Bresson on Bresson collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work. Successive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the sound track, and to Bresson’s one book, the great aphoristic treatise Notes on the Cinematograph. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as “Sound...invented silence in cinema,” “It’s the film that...gives life to the characters—not the characters that give life to the film,” and (echoing the Bible) “Every idle word shall be counted.” Bresson’s integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson’s movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: “It’s always ready to feel before it understands. And that’s how it should be.”

    It contains never-before-published photos, never-before-produced comedy sketches, details on Graham's very unconventional life, thoughts on Monty Python, and tales of mad adventure with the Dangerous Sports Club and pals like The Who's Keith Moon, Ringo Starr, Mick Jagger, and much, much more.You'll learn who really wrote the "Dead Parrot Sketch", where the Ministry of Silly Walks came from, and many other factoids that will do you absolutely no good whatsoever. Graham Crackers includes a foreword by John Cleese, a backward by Eric Idle, and a sideways by Terry Jones, living Pythons all.

    It is an anatomy of film criticism meant to reset the agenda for film scholarship. As such Making Meaning should be a landmark book, a focus for debate from which future film study will evolve.Bordwell systematically maps different strategies for interpreting films and making meaning, illustrating his points with a vast array of examples from Western film criticism. Following an introductory chapter that sets out the terms and scope of the argument, Bordwell goes on to show how critical institutions constrain and contain the very practices they promote, and how the interpretation of texts has become a central preoccupation of the humanities. He gives lucid accounts of the development of film criticism in France, Britain, and the United States since World War II; analyzes this development through two important types of criticism, thematic-explicatory and symptomatic; and shows that both types, usually seen as antithetical, in fact have much in common. These diverse and even warring schools of criticism share conventional, rhetorical, and problem-solving techniques--a point that has broad-ranging implications for the way critics practice their art. The book concludes with a survey of the alternatives to criticism based on interpretation and, finally, with the proposal that a historical poetics of cinema offers the most fruitful framework for film analysis.

    

    Now in its second edition, the text has been completely revised and expanded to meet the needs of today's students and film enthusiasts. Some 150 key genres, movements, theories and production terms are explained and analyzed with depth and clarity. Entries include: * auteur theory* Blaxploitation* British New Wave* feminist film theory* intertextuality* method acting* pornography* Third World Cinema* Vampire movies.

    If that weren’t enough, he was also one half of the timelessly funny duo Nichols & May, as well as a founding member of the original improv troupe. Over a career that spanned half a century, Mike Nichols changed Hollywood, Broadway, and comedy forever.Most fans, however, know very little of the person behind it all. Since he never wrote his memoirs, and seldom appeared on television, they have very little sense of his searching intellect or his devastating wit. They don't know that Nichols, the great American director, was born Mikail Igor Peschkowsky, in Berlin, and came to this country, speaking no English, to escape the Nazis. They don't know that Nichols was at one time a solitary psychology student, or that a childhood illness caused permanent, life-altering side effects. They don't know that he withdrew into a debilitating depression before he "finally got it right," in his words, by marrying Diane Sawyer.Here, for the first time, Ash Carter and Sam Kashner offer an intimate look behind the scenes of Nichols' life, as told by the stars, moguls, playwrights, producers, comics and crewmembers who stayed loyal to Nichols for years. Life Isn't Everything is a mosaic portrait of a brilliant and original director known for his uncommon charm, wit, vitality, and genius for friendship, this volume is also a snapshot of what it meant to be living, loving, and making art in the 20th century.

    Of more recent times are those of C.S. Lewis, J.R.R. Tolkien, and the other members of the renowned literary circle to which they belonged, the Inklings. What would it be like to walk this medieval city s narrow lanes in the company of such giants of Christian literature, to visit Magdalen College, where Lewis and Tolkien read aloud their works-in-progress to their friends, or the Eagle and Child pub, the Inklings favorite gathering place? The lavish photography of this book will introduce you to the fascinating world of the Inklings, matching their words to the places where these friends discussed and argued over theology, philosophy, ancient Norse myth, and Old Icelandic, while writing stories that were to become classics of the faith. The Inklings of Oxford will deepen your knowledge of and appreciation for this unique set of personalities. The book also features a helpful map section for taking walking tours of Oxford University and its environs."

    Drawing on 40 years of experience on movies ranging from Long Day's Journey Into Night to The Verdict, Lumet explains the painstaking labor that results in two hours of screen magic.

    The Emperor and the Wolf is an in-depth look at these two great artists and their legacy that brims with behind-the-scenes details, many never before known, about their tumultuous lives and stormy relationships with the studios and with one another. More than just a biography, though, The Emperor and the Wolf is also an impromptu history of Japanese cinema -- its development, filmmakers, and performers -- and a provocative look at postwar American and Japanese culture and the different lenses through which two great societies viewed each other.

    In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films--Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre--most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.

    This book follows him through the process of setting up a new TV programme, punctuated with conversations with his agent.

    From her early dance performances for the Dutch resistance during World War II to her London cabaret days and her breakthrough roles in "Gigi" and "Roman Holiday, " audiences worldwide have long been enchanted by Audrey's charm and grace.Now, in this lavishly illustrated biography -- created with the Audrey Hepburn Children's Fund -- Audrey's own words are given center stage to create a unique personal narrative. This special collection also includes approximately 200 black-and-white and color photographs selected by the Hepburn Estate, as well as reproduced mementos from Audrey's life. Thirty-four removable documents include an excerpt from her "Breakfast at Tiffany's" script with handwritten notes, a letter she sent to husband Mel Ferrer while preparing for "The Nun's Story, " and a birth certificate announcement marking the arrival of her first son.A dazzling celebration of an extraordinary human being, "The Audrey Hepburn Treasures" offers fan an intimate and revealing portrait of the woman they admire and adore.

    Among filmmakers and film buffs, Cassavetes is revered, almost as a god. A major star of live television and a serious actor, he stumbled into making his first film, Shadows, and created a template for working outside the Hollywood system that would produce some of the most piercing and human films of the last thirty years including A Woman Under the Influence and Husbands. He became the prototypical outsider fighting the system for much of his career. Film critic Marshall Fine had unprecendented access to Cassavetes' wife, Gena Rowlands, and other members of their inner circle, as well as industry insiders who worked with Cassavetes -- some speaking publicly for the first time. Together, they tell his daring, tumultuous, and compelling story.

    Although her career was brief, she lit up the screen in films like High Society, Rear Window, and The Country Girl, for which she won an Oscar. She was not only a fine actress, great beauty, and icon of American style, but she was also a passionate philanthropist, known for her generosity and kindness. Published on the 25th anniversary of her death, Grace Kelly: A Life in Pictures is the definitive photographic portrait—160 images capturing the early years, film career, royal marriage, and private life of this remarkable woman.

    An autobiography of controversial German dancer, actress and eventually Hitler's top national film executive, Leni Riefenstahl.