Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil.In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner's many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of WEB Du Bois, from O Pioneers! to Apocalypse Now.In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.

    The catalogue for the first major American retrospective of the work of Mark Rothko in 20 years--scheduled to open at the National Gallery in May--this richly illustrated book reproduces 100 of Rothko's paintings, prints, and drawings in full color, and features commentaries by many noted art experts.

    This book was conceived on a grand scale that does justice to his extraordinary life and the events he has witnessed. It forms one of the great documents of the latter part of the last century.The book begins and ends in the Somerset landscape that surrounds McCullin's home, but the whole sequence of more than two hundred photographs encompasses a ravaged northern England, war in Cyprus, Biafra, Vietnam, Cambodia, Beirut and riots in Derry. The climax of the book is among the cannibals and tribespeople deep in the jungles of Irian Jaya, where McCullin focuses on humanity in an almost Stone Age condition.The introduction by Harold Evans, the acclaimed newspaper editor and authority on photojournalism, is drawn from his long experience of working with McCullin. The distinguished novelist and essayist, Susan Sontag, has contributed an essay on McCullin and the role of witness to conflict - a subject of timely pertinence.

    In this book, artist and workshop teacher Patti Mollica walks you through surprisingly simple and efficient strategies for achieving that kind of powerful composition, whatever your subject. Complete with timed exercises and start-to-finish painting demonstrations, this book is for any artist who feels overwhelmed by where to start or daunted by the urge to paint everything in sight. Patti Mollica's mindful approach will lead you to better, bolder results, as well as greater confidence and joy in the process. So load your palette with ample paint, grab some fat brushes and get ready to paint fast, paint loose, paint bold. Start with a strong, simple value statement Get expressive with color Be brave with your brushwork 5 technique exercises 5 start-to-finish painting demonstrations Paint fearlessly!

    Seventeen-year-old Marina Lu had even ordered custom-made gowns for the ten bridesmaids who, in several months' time, would have preceded her down the aisle at her storybook wedding. There isn't going to be a wedding. Marina lies dead, alone in her shiny status car in a suburban shopping center parking lot, her two-carat diamond engagement ring refracting another abruptly shattered Los Angeles dream. Was her death merely a carjacking gone bad? Or is there more to the story? Marina's murder chillingly introduces "Los Angeles Times" reporter Eve Diamond to a subculture of "parachute kids," the rich Asian teens who are left to their own devices in California while their parents live and work in Hong Kong. Seeking American education and political stability for their children, the affluent parents often leave only an elderly housekeeper in charge of their vulnerable offspring. What was Marina's story? Why was she, at such a young age, marrying twenty-four-year-old Michael Ho? Why is Marina's father, banker Reginald Lu, so reluctant to provide information? As Eve delves deeper into the mysteries surrounding Marina's life and death, she stumbles upon a troubled world of unmoored youth and parental neglect. But Marina, in many ways, would seem to have been among the fortunate. She had money and her parents had power. Eve soon discovers a dramatically more tragic subculture, where destitute young Asian immigrants live in virtual sexual slavery. The story of May-li and her journey from a poor farming home in Fujian, China, to a brothel in Los Angeles is one that Eve will fight to tell and will never forget. A moving, noir-accented crime novel that opens a rare window to an intriguing subject, "The Jasmine Trade" is a passionate and polished debut from an exciting new author.

    The Chinese imperial system combined a highly centralized administration with a Confucian philosophy of moral-political beliefs. The emperor was the Son of Heaven and enjoyed semi-divine powers, but he was not infallible: should he fail his subjects, rebellion was justified. The emperors therefore weathered centuries of violent change and, despite brutal revolts and civil wars, remained at the center of the largest political unit in the world, the Middle Kingdom. The emperors were an extraordinary group of men--and one woman, Wu Zetian--whose virtues and faults were magnified by their exalted position. Many were literary scholars and painters (the Song emperor, Huizong, founded an imperial academy of painting). Some were mentally retarded; and some left the control of the empire to their eunuchs, concubines, or dowager empresses. Under able rulers, China's frontiers expanded, dominating Central and Southeast Asia; under weak rulers the frontiers shrank, and for centuries the country was occupied by alien Mongols. It took the arrival of a civilization from the West with superior firepower finally to shake the Middle Kingdom's foundations. The detailed coverage includes: data files for every emperor, listing important information such as name at birth and details of wives and concubines; special features ranging from the Great Wall of China to the Ming Tombs; portraits of the major emperors and maps detailing, for example, the arrival of Buddhism and the Silk Road routes; time lines with at-a-glance visual guides to the length and key events of each emperor's reign.

    The originals are in the Riccar Art Museum in Tokyo, the world's largest and most celebrated collection of such prints. On account of their rarity and value, 87 of them have been designated Japanese National Treasures or Major National Cultural Heritage Items. The introductory essay, "Ukiyo-e - Origins and History", by the Curator of the Riccar Art Museum, Mitsunobu Sato, familiarizes the reader with the history of this art form. This is followed by the chapter "Cherry - Wood - Blossom", in which Thomas Zacharias, Professor at the Munich Academy of Art examines the technique, content and style of Japanese prints and their influence on European art at the turn of the century. The major section of the book consists of the 139 reproductions, grouped by artist, each accompanied by a detailed, sensitive commentary. Street scenes, lovers' trysts, festivals, portraits of courtesans and actors, landscapes and travelogues - these are the motifs of the ukiyo-e print. The dominant theme, however, is woman's beauty, the grace of her posture and attitudes, and the decorative aesthetics of her flowing garments. Amongst the most celebrated of the artists featured here are Utamaro, with his beautiful courtesans and geishas; Sharaku, with his portraits of actors on the kabuki stage; Hokusai, with his landscapes, among them the "36 Views of Mount Fuji"; and Hiroshige, with his "53 Stations on the Tokaido" and his "100 Views of Famous Places in and around Edo". The ten-page appendix includes a glossary of technical terms and biographies of all 43 artists.

    The images were taken when Banksy joined Bristol's radical football team The Easton Cowboys on a tour of Mexico to play football against the Zapatista freedom fighters. The new edition also contains sections on the Banksy vs Bristol Museum show, Exit Through The Gift Shop, The Tesco Value Petrol Bomb, an interview with John Nation and more. The book is a celebration of Banksy's street art in his home city of Bristol and places him in the context of 3D, John Nation from the Barton Hill Youth Club, Inkie, Nick Walker and the other artists and musicians who were instrumental in linking Bristol to the original New York hip-hop scene. It is the most revealing account of Banksy's formative years and contains more than one hundred images of his Bristol art, as well as pictures of Banksy at work, many of which have never been published before. Steve Wright, traces Banksy's roots back to the rave culture of the Nineties and draws a rounded picture of an artist who is most famous for being anonymous.

    Delving into the origins, designs, and themes of over one hundred pictures from different periods and places, this book illuminates the art of looking at—and talking about—pictures. Susan Woodford shows how one can read a picture by examining the formal and stylistic devices used by an artist, and she explores popular themes and subject matter, and the relationship of pictures to the societies that produced them.This indispensable guide is supplemented by a glossary of key terms, ranging from art movements and technical terms to religious and classical terminology, to give readers all the information they need at their fingertips.

    An understanding of human form is essential for artists to be able to express themselves with the figure. Anatomy makes the figure. Human Anatomy for Artists: The Elements of Form isthe definitive analytical work on the anatomy of the human figure. No longer will working artists have to search high and low to find the information they need. In this, the most up-to-date and fully illustrated guide available, Eliot Goldfinger--sculptor, illustrator, scientific model-maker, and lecturer on anatomy--presents a single, all-inclusivereference to human form, capturing everything artists need in one convenient volume. Five years in the making, and featuring hundreds of photos and illustrations, this guide offers more views of each bone and muscle than any other book ever published: every structure that creates or influencessurface form is individually illustrated in clear, carefully lit photographs and meticulous drawings. Informed by the detailed study of both live models and cadavers, it includes numerous unique presentations of surface structures--such as fat pads, veins, and genitalia--and of some muscles neverbefore photographed. In addition, numerous cross sections, made with reference to CT scans, magnetic resonance imaging, and cut cadavers, trace the forms of all body regions and individual muscles. Information on each structure is placed on facing pages for ease of reference, and the attractivetwo-color format uses red ink to direct readers rapidly to important points and areas. Finally, an invaluable chapter on the artistic development of basic forms shows in a series of sculptures the evolution of the figure, head, and hands from basic axes and volumes to more complex organic shapes.This feature helps place the details of anatomy within the overall context of the figure. Certain to become the standard reference in the field, Human Anatomy for Artists will be indispensable to artists and art students, as well as art historians. It will also be a useful aid for physical and dance therapists, athletes and their trainers, bodybuilders, and anyone concerned withthe external form of the human body. With the renewed interest in figurative art today, this will be an especially welcome volume.

    Her absence is not unusual given her flight attendant’s job, and it’s a respite from recent marital discord, so Jack feels relief not worry. But when a day goes by with no word, then another, Jack, his teenage daughter and ten-year-old son do worry. After three days, Jack reports her missing. Suddenly, Jack is swept up in a terrifying conflagration of events that threaten to tear his world apart. The police suspect him of foul play. Children and Family Services suspects him of abuse. And someone is spying on his kids. Now a single dad, Jack tries to help his kids deal with their mother’s disappearance, but when he’s arrested on suspicion of murder, he stands to lose it all. The state and his mother-in-law want to take away his kids. The police want him in jail. Abandoned by friends and family, Jack has nowhere to turn, and the mounting evidence begins to make him think he might actually be a killer. But mysterious phone calls and a CD containing child pornography that turns up in his wife’s belongings convince him otherwise. He quickly realizes the only way to stay ahead of the law and prevent his children from being put in foster care is to find out what happened to his wife. With new-found courage from a woman who believes in his innocence and the help of another outcast, Jack pursues a shadowy Japanese Yakuza crime boss from Seattle to Las Vegas and back, putting himself and all the people he loves in mortal danger.

    While Rohit is completely aimless and imperfect, Aisha is focused and a perfectionist. Just two opposites. But don’t they say opposites attract?He loves her . . . She loves him. Their wedding is on the cards but their love is put to the test when an unforeseen incident hits their lives. Can loving somebody immensely set you apart?Can everything just change in the blink of an eye?Inspired from real-life incidents, this ‘Best Romance Book of the Year’ award winning novel is a heart-wrenching tale of true love, friendship and destiny. And a young author’s quest to find out what exactly happened . . .About the AuthorAditya Nighhot is pursuing his MBBS degree from a renowned college in Pune. He is a professional photographer, an avid reader and fond of music. As a twenty-year-old student, he feels that he can connect to the emotions of the youth and express this through his books. With social messages being the crux of his books, his writing has proved to be a boon to his audience; as a result, he has been interviewed by various radio stations. Aditya’s debut novel U n Me . . . It’s Complicated!!! was originally written as a hobby with limited copies printed for friends, family and a few readers. But the positive reviews he received encouraged him to write another novel. His book Until Love Sets Us Apart, previously titled In the Blink of an Eye, won the “Best Romance Book of the Year” Award and has inspired him to write more. He is currently working on his next novel.Aditya enjoys interacting with his readers via his book and social media and always responds promptly. Connect with him on social media.

    For what Ingo Walther and his international team have done is to make sense of this most explosive of artistic centuries. Who could possibly have forecast on New Year's Eve 1899 that, one hundred years later, painting and sculpture would be only options, not prerequisite disciplines for modern artists, constantly questioning both the technical and thematic definitions of their work? The infinite laboratory of experiment that the visual arts have become over the last decades highlights not only the inherent potential for human creativity and representation, but also shows the way individuals and groups have responded to the huge social, political and technological changes of this most turbulent of times. Ranging across the full spectrum of disciplines available, including photography and new media, and thematically chaptered to highlight relationships between works and movements, this readable and encyclopaedic masterwork does just what it says on the cover. Whether you want Surrealism or Land Art, Fluxus or Bauhaus, your art book purchases can stop once you buy this. Warning: it will not fit on your coffee table!

     She is desperately excited to explore not only the foreign land with all its alien culture but also the role of a wife and all the pleasures that come with it… In no time at all Constance is shocked on both accounts. China stuns her with its barbaric and improper behaviour which, almost against her will, begins to tease her imagination. At the same time, Mr Henry Baird, despairing of his sinful desires, proves unable to indulge Constance’s wishes. The marriage, failing from the beginning, spirals further and further out of control as Constance, aided by her only ally Kate, inadvertently becomes a famous ‘Devil Woman’ throughout the region and faces an audience with the Empress herself. As her new life unfolds, Constance finds herself tortured by desire, teetering on the edge of love and caught up in a dangerous whirlwind of international politics. She ricochets between the Chinese extremes of complete intimacy and deadly violence as they head slowly into war. What does ‘The Crimson Pagoda’ promise? ‘The Crimson Pagoda’ is a gripping and engaging historical romance by a master of the genre. Praise for Christopher Nicole: ‘Well-researched…Evocative descriptions of scenery and edifices, and exact period dialogue’ – Historical Novels Society Christopher Nicole was born and brought up in British Guyana and the West Indies. His output of books has been prolific and many of his novels are historical with a Caribbean background.

    Arbus comes startlingly to life on these pages, a strong-minded child of disconcerting originality who grew into a formidable photographer of unflinching courage. Arbus forged an intimacy with her subjects that has inspired generations of artists. Arresting, unsettling, and poignant, her photographs stick in our minds. Why did these people fascinate her? And what was it about her that captivated them?It is impossible to understand the transfixing power of Arbus’s photographs without exploring her life. Lubow draws on exclusive interviews with Arbus’s friends, lovers, and colleagues; on previously unknown letters; and on his own profound critical insights into photography to explore Arbus’s unique perspective and to reveal important aspects of her life that were previously unknown or unsubstantiated. He deftly traces Arbus’s development from a wealthy, sexually precocious free spirit into first, a successful New York fashion photographer and then, a singular artist who coaxed secrets from her subjects. Lubow reveals that Arbus’s profound need not only to see her subjects but to be seen by them drove her to forge unusually close bonds with these people, helping her discover the fantasies, pain, and heroism within each of them, and leading her to create a new kind of photographic portraiture charged with an unnerving complicity between the subject and the viewer.Diane Arbus: Portrait of a Photographer brushes aside the clichés that have long surrounded Arbus and her work. It is a magnificently absorbing biography of this unique, hugely influential artist.