Struggling to escape her kidnapper.Despite all her years determining the fates of families, veteran family court judge Hope Willis couldn't save her own. Now she's frantically grasping at any hope for Krissy's rescue. Her husband dead–set against it, she calls Casey Woods and her team of renegade investigators,Forensic Instincts.A behaviorist.A techno–wizard.An intuitive.A former Navy SEAL. Unconventional operatives.All with unique talents and personal reasons for being part of Casey's group, they'll do whatever it takes.Able to accurately read people after the briefest of encounters, Casey leads her crew to Krissy's home. There, she picks up the signs of a nervous spouse, a guilty conscience, a nanny that hides on her cell. She watches as secrets beg to creep into the open.Forensic Instincts will dig through each tiny clue and eliminate the clutter. But time is running out, and even working around the clock, the authorities are bound by the legal system. Not so Casey's team. For they know that the difference between Krissy coming back alive and disappearing forever could be as small as a suspect's rapid breathing, or as deep as Hope's dark family history.

    The Other evokes just that sort of rapid pace and dramatic imagery. Consider FBI Agent Zack Tolliver, the sun-washed ochre cliffs of Arizona, the body of a little blonde girl found on a remote mesa top apparently killed by a bear, the Navajo guide side-kick, the tracks that change mid-stride from animal to human, the evidence that appears to lead to a local recluse crazed by the tragic death of his wife and child. Then the wild ride from case closed to case wide open again, racing off to the deserts of California, another little blonde girl preyed upon and abandoned, and who’s doing all this, anyway? What sinister force is toying with our FBI agent?

    Known to the world as thriller author Elizabeth Fairchild, she had become the subject of a fanatic's obsession. After being held in a van for three days by her kidnapper, Levi Brooks, Beth managed to escape, and until he is captured, she's got to get away. Cold and remote, Alaska seems tailor-made for her to hideout.Beth's new home in Alaska is sparsely populated with people who all seem to be running or hiding from something, and though she accidentally booked a room at a halfway house, she feels safer than she's felt since Levi took her. That is, until she's told about a local death that's a suspected murder. Could the death of Linda Rafferty have anything to do with her horror at the hands of Levi Brooks?As Beth navigates her way through the wilds of her new home, her memories of her time in the van are coming back, replaying the terror and the fear--and threatening to keep her from healing, from reclaiming her old life again. Can she get back to normal, will she ever truly feel safe, and can she help solve the local mystery, if only so she doesn't have to think about her own?

    Hunger strikes, riots, power cuts, a homophobic serial killer with a penchant for opera, and a young woman's suicide that may yet turn out to be murder: on the surface, the events are unconnected, but then things--and people--aren't always what they seem. Detective Sergeant Duffy is the man tasked with trying to get to the bottom of it all. It's no easy job--especially when it turns out that one of the victims was involved in the IRA but was last seen discussing business with someone from the loyalist Ulster Volunteer Force. Add to this the fact that, as a Catholic policeman, it doesn't matter which side he's on, because nobody trusts him, and Sergeant Duffy really is in a no-win situation. Fast-paced, evocative, and brutal, The Cold Cold Ground is a brilliant depiction of Belfast at the height of the Troubles--and of a cop treading a thin, thin line.Audio CD is 10 hours and 3 minutes long.

    His boss, the district attorney, attractive but hard-charging, is planning to run for governor, and as a showcase she's planning to use a new crime initiative called At Risk; its motto: "Any crime, any time." In particular, she's been looking for a way to employ cutting-edge DNA technology, and she thinks she's found the perfect subject in an unsolved twenty-year-old murder—in Tennessee. If her office solves the case, it ought to make them all look pretty good, right?Her investigator is not so sure—not sure about anything to do with this woman, really—but before he can open his mouth, a shocking piece of violence intervenes, an act that shakes up not only both their lives but also the lives of everyone around them. It's not a random event. Is it personal? Is it professional? Whatever it is, the implications are very, very bad indeed ... and they're about to get much worse.Sparks fly, traps spring, twists abound—this is the master working at the top of her game.

    But did she arrange her own murder?One bright spring morning in London, Diana Cowper – the wealthy mother of a famous actor - enters a funeral parlor. She is there to plan her own service.Six hours later she is found dead, strangled with a curtain cord in her own home.Enter disgraced police detective Daniel Hawthorne, a brilliant, eccentric investigator who’s as quick with an insult as he is to crack a case. Hawthorne needs a ghost writer to document his life; a Watson to his Holmes. He chooses Anthony Horowitz.Drawn in against his will, Horowitz soon finds himself at the center of a story he cannot control. Hawthorne is brusque, temperamental and annoying but even so his latest case with its many twists and turns proves irresistible. The writer and the detective form an unusual partnership. At the same time, it soon becomes clear that Hawthorne is hiding some dark secrets of his own.New York Times bestselling author of Magpie Murders and Moriarty, Anthony Horowitz has yet again brilliantly reinvented the classic crime novel, this time writing a fictional version of himself as the Watson to a modern-day Holmes.A masterful and tricky mystery that springs many surprises, The Word is Murder is Anthony Horowitz at his very best.

    Lost without his wife's love, Robicheaux's haunted soul mirrors the intensity and dusky mystery of New Orleans' French Quarter -- the place he calls home, and the place that nearly destroys him when he becomes involved in the case of a young prostitute whose body is found in a bayou. Thrust into the world of drug lords and arms smugglers, Robicheaux must face down a subterranean criminal world and come to terms with his own bruised heart in order to survive.

    A quiet and seemingly submissive wife, Ellen can't even write a check without him. All she wants is to get him and her son back—no questions asked. The search for Ellen's errant husband leads Elvis into the seamier side of Hollywood. He soon learns that Mort Lang is a down-on-his-luck talent agent who associates with a schlocky movie producer, and the last place he was spotted was at a party thrown by a famous and very well-connected ex-Matador. But no one has seen him since—including his B-movie girlfriend.At the same time the police find Mort in his parked car with four gunshots in his chest —and no kid in sight—Ellen disappears. Now nothing is what it seems, and the heat is on. It's up to Elvis Cole and his partner Joe Pike to find the connection between sleazy Hollywood players and an ex-Matador.

    We follow former rule-breaker Leonid McGill as he's buffeted between the overlords of New York's underbelly, desperate to turn straight, but unable to say no to a nicely paid job. When we're introduced, he's calling in old favours and greasing NYPD palms to uncover seemingly harmless information for a high-paying client. But when the former schoolmates on his list are bludgeoned to death one by one, McGill realises that a friendly reunion wasn't quite what his taskmaster had in mind. And the awkward questions that follow seem almost welcome in comparison to a visit from Willie Sanderson, a trained killer and 'modern-day Frankenstein', now primed to ensure that McGill breathes his last. THE LONG FALL shows Walter Mosley at the height of his powers, breathing new life into American crime writing with sassy dialogue and unflinching social truths. Vividly capturing a city not nearly as cleaned up as its politicians would have us believe, this is new Mosley - and it's just as good as the vintage kind.

    The suggestively named Dix Steele, a cynical vet with a chip on his shoulder about the opposite sex, is the LAPD's top suspect. Dix knows enough to watch his step, especially since his best friend is on the force, but when he meets the luscious Laurel Gray—a femme fatale with brains—something begins to crack. The basis for extraordinary performances by Humphrey Bogart and Gloria Grahame in the 1950 film version of the book, In a Lonely Place tightens the suspense with taut, hard-boiled prose and stunningly undoes the conventional noir plot.

    The one book Black Lizard never published, it's the dream-like tale of a man after a jailbreak, who meets up with the woman of his dreams... and his nightmares. Phenomenal work of the period, ranking with the best efforts of Thompson, Woolrich, Goodis et al.

    But a cop named Foley is on to Eddie and he's leaning on him to finger Scalisi, a gang leader with a lot to hide. And then there's Dillon-a full-time bartender and part-time contract killer--pretending to be Eddie's friend. Wheeling, dealing, chasing, and stealing--that's Eddie, and he's got lots of friends.

    Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.

    So when the battered body of a young woman is discovered at the foot of a cliff, the local police - governed more by archaic rules of honor than by the law - are quick to close the case, dismissing her death as an accident. Then a stranger arrives, uninvited, from Athens, announcing his intention to investigate further into the crime he believes has been committed. Refusing to accept the woman's death as an accident or suicide, Hermes Diaktoros sets out to uncover the truths that skulk beneath this small community's exterior. Hermes's methods of investigation are unorthodox, and his message to the islanders is plain - tell the truth or face the consequences. Before long, he's uncovering a tale of passion, corruption and murder that entangles many of the island's residents. But Hermes brings his own mystery into the web of dark secrets and lies - and as he travels the rugged island landscape to investigate, questions and suspicions arise amongst the locals. Who has sent him to Thiminos, and on whose authority is he acting? And how does he know of dramas played out decades ago? Rich in images of Greece's beautiful islands and evoking a life unknown to most outsiders, this wonderful novel leads the reader into a world where the myths of the past are not forgotten and forbidden passion still has dangerous consequences.

    But all of that shatters when, in the middle of the night, a SWAT team bursts into his apartment, grabs him and drags him to a waiting helicopter. A terrorist-- someone Nick has never heard of--has seized control of a nuclear reactor, threatening to blow it up. And the only person he'll talk to is Nick, promising to tell Nick the truth behind the events that shattered his life twenty years ago. At seventeen years old, Nick Horrigan made a deadly mistake--one that cost his stepfather his life, endangered his mother, and sent him into hiding for years. Now, what Nick discovers in that nuclear plant leaves him with only two choices--to start running again, or to fight and finally uncover the secrets that have held him hostage all these years. As Nick peels back layer after layer of lies and deception, buffeted between the buried horrors of the past and the deadly intrigues of the present, he finds his own life--and the lives of nearly everyone he loves--at risk. And the only thing guiding him through this deadly labyrinth are his stepfather's dying words: TRUST NO ONE. Acclaimed for years by both critics and his peers as one of the finest thriller writers today, Gregg Hurwitz has lived up to all the accolades and expectations with "Trust No One," an electrifying and compelling novel that will be remembered for years to come.