witnessed a high-profile Mafia hit in a Midtown elevator. Now Brad's unemployed, divorced, and the government's key witness in a major murder trial.

    In this distinctive world, Peter Frankel, a successful partner in a prestigious law firm, lives a seemingly contented life with his talented wife and his two Ivy League—educated children. Yet in middle age Peter finds himself discontent. His wife’s narrowness and her preoccupation with appearances leaves him cold, his job does not fulfill his creative bent, and he fears that his children, Susan and Louis, have grown into skeptical young adults who shun marriage and stability. So when Peter’s wife is badly hurt in a car accident and lies in a coma, he finds himself guiltily relieved–and newly drawn toward his children as they too struggle with ambivalent feelings about the mother who’s never really shown them much love. As Susan, a cerebral doctoral student, becomes unhappily involved with an aspiring playwright and Louis is caught up in a futile pursuit of an ambitious journalist, Peter’s own quiet life is shaken up, and longings he has stifled for years come rumbling to the surface.Freed from his wife’s judgments, Peter throws himself into his greatest pleasure, the work he does for a foundation that funds offbeat artistic projects. And as his passion for this work ignites, so does his desire for another woman. But the stubborn morality that has steered Peter’s life is a force to be reckoned with–and one from which he may never entirely escape.Love, Work, Children is a profoundly insightful novel about two generations and the colorful urban world they inhabit. A superb portrayal of one of New York’s exceptional neighborhoods, this is a story, ultimately, about the self-imposed obstacles to true happiness–and a testament to the joy one can find in overcoming them.From the Hardcover edition.

    Jackson, Vivvie’s husband, was shot and killed 30 years ago, and the ramifications have splintered the family into their own isolated remembrances and recriminations.This deeply personal, hauntingly melancholy look at the damages families inflict on each other – and the healing that only they can provide – is filled with flinty, flawed and complex people stumbling towards some kind of peace. Like Elizabeth Strout and Kazuo Isiguro, Deborah Reed understands a story and its inhabitants reveal themselves in the subtleties: the space between the thoughts, the sigh behind the smile, and the unreliable lies people tell themselves that ultimately reveal the deepest truths.

    A town where nearly all of the volunteer firemen are named Jim, where The Dirty Shame—the only bar in town—refuses to serve mixed drinks (too much work), where the locals hate the newcomers (then again, they hate the locals, too), and where the town softball team has never even come close to having a winning season. Until now.Rachel Flood has snuck back into town after leaving behind a trail of chaos nine years prior. She’s here to make amends, but nobody wants to hear it, especially her mother, Laverna. But with the help of a local boy named Jake and a little soul-searching, she just might make things right.In the spirit of Empire Falls and A League of Their Own, with the caustic wit of Where’d You Go, Bernadette thrown in for good measure, Richard Fifield’s hilarious and heartwarming debut will have you laughing through tears.

    It’s now 1996, and Bev and Max, two strangers who met online, find their lives unexpectedly intertwined. As their words and actions propel them into unexplored territory, Bev and Max’s relationship grows more intense—and more complex—than they ever imagined.Praised as “a lively, free-flowing, spontaneous outburst of curiosity, anxiety and hope,” the story of Bev and Max unfolds entirely through their online messages. Readers once again find themselves unable to resist the temptation to “eavesdrop” on the pair’s sexually charged, humorous, and thought-provoking exchanges. In a time before Facebook, Skype, and Twitter, when there were no status updates, no photos, no tweets, no video chats, all Bev and Max have to share with one another are their words—or so it may seem.In this newest edition of her Chat, Connect, and Crash series, McCarthy offers up a snapshot of the mid-1990s Internet culture and its changing dynamic of human interaction. As Bev and Max gradually reveal themselves by what they choose to say—and leave unsaid—their seductive, addicting, and all-too-human adventures will draw you from first page to last.

    For years, Percy has had to take care of herself and Mama—a woman who’s been unraveling for as long as her daughter can remember. Fearing Carletta is strung out on meth and that she won’t survive the storm, Percy heads for Shelton Potter’s cabin, deep in the woods of Northern Michigan. A two-bit criminal, as incompetent as he is violent, Shelton has been smoking his own cook and grieving the death of his beloved Labrador, Old Bo.But when Percy arrives, there is no sign of Carletta. Searching the house, she finds Shelton and his girlfriend drugged into oblivion—and a crying baby girl left alone in a freezing room upstairs. From the moment the baby wraps a tiny hand around her finger, Percy knows she must save her—a split-second decision that is the beginning of a dangerous odyssey in which she must battle the elements and evade Shelton and a small band of desperate criminals, hell-bent on getting that baby back.Knowing she and the child cannot make it alone, Percy seeks help from Carletta’s ex, Portis Dale, who is the closest thing she’s ever had to a father. As the storm breaks and violence erupts, Percy will be forced to confront the haunting nature of her mother’s affliction and finds her own fate tied more and more inextricably to the baby she is determined to save.Filled with the sweeping sense of cultural and geographic isolation of its setting—the hills of fictional Cutler County in northern Michigan—and told in Percy’s unflinching style, Sweetgirl is an affecting exploration of courage, sacrifice, and the ties that bind—a taut and darkly humorous tour-de-force that is horrifying, tender, and hopeful.

    Great jobs, a beautiful house in one of the most affluent areas of Northern California, and three charming kids whose sunny futures are all but assured. And then comes their eldest daughter’s senior year of high school . . .     Firstborn Angela Hawthorne is a straight-A student and star athlete, with extracurricular activities coming out of her ears and a college application that’s not going to write itself. She’s set her sights on Harvard, her father’s alma mater, and like a dog with a chew toy, Angela won’t let up until she’s basking in crimson-colored glory. Except her class rank as valedictorian is under attack, she’s suddenly losing her edge at cross-country, and she can’t help but daydream about a cute baseball player. Of course Angela knows the time put into her schoolgirl crush would be better spent coming up with a subject for her English term paper—which, along with her college essay, has a rapidly approaching deadline.     Angela’s mother, Nora, is similarly stretched to the limit, juggling parent-teacher meetings, carpool, and a real estate career where she caters to the mega-rich and super-picky buyers and sellers of the Bay Area. The youngest daughter, second-grader Maya, still can’t read; the middle child, Cecily, is no longer the happy-go-lucky kid she once was; and their dad, Gabe, seems oblivious to the mounting pressures at home because a devastating secret of his own might be exposed. A few ill-advised moves put the Hawthorne family on a collision course that’s equal parts achingly real and delightfully screwball—and they learn that whatever it cost to get their lucky lives it may cost far more to keep them.     Sharp, topical, and wildly entertaining, The Admissions shows that if you pull at a loose thread, even the sturdiest lives start to unravel at the seams of high achievement.

    Twenty years later, they gather around a campfire on the lawn of a New England mansion. What happens in between-the web of wild adventures, unspoken jealousies, and sudden tragedies that alter the course of their lives-is charted with sharp wit and aching sadness in this meticulously constructed novel.Anna, the de facto leader, is fearless and restless-moving fast to stay one step ahead of her demons. Quirky, contemplative Kate is a natural sidekick but a terrible wingman ("If you go home with him, might I suggest breathing through your mouth"). And then there's George: the most desired woman in any room, and the one most likely to leave with the worst man.Shot through with the crackling dialogue, irresistible characters, and propulsive narrative drive that make Lutz's books so beloved, How to Start a Fire pulls us deep into Anna, Kate, and George's complicated bond and pays homage to the abiding, irrational love we share with the family we choose.

    Hidden within a picture she paints for a failed toymaker are numbers that win the toymaker millions. Suddenly, townspeople are divided between those who see Leah as a prophet and those who are afraid of the danger she represents. Caught in the middle is Leah’s agnostic father, who clashes with a powerful town pastor over Leah’s prophecies and what to do about them.When the imaginary friend’s predictions take an ominous turn and Leah announces that a grave danger looms, doubts arise over the truthfulness of her claims. As a violent storm emerges on the day of the annual carnival, Leah’s family and the town of Mattingly must make a final choice to cling to all they know or embrace the things she believes in that cannot be seen.

    Seventeen-year-old Sylvia (Harper) Kostak is caught between her mother’s regrets and the strictures of small-town life in the interior of British Columbia. When Harper meets Gabe, an intense and enigmatic young man living on the ’60s-style arts commune outside of town, she is transfixed. Gradually we learn Gabe’s story and what led him to join his estranged mother on the commune, where, in a bid for freedom, Harper eventually finds herself, setting in motion a series of events leading to tragedy. Resonant with longing and a sense of isolation, the novel brings alive the agonies and ecstasies of growing up, sexual discovery, and how the need to belong can shape both decisions and destinies.Author Biography: Laisha Rosnau was born in Pointe Claire, Quebec, and grew up in Vernon, British Columbia. She has worked as a child-care worker, a landscaper, a waitress, a fruit picker, an interpretive guide, a journalist, and an editor. She received a Master of Fine Arts in Creative Writing from the University of British Columbia, where she was the Executive Editor of PRISM international. Her poetry and short fiction have been published in literary journals and anthologies in Canada, the United States, and Australia. The Sudden Weight of Snow is her first novel. Laisha Rosnau lives in Vancouver, where she is at work on a collection of poetry and on her second novel.

    Anne Tyler is both literary and popular, one of the few writers whose high sales match her critical acclaim. Now you can enjoy three of her more recent bestsellers in one low-priced, attractively packaged hardcover.

    The twenty-five-year-old unhappy lover to a fat dungeon mistress, affectionately nicknamed "Little Failure" by his high-achieving mother, Vladimir toils his days away as a lowly clerk at the bureaucratic Emma Lazarus Immigrant Absorption Society. When a wealthy but psychotic old Russian war hero appears, Vladimir embarks on an adventure of unrelenting lunacy that takes us from New York's Lower East Side to the hip frontier wilderness of Prava--the Eastern European Paris of the nineties. With the help of a murderous but fun-loving Russian mafioso, Vladimir infiltrates the Prava expat community and launches a scheme as ridiculous as it is brilliant.Bursting with wit, humor, and rare insight, The Russian Debutante's Handbook is both a highly imaginative romp and a serious exploration of what it means to be an immigrant in America.

    Fifty years later, when the Ireland of her memory bears little resemblance to that of present day, she fears that it is still possible to lose all when she discovers that her children—with the best of intentions— have conspired to unite the worlds she’s so carefully kept separate for decades.A beautifully old-fashioned novel, The Walking People is a debut of remarkable range and power.

    He begins with a visit to his former stepfather, Jasper, a take-no-prisoners Vermont outdoorsman. But it is another person who has kept the secret: Lucinda Burns, wife of a revered senior statesman and mother of Malachy (the journalist who died of AIDS in Glass’s first novel, Three Junes). She and her husband are the only ones who know the full story of an accident whose repercussions spread even further when Jasper introduces Lucinda to Kit. Immersing readers in a panorama that stretches from Vermont to the tip of Cape Cod, Glass weaves together the lives of Kit, Jasper, Lucinda and ultimately, Fenno McLeod, the beloved protagonist of Three Junes (now in his sixties). An unforgettable novel about the youthful choices that steer our destinies, the necessity of forgiveness, and the surprisingly mutable meaning of family.