Perfect for any reader of Sarah Waters or Antonia Hodgson. 'With this intricately woven tale of trust, self-trust and deceit, Anna Mazzola brings a gritty realism to Victorian London. Beautifully written and cleverly plotted, this is a stunning debut, ranked amongst the best' MANDA SCOTT After Sarah petitions for mercy, Edmund Fleetwood is appointed to investigate and consider whether justice has been done. Idealistic, but struggling with his own demons, Edmund is determined to seek out the truth. Yet Sarah refuses to help him, neither lying nor adding anything to the evidence gathered in court. Edmund knows she's hiding something, but needs to discover just why she's maintaining her silence. For how can it be that someone would willingly go to their own death?

    But after she saves the children in her care from a fire, she finds herself headline news. And horrified by the attention. It all reminds her of what happened nine years ago. The last time she saw her best friend alive.The SwapWhich is why the house swap is such a godsend. Libby and her husband Jamie exchange their flat in Bath for a beautiful, secluded house in Cornwall. It's a chance to heal their marriage - to stop its secrets tearing them apart.The HideawayBut this stylish Cornish home isn't the getaway they'd hoped for. They make odd, even disturbing, discoveries in the house. It's so isolated-yet Libby doesn't feel entirely alone. As if she's being watched.Is Libby being paranoid? What is her husband hiding? And. As the secrets and lies come tumbling out, is the past about to catch up with them?

    The grisly evidence leads police to the terrifying assumption that a serial killer is on the loose in the quiet suburb. But soon a rumor begins to spread that the evil stalking local teens is not entirely human. Law enforcement, as well as members of the FBI are certain that the killer is a living, breathing madman—and he’s playing games with them. For a once peaceful community trapped in the depths of paranoia and suspicion, it feels like a nightmare that will never end. Recent college graduate Richard Chizmar returns to his hometown just as a curfew is enacted and a neighborhood watch is formed. In the midst of preparing for his wedding and embarking on a writing career, he soon finds himself thrust into the real-life horror story. Inspired by the terrifying events, Richard writes a personal account of the serial killer’s reign of terror, unaware that these events will continue to haunt him for years to come. A clever, terrifying, and heartrending work of metafiction, Chasing the Boogeyman is the ultimate marriage between horror fiction and true crime. Chizmar’s writing is on full display in this truly unique novel that will haunt you long after you turn the final page.

    There are no superficial scares here; these are stories that will make you think even as they keep you on the edge of your seat. From bloody horror to supernatural creatures to unsettling, all-too-possible realism, this collection has something for any reader looking for a thrill.Fans of TV’s The Walking Dead, True Blood, and American Horror Story will tear through tales by these talented authors:Stefan BachmannLeigh BardugoKendare BlakeA. G. HowardJay KristoffMarie LuJonathan MaberryDanielle PaigeCarrie RyanMegan ShepherdNova Ren SumaMcCormick TemplemanApril Genevieve TucholkeCat Winters

    . . and murder and mayhem ensue.All of them are friends. One of them is a killer.During the languid days of the Christmas break, a group of thirtysomething friends from Oxford meet to welcome in the New Year together, a tradition they began as students ten years ago. For this vacation, they’ve chosen an idyllic and isolated estate in the Scottish Highlands—the perfect place to get away and unwind by themselves.They arrive on December 30th, just before a historic blizzard seals the lodge off from the outside world.Two days later, on New Year’s Day, one of them is dead.The trip began innocently enough: admiring the stunning if foreboding scenery, champagne in front of a crackling fire, and reminiscences about the past. But after a decade, the weight of secret resentments has grown too heavy for the group’s tenuous nostalgia to bear. Amid the boisterous revelry of New Year’s Eve, the cord holding them together snaps.Now one of them is dead . . . and another of them did it.Keep your friends close, the old adage goes. But just how close is too close?

    The case rocked the small farm town of Penny Gate, Iowa, where Jack was raised, and for years Jack avoided returning home. But when his beloved aunt Julia is in an accident, hospitalized in a coma, Jack and Sarah are forced to confront the past that they have long evaded. Upon arriving in Penny Gate, Sarah and Jack are welcomed by the family Jack left behind all those years ago—barely a trace of the wounds that had once devastated them all. But as facts about Julia's accident begin to surface, Sarah realizes that nothing about the Quinlans is what it seems. Caught in a flurry of unanswered questions, Sarah dives deep into the puzzling rabbit hole of Jack's past. But the farther in she climbs, the harder it is for her to get out. And soon she is faced with a deadly truth she may not be prepared for.

    found in a bottle --Silence-a fable --Berenice --William Wilson --Ligeia --The assignation --The facts in the case of M. Valdemar --The pit and the pendulum --The fall of the house of usher --The cask of amontillado --A descent into the maelström --The tell-tale heart --The black cat --The masque of the red death --The gold-bug --The murders in the rue morgue --The purloined letter.

    His work bears special resonance for writers and readers, and yet his paintings never tell a story so much as they invite viewers to find for themselves the untold stories within."So says Lawrence Block, who has invited seventeen outstanding writers to join him in an unprecedented anthology of brand-new stories: In Sunlight or In Shadow. The results are remarkable and range across all genres, wedding literary excellence to storytelling savvy.Contributors include Stephen King, Joyce Carol Oates, Robert Olen Butler, Michael Connelly, Megan Abbott, Craig Ferguson, Nicholas Christopher, Jill D. Block, Joe R. Lansdale, Justin Scott, Kris Nelscott, Warren Moore, Jonathan Santlofer, Jeffery Deaver, Lee Child, and Lawrence Block himself. Even Gail Levin, Hopper’s biographer and compiler of his catalogue raisonée, appears with her own first work of fiction, providing a true account of art theft on a grand scale and told in the voice of the country preacher who perpetrated the crime.In a beautifully produced anthology as befits such a collection of acclaimed authors, each story is illustrated with a quality full-color reproduction of the painting that inspired it.

    Sometimes it's better not to know.Set in the poorest part of the Missouri Ozarks, in a small town with big secrets, The Familiar Dark opens with a murder. Eve Taggert, desperate with grief over losing her daughter, takes it upon herself to find out the truth about what happened. Eve is no stranger to the dark side of life, having been raised by a hard-edged mother whose lessons Eve tried not to pass on to her own daughter. But Eve may need her mother's cruel brand of strength if she's going to face the reality about her daughter's death and about her own true nature. Her quest for justice takes her from the seedy underbelly of town to the quiet woods and, most frighteningly, back to her mother's trailer for a final lesson.The Familiar Dark is a story about the bonds of family—women doing the best they can for their daughters in dire circumstances—as well as a story about how even the darkest and most terrifying of places can provide the comfort of home.

    Bree rejected that fearful outlook, and life has proved her right. Having married into a family with wealth, power, and connections, Bree now has all a woman could ever dream of.Until the day she awakens and sees someone peering into her bedroom window--an old gray-haired woman dressed all in black who vanishes as quickly as she appears. It must be a play of the early morning light or the remnant of a waking dream, Bree tells herself, shaking off the bad feeling that overcomes her.Later that day though, she spies the old woman again, in the parking lot of her daughters' private school . . . just minutes before Bree's infant son, asleep in his car seat only a few feet away, vanishes. It happened so quickly--Bree looked away only for a second. There is a note left in his place, warning her that she is being is being watched; if she wants her baby back, she must not call the police or deviate in any way from the instructions that will follow.The mysterious woman makes contact, and Bree learns she, too, is a mother. Why would another mother do this? What does she want? And why has she targeted Bree? Of course Bree will pay anything, do anything. It's her child.To get her baby back, Bree must complete one small--but critical--task. It seems harmless enough, but her action comes with a devastating price.Bree will do whatever it takes to protect her family--but what if the cost tears their world apart?

    Eleven of the world’s best female thriller writers from Diana Gabaldon to Charlaine Harris are paired with eleven of the world’s best male thriller writers, including John Sandford, C.J. Box, and Nelson DeMille. The stories are edited by #1 New York Times bestselling author Lee Child and feature:-Lee Coburn and Joe Pickett in “Honor & …” by Sandra Brown and C.J. Box -Tony Hill and Roy Grace in “Footloose” by Val McDermid and Peter James -Temperance Brennan and Jack Reacher in “Faking a Murderer” by Kathy Reichs and Lee Child -Jamie Fraser and Cotton Malone in “Past Prologue” by Diana Gabaldon and Steve Berry -Liz Sansborough and Rambo in “Rambo on Their Minds” by Gayle Lynds and David Morrell -Jeffrey Tolliver and Joe Pritchard in “Short Story” by Karin Slaughter and Michael Koryta -Harper Connelly and Ty Hauck in “Dig Here” by Charlaine Harris and Andrew Gross -Regan Pescoli and Virgil Flowers in “Deserves to be Dead” by Lisa Jackson and John Sandford -Lucan Thorne and Lilliane in “Midnight Flame” by Lara Adrian and Christopher Rice -Bennie Rosato and John Corey in “Getaway” by Lisa Scottoline and Nelson DeMille -Ali Reynolds and Bravo Shaw in “Taking the Veil” by J.A. Jance and Eric Van Lustbader

    But there’s no escaping the past in this chilling novel from the bestselling author of The Unremembered Girl. Filmmaker Tessa Shepherd helped free a man she believed was wrongly imprisoned for murder. When he kills again, Tessa’s life is upended.She’s reeling with guilt, her reputation destroyed. Worse, Tessa’s mother has unexpectedly passed away, and her sister, Margot, turns on her after tensions from their past escalate. Hounded by a bullying press, Tessa needs an escape. That’s when she learns of a strange inheritance bequeathed by her mother: a derelict and isolated estate known as Fallbrook. It seems like the perfect refuge.A crumbling monument to a gruesome history, the mansion has been abandoned by all but two elderly sisters retained as caretakers. They are also guardians of all its mysteries. As the house starts revealing its dark secrets, Tessa must face her fears and right the wrongs of her past to save herself and her relationship with Margot. But nothing and no one at Fallbrook are what they seem.

    Simon Serrailler, her enigmatic superior. Though she fits well within the local police force, she finds herself unable to let go what seems like a routine missing persons report on a middle-aged spinster. When yet more townspeople turn up missing, her hunch is verified and a serious police search begins, bringing her into closer proximity with Serrailler at the same time it exposes her to danger.

    But her greatest victory suddenly turned into a nightmare. Traumatized, betrayed, and publicly vilified for the shocking circumstances surrounding the cannibal murder case, Kate could only watch as her career ended in scandal.Fifteen years after those catastrophic events, Kate is still haunted by the unquiet ghosts of her troubled past. Now a lecturer at a small coastal English university, she finally has a chance to face them. A copycat killer has taken up the Nine Elms mantle, continuing the ghastly work of his idol.Enlisting her brilliant research assistant, Tristan Harper, Kate draws on her prodigious and long-neglected skills as an investigator to catch a new monster. Success promises redemption, but there’s much more on the line: Kate was the original killer’s intended fifth victim…and his successor means to finish the job.

    It's the name the media has given a brutal murderer who has beaten four young women to death before setting their bodies ablaze in secluded areas of London's parks. And now there's a fifth. Maeve Kerrigan is an ambitious detective constable, keen to make her mark on the murder task force. Her male colleagues believe Maeve's empathy makes her weak, but the more she learns about the latest victim, Rebecca Haworth, from her grieving friends and family, the more determined Maeve becomes to bring her murderer to justice. But how do you catch a killer no one has seen when so much of the evidence has gone up in smoke? Maeve's frenetic hunt for a killer in Jane Casey's gripping series debut will entrance even the most jaded suspense readers.