Lambda Literary Award Finalist - LGBTQ AnthologyDedicated to trans women everywhere, this inspirational collection of letters written by successful trans women shares the lessons they learnt on their journeys to womanhood, celebrating their achievements and empowering the next generation to become who they truly are.Written by politicians, scientists, models, athletes, authors, actors, and activists from around the world, these letters capture the diversity of the trans experience and offer advice from make-up and dating through to fighting dysphoria and transphobia.By turns honest and heartfelt, funny and furious or beautiful and brave, these letters send a clear message of hope to their sisters: each of these women have gone through the struggles of transition and emerged the other side as accomplished, confident women; and if we made it sister, so can you!

    The first English-language book length treatment to offer a detailed analysis of how Islamic scripture, jurisprudence, and hadith can accommodate homosexuality and transgenderism.

    When he meets Alex, newly bereaved and taking his first tentative steps into living out and proud after a lifetime in the closet, Ewan reaches out to offer sympathy. As their friendship deepens, Ewan finds himself questioning both his own identity and the nature of his feelings for Alex. But is it too late for a second chance at love?

    For the first time, the complete collection of Maya Angelou's published poems-including "On the Pulse of Morning"-in a permanent collectible, handsome hardcover edition.

    To address this void, they started a blog. Now with an annual readership of nearly one million, their posts foster dialogue about activist methods, intersectionality, and sisterhood. And the writers' personal identities—as black women; as sisters, daughters, and lovers; and as television watchers, sports fans, and music lovers—are never far from the discussion at hand.These essays explore "Sex and Power in the Black Church," discuss how "Clair Huxtable is Dead," list "Five Ways Talib Kweli Can Become a Better Ally to Women in Hip Hop," and dwell on "Dating with a Doctorate (She Got a Big Ego?)." Self-described as "critical homegirls," the authors tackle life stuck between loving hip hop and ratchet culture while hating patriarchy, misogyny, and sexism.Brittney Cooper is an assistant professor at Rutgers University. In addition to a weekly column in Salon.com, her words have appeared in the New York Times, the Washington Post, Cosmo.com, and many others. In 2013 and 2014, she was named to the Root.com's Root 100, an annual list of Top Black Influencers.Susana M. Morris received her Ph.D. from Emory University and is currently an associate professor of English at Auburn University.Robin M. Boylorn is assistant professor at the University of Alabama. She is the author of the award-winning monograph Sweetwater: Black Women and Narratives of Resilience (Peter Lang, 2013).

    Compiled by her sister after the poet's death and originally published in 1956, this is the definitive edition of Millay, right up through her last poem, Mine the Harvest.

    Still smarting years after a horrible breakup, Rayanne diligently buries herself in her work. Aside from work, she has her cat. And other than her cat, she has her crushes: crushes that she prides herself on being able to resist. Unexpectedly, however, one of her crushes beings to affect her more than the others, and threatens to upset the delicate balance of her carefully controlled life. Ali is still feeling lost and numb almost a year after the death of her wife. Then one ordinary day something extraordinary happens: she is ambushed by her attraction to another woman that is both invigorating and fantastically inappropriate. Whether she's ready for it or not, it stirs up feelings Ali didn't think she was capable of having anymore. Funny, moving, and full of heart, Forward is a novel that explores the parameters of second chances and the tricky emotions of grief, fear, vulnerability, and desire.

    Depicting her experiences from coming out right through to gender reassignment surgery, Lily's story provides vital advice on the social, emotional and medical aspects of transitioning and will empower anyone questioning their gender.

    In 2010, at seventeen, Lucy Sutcliffe began an online friendship with Kaelyn, a young veterinary student from Michigan. Within months, they began a long distance relationship, finally meeting in the summer of 2011. Lucy's video montage of their first week spent together in Saint Kitts, which she posted to the couple's YouTube channel, was the first in a series of films documenting their long-distance relationship. Funny, tender and candid, the films attracted them a vast online following. Now, for the first time, Lucy's writing about the incredible personal journey she's been on; from never quite wanting the fairy-tale of Prince Charming to realising she was gay at the age of 14, through three years of self-denial to finally coming out to friends and family, to meeting her American girlfriend Kaelyn.

    Her successful accounting firm allows her plenty of time to play all the golf she wants and enjoy her life in small Sussex village Tynebury. She's finally over the divorce from her husband, but potential suitors are few and far between for a fifty-something woman in the English countryside.Tamsin Foxley is determined to keep matters of the heart separated from her new teaching job at the Royal Tynebury Golf Club after a disastrous romantic experience put an end to her previous employment. She has also vowed to no longer fall for women almost half her age.When the new season starts at the golf club, Diane and Tamsin become fast friends. Their feelings for each other quickly go in an unexpected direction and they both have to reevaluate what it is they want from life.Can Diane overcome her fear of falling for a woman? And can Tamsin accept her taste in women may have changed?Find out in this sweet romance by best-selling lesbian romance author Harper Bliss and her wife Caroline in her debut effort.

    A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation, and what it meant to be an American. From the joyful “Song of Myself” and “I Sing the Body Electric” to the elegiac “When Lilacs Last in the Dooryard Bloom’d,” Whitman’s art fuses oratory, journalism, and song in a vivid celebration of humanity. Containing all Whitman’s known poetic work, this edition reprints the final, or “deathbed,” edition of Leaves of Grass (1891–92). Earlier versions of many poems are also given, including the 1855 “Song of Myself.”Features a completely new—and fuller—introduction discussing the development of Whitman's poetic career, his influence on later American poets, and his impact on the American cultural sensibilityIncludes chronology, updated suggestions for further reading, and extensive notes

    It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them.A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this.Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains.Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.

    Early posthumously published collections-some of them featuring liberally “edited” versions of the poems-did not fully and accurately represent Dickinson’s bold experiments in prosody, her tragic vision, and the range of her intellectual and emotional explorations. Not until the 1955 publication of The Complete Poems of Emily Dickinson, a three-volume critical edition compiled by Thomas H. Johnson, were readers able for the first time to assess, understand, and appreciate the whole of Dickinson’s extraordinary poetic genius.This book, a distillation of the three-volume Complete Poems, brings together the original texts of all 1,775 poems that Emily Dickinson wrote.

      Twelve-year-old Natalia Rose Baleine Gallagher loves possibilities: the possibility that she’ll see whales on the beach near her new home, the possibility that the trans­gender boy she just met will become her new best friend, the possibility that the paparazzi hounding her celebrity father won’t force them to move again. Most of all, Nat dreams of the possibility that her faraway mother misses her, loves her, and is just waiting for Nat to find her. But how can Nat find her mother if she doesn’t even know who she is? She abandoned Nat as a baby, and Nat’s dad refuses to talk about it. Nat knows she shouldn’t need a mom, but she still feels like something is missing, and her questions lead her on a journey of self-discovery that will change her life forever.