In the confusion that followed, the keys to the vault’s safe-deposit boxes were lost.In the years since, Cleveland’s wealthy businessmen kept the truth buried in the abandoned high-rise. The ransacked offices and forgotten safe-deposit boxes remain locked in time, until young engineer Iris Latch stumbles upon them during a renovation survey. What begins as a welcome break from her cubicle becomes an obsession as Iris unravels the bank’s sordid past. With each haunting revelation, Iris follows the looming shadow of the past deeper into the vault—and soon realizes that the key to the mystery comes at an astonishing price.

    With the help of her best friend, she fled New York City for a small resort town, snagged a job as the advice columnist for the local paper, and is cautiously letting a new man into her life. But when Hugh and his perfect new family move into a summer house nearby, Nora backslides. Coping with jealousy, humiliation, and resentment again is as hard as she feared. It’s harder still when Hugh and his wife are shot to death in their home.If only Nora could account for the night of the murders. Unfortunately, her memories have gone as dark as her fantasies of revenge. But Nora’s not the only one with a reason to kill—and as prime suspect in the crime, she’d better be able to prove it.

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

    She doesn’t believe that Edmund House — a convicted rapist and the man condemned for Sarah’s murder — is the guilty party. Motivated by the opportunity to obtain real justice, Tracy became a homicide detective with the Seattle PD and dedicated her life to tracking down killers.When Sarah’s remains are finally discovered near their hometown in the northern Cascade mountains of Washington State, Tracy is determined to get the answers she’s been seeking. As she searches for the real killer, she unearths dark, long-kept secrets that will forever change her relationship to her past — and open the door to deadly danger.

    A year after the death of her son Alex, Mary Towne is convinced she's seen him alive - and wants missing persons investigator David Raker to find him. Reluctant at first, but haunted by a loss of his own, Raker eventually agrees.

    The characters are irrevocably linked by fate, each playing a key role in breaking the curse and destroying the watch once and for all.From 1733 Italy to Edinburgh in 1831 to a series of chilling murders in 1870 London, and a lethal game of revenge decades later, the watch touches lives with misfortune, until it comes into the reach of one young woman who might be able to stop it for good.This outstanding collaboration of authors includes:Susanna Kearsley – New York Times and USA Today bestselling author of compelling time slip fiction.C.S. Harris – bestselling author of the Sebastian St. Cyr Regency mystery series.Anna Lee Huber – award-winning author of the national bestselling Lady Darby Mysteries. Christine Trent – author of the Lady of Ashes Victorian mystery series.

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

    It meant the end.As Exeter suffers a rising count of gruesome deaths, troubled DS Imogen Grey and DS Adrian Miles must solve the case and make their city safe again.But as they’re drawn into a network of corruption, lies and exploitation, every step brings them closer to grim secrets hidden at the heart of their community.And once they learn what’s motivating this killer, will they truly want to stop him?SMART. GRIPPING. GRUESOME.This is a psychological crime thriller in a class of its own.WARNING: Most definitely not for the faint-hearted!

    After two seasons of successfully solving cases, Elle decides to tackle her white whale—The Countdown Killer. Twenty years ago, TCK abruptly stopped after establishing a pattern of taking and ritualistically murdering three girls over seven days, each a year younger than the last. No one’s ever known why—why he stopped with his eleventh victim, a girl of eleven years old, or why he followed the ritual at all.When a listener phones in with a tip, Elle sets out to interview him, only to discover his dead body. And within days, a child is abducted following the original TCK MO. Unlike the experts in the media and law enforcement who have always spun theories of a guilty suicide, Elle never believed TCK had died, and her investigation was meant to lay that suspicion to rest. But instead, her podcast seems to be kicking up new victims.

    Marie Vandelly For the lucky among us, life is what you make of it, but for Dixie Wheeler, the theme music for her story was chosen by another long ago, on the day her father butchered her mother and brothers and then slashed a knife across his own throat. Only one-year-old Dixie was left alive, infamously known as Baby Blue for the song left playing in the aftermath of the slaughter. Twenty-five years later, Dixie is still desperate for a connection to the family she can’t remember, so when her childhood home goes up for sale, Dixie sets aside all reason and moves in, re-creating a macabre decor with her family’s salvaged furniture. But as the ghosts of her family seemingly begin to take up residence in the home that was once theirs, Dixie starts to question her own sanity and wonders if the evil force menacing her is that of her father, or a demon of her own making. In order to make sense of her present, Dixie becomes determined to unravel the truth of her past and seeks out the detective who originally investigated the murders. But the more she learns, the more she opens up the uncomfortable possibility that the sins of her father may belong to another, and, perhaps most tragically, to Dixie herself. As bodies begin to pile up around her, Dixie must find a way to expose the lunacy behind her family’s massacre and redeem what little remains of her soul.

    Perfect homes. Perfect families. It’s enough to drive some women mad…In a tale inspired by real events, pregnant journalist Joan Harken is cautiously excited to follow her fiancé back to his Minnesota hometown. After spending a childhood on the move and chasing the screams and swirls of news-rich city life, she’s eager to settle down. Lilydale’s motto, “Come Home Forever,” couldn’t be more inviting.And yet, something is off in the picture-perfect village.The friendliness borders on intrusive. Joan can’t shake the feeling that every move she makes is being tracked. An archaic organization still seems to hold the town in thrall. So does the sinister secret of a little boy who vanished decades ago. And unless Joan is imagining things, a frighteningly familiar figure from her past is on watch in the shadows.Her fiancé tells her she’s being paranoid. He might be right. Then again, she might have moved to the deadliest small town on earth.

    A man was convicted of the brutal crime, but decades later, questions still linger.For his whole life, filmmaker Cody Swift has been haunted by the deaths of his childhood best friends. The loose ends of the police investigation consume him so much that he decides to return to Bristol in search of answers. Hoping to uncover new evidence, and to encourage those who may be keeping long-buried secrets to speak up, Cody starts a podcast to record his findings. But there are many people who don’t want the case—along with old wounds—reopened so many years after the tragedy, especially Charlie’s mother, Jess, who decides to take matters into her own hands.When a long-dead body is found in the same location the boys were left decades before, the disturbing discovery launches another murder investigation. Now Detective John Fletcher, the investigator on the original case, must reopen his dusty files and decide if the two murders are linked. With his career at risk, the clock is ticking and lives are in jeopardy…

    Black rocks roll beneath the surface, drowning ghosts. And out of the swell like a finger of light, the salt-scratched tower stands lonely and magnificent.It's New Year's Eve, 1972, when a boat pulls up to the Maiden Rock lighthouse with relief for the keepers. But no one greets them. When the entrance door, locked from the inside, is battered down, rescuers find an empty tower. A table is laid for a meal not eaten. The Principal Keeper's weather log describes a storm raging round the tower, but the skies have been clear all week. And the clocks have all stopped at 8:45. Two decades later, the wives who were left behind are visited by a writer who is determined to find the truth about the men's disappearance. Moving between the women's stories and the men's last weeks together in the lighthouse, long-held secrets surface and truths twist into lies as we piece together what happened, why, and who to believe.In her riveting and suspenseful novel, Emma Stonex writes a story of isolation and obsession, of reality and illusion, and of what it takes to keep the light burning when all else is swallowed by dark.

    Adam Zhang is the cofounder of one of Austin’s most successful venture capitalist firms. These two men didn’t know each other. They had never met. Yet they died together, violently, in a place neither had any business being.When Henry doesn’t return from a business trip, his wife, Kirsten, panics—and then gets an anonymous phone call: “Your husband is dead in Austin.”Flora Zhang knew her husband was keeping secrets. She suspected an affair, but she had decided she could forgive him for his weakness—until her husband ended up dead. And with no explanation for her husband’s murder, the police begin to suspect her.Together, these two widows will face a powerful foe determined to write a false narrative about the murders. In doing so, neither Flora nor Kirsten will remain the women the world thought they were.

    for the best mystery of 1999, this complex literary thriller may be one of the most satisfying suspense novels to come along in some time. Robert Wilson has written several political thrillers, most of which are set in West Africa, but they are, alas, largely unavailable in the U.S.In A Small Death in Lisbon, the narrative switches back and forth between 1941 and 1999, and Wilson's wide knowledge of history and keen sense of place make the eras equally vibrant. In 1941 Germany, Klaus Felsen, an industrialist, is approached by the SS high command in a none-too-friendly manner and is "persuaded" to go to Lisbon and oversee the sale--or smuggling--of wolfram (also known as tungsten, used in the manufacture of tanks and airplanes). World War II Portugal is neutral where business is concerned, and too much of the precious metal is being sold to Britain when Germany needs it to insure that Hitler's blitzkrieg is successful.Cut to 1999 Lisbon, where the daughter of a prominent lawyer has been found dead on a beach. Ze Coelho, a liberal police inspector who is a widower with a daughter of his own, must sift through the life of Catarina Oliveira and discover why she was so brutally murdered. Her father is enigmatic, her mother suicidal; her friends were rock musicians and drug addicts.The reader is treated to a wonderful portrait of Lisbon in the aftermath of the 1974 revolution that ousted Salazar from power, and the scars from that conflict are still close to the surface for the citizens of Lisbon, including Coehlo and his colleagues. We also see World War II in a slightly different manner from that to which we are accustomed--through the eyes of the Germans and the Portuguese. The pace of the book is leisurely but compelling as the events of 1941 and those in 1999 merge in an extraordinary climax