In the crowded train car she meets happy newlyweds Patrice Hazzard, also expecting, and Hugh. They are on their way to visit Hugh’s parents, whom Patrice is meeting for the first time. After Patrice hands Helen her wedding band so she can wash her hands in the rest room, the train crashes, killing the Hazzards, but Helen survives. When she regains consciousness in the hospital, she discovers she has been mistaken for Patrice. Patrice’s wealthy in-laws send for Helen, and she decides for the sake of her son to go along with the misunderstanding. They welcome her into the fold and her “brother-in-law” Bill even shows signs of romantic interest. But when her husband tracks her down and threatens her with blackmail, her dream turns into a nightmare.

    The victim makes headlines as the Black Dahlia—and so begins the greatest manhunt in California history. Caught up in the investigation are Bucky Bleichert and Lee Blanchard: Warrants Squad cops, friends, and rivals in love with the same woman. But both are obsessed with the Dahlia—driven by dark needs to know everything about her past, to capture her killer, to possess the woman even in death. Their quest will take them on a hellish journey through the underbelly of postwar Hollywood, to the core of the dead girl's twisted life, past the extremes of their own psyches—into a region of total madness.

    And then, suddenly, it's no joke.

    Action-packed stories featuring hit men, underworld bosses, rogue cops, private dicks, and shady ladies are assembled here, written by such renegade authors as Raymond Chandler, Dashiell Hammett, Ed McBain, Jim Thompson, James Ellroy, Robert Bellum, and Ed Gorman.

    The Dutch uncle in the book is an actual Dutchman whose cocaine and untimely demise set a small swarm of crooks and cops in motion. Harry Healy is the sort-of hero, a likable, small-time criminal, just out of jail, who has a hard time making good decisions. But he's just one player in a memorably quirky cast that includes a dim ex-jock snorting his way through his inheritance; a ditzy babe whose constant nakedness is annoying everyone; a short, chunky detective who struggles with his sensitivity training; and the braces-wearing Latina colleague he might just be made for. Pavia, coauthor of The Other Hollywood, an "oral history" of the porn industry, redraws the hard-boiled boundaries of the Hard Case Crime line a bit to include this offbeat diversion in the style of Leonard, Carl Hiaasen, and Charles Willeford's Hoke Moseley books

    For Shella is nothing less than a tour of evil's spawning ground, conducted by one of its natural predators.He is called "Ghost" because he is so nondescript as to be invisible and because he slays with such reflexive ease that he might be one of the dead. Once he traveled with a woman who was called "Shella" -- because those who had treated her as a horrendously ill-used child had tried to make her come out of her shell. Now Shella has vanished in a wilderness of strip clubs and peep shows, and Ghost is looking for her, guided by a killer's instinct and the recognition that can only exist between two people who have been damaged past the point of no return. The result is Andrew Vachss's most compelling work to date, the thriller reimagined as a bleak romance of the damned.

    There's no identification on the body. Only the dogged work of a pair of local newspapermen and a graduate student in forensics turns up any clues. But that's just the beginning of the mystery. Because the more they learn about the man and the baffling circumstances of his death, the less they understand. Was it an impossible crime? Or something stranger still...? No one but Stephen King could tell this story about the darkness at the heart of the unknown and our compulsion to investigate the unexplained. With echoes of Dashiell Hammett's The Maltese Falcon and the work of Graham Greene, one of the world's great storytellers presents a surprising tale that explores the nature of mystery itself...

    For Harry Angel, a routine missing-persons case soon turns into a fiendish nightmare of voodoo and black magic, of dizzying peril and violent death. Many people feel that Falling Angel is the greatest American supernatural horror novel of the 20th century.With a new foreword by Ridley Scott, an introduction by the late James Crumley, and a new afterword by the author and a bonus short story, plus a letter from Stephen King, the first time that the letter has ever been published in its complete form.The hardcover edition is limited to just 300 copies and is signed by William Hjortsberg. Bound in cloth with a dustjacket with the original Stanislaw Zagorski wraparound dustjacket printed against a black background with spot varnish.

    Back in print by popular demand, this spectacular debut, from a writer of “infernal ingenuity” (The New York Times Book Review), includes a new Introduction by bestselling author Michael Connelly.Murder has always been easy for the Butcher’s Boy—it’s what he was raised to do. But when he kills the senior senator from Colorado and arrives in Las Vegas to pick up his fee, he learns that he has become a liability to his shadowy employers. His actions attract the attention of police specialists who watch the world of organized crime, but though everyone knows that something big is going on, only Elizabeth Waring, a bright young analyst in the Justice Department, works her way closer to the truth, and to the frightening man behind it.

    Now she’s set her eyes on a backwater burg—where, while posing as an innocent (albeit drop-dead gorgeous) newcomer to town, she means to sniff out old grudges and engineer new opportunities, deftly playing different people and different interests against each other the better, as always, to make a killing. But then something snaps: the master manipulator falls prey to a pure and wayward passion.Aimée has become the avenging angel of her own nihilism, exacting the destruction of a whole society of destroyers. An unholy original, Jean-Patrick Manchette transformed the modern detective novel into a weapon of gleeful satire and anarchic fun. In Fatale he mixes equal measures of farce, mayhem, and madness to prepare a rare literary cocktail that packs a devastating punch.

    At the job she encounters two men who take an interest in her, a handsome young schemer who makes her blood race and a wealthy but unwell older man who rewards her for her attentions with a $50,000 tip and an unconventional offer of marriage...

    They were never seen again. The father of one of the boys has hired New York private eye Joe Dunne to find the men responsible and kill them.

    When three small-time country gangsters break jail, they return, like moths to a flame, to the only life they know - smalltown bank-robbing. And when Bowie, the youngest of them, falls in love with Keechie, one of the older gangster's cousins, it becomes a classic tale of love with nowhere to hide and no hope of reprieve.First published in 1937, 'Thieves Like Us' was powerfully adapted for the screen by Nicholas Ray in 1948 as 'They Live by Night' and once again under its original title by Robert Altman in 1973.

    In order to hide, keep, and share the fortune, these ordinary men all agree to a simple plan.

    He is privileged, would seem to have the world at his feet, even. Then why does the sight of a few redneck teenagers disconcert him? Why is he reluctant to pick up a disheveled girl hitchhiking along the desert highway? And why is he the first person the police suspect when she is found dead in Arizona a few days later?Dorothy B. Hughes ranks with Raymond Chandler and Patricia Highsmith as a master of mid-century noir. In books like In a Lonely Place and Ride the Pink Horse, she exposed a seething discontent underneath the veneer of twentieth-century prosperity. With The Expendable Man, first published in 1963, Hughes upends the conventions of the wrong-man narrative to deliver a story that engages readers even as it implicates them in the greatest of all American crimes.