Bethany's Sin was a weird name, but the village was quaint and far from the noise and pollution of the city.But Bethany's Sin was too quiet. There were no sounds at all...almost as if the night had been frightened into silence.Evan began to notice that there were very few men in the village, and that most of them were crippled. And then there was the sound of galloping horses. Women on horses. Riding in the night.Soon he would learn their superhuman secret. And soon he would watch in terror as first his wife, then his daughter, entered their sinister cabal.An ancient evil rejoiced in Bethany's Sin. A horror that happened only at night...and only to men.

    His stories are powerfully charged explorations of psychical violence, their effects heightened by detailed character studies graced with a powerful poetic elegance. In simple terms Oliver Onions goes for the cerebral rather than the jugular. However, make no mistake, his ghost stories achieve the desired effect. They draw you in, enmeshing you in their unnerving and disturbing narratives.This collection contains such masterpieces as The Rosewood Door, The Ascending Dream, The Painted Face and The Beckoning Fair One, a story which both Algernon Blackwood and H. P. Lovecraft regarded as one of the most effective and subtle ghost stories in all literature. Long out of print, these classic tales are a treasure trove of nightmarish gems.

    And Sir Gifford Hillary, outspoken in his views on top-secret measures to counter the threat of Soviet aggression, is partly responsible for tempers fraying.But danger and betrayal stalk closer to home. On a warm autumn night at Longshot Hall, Sir Gifford gets the shock of his life. Horrifically and inexplicably, he witnesses his own murder...Dennis Yates Wheatley (1897—1977) was an English author whose prolific output of stylish thrillers and occult novels made him one of the world's bestselling writers from the 1930s through the 1960s. His Gregory Sallust series was one of the main inspirations for Ian Fleming's James Bond stories. Born in South London, he was the eldest of three children of an upper-middle-class family, the owners of Wheatley & Son of Mayfair, a wine business. He admitted to little aptitude for schooling, and was expelled from Dulwich College. Soon after his expulsion Wheatley became a British Merchant Navy officer cadet on the training ship HMS Worcester. During the Second World War, Wheatley was a member of the London Controlling Section, which secretly coordinated strategic military deception and cover plans. His literary talents gained him employment with planning staffs for the War Office. He wrote numerous papers for the War Office, including suggestions for dealing with a German invasion of Britain. Dennis Wheatley died on 11th November 1977. During his life he wrote over 70 books and sold over 50 million copies.

    But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.

    With every revelation of the narrator's bizarre lifestyle and unusual acquaintances, the reader is less sure of what can be believed, until the line between actuality and fantasy disappears completely. McDowell has crafted an explicit and unusual nightmarish vision of contemporary urban life that embraces the range of social and sexual maladjustment. The narrator's calm, understated recitation of the unsavory events only heightens the horror; the fine illustrations match the surrealistic mood perfectly. An offbeat, puzzling, and disturbing work that should interest even the most jaded fans of horror fiction.

    While this is his first book for adults, he has been writing ghost stories for young adult readers such as "The Machine Gunners".

    Hitler's Germany is about to employ the secret arts of evil witchcraft to destroy England. What can stop them?Ancient WeaponIt is the mission of John Graham, colonel in British Intelligence, to stop the onslaught of evil with an extraordinary strategy that defies all the rules of twentieth-century warfare: Unite the different witches' covens throughout England, drawing upon powers that reach back through dark centuries, in a ritual of awesome sacrifice on the first night of August, the magicalLammas Night

    Reza Negarestani bridges the appalling vistas of contemporary world politics and the War on Terror with the archeologies of the Middle East and the natural history of the Earth itself. CYCLONOPEDIA is a middle-eastern Odyssey, populated by archeologists, jihadis, oil smugglers, Delta Force officers, heresiarchs, corpses of ancient gods and other puppets. The journey to the Underworld begins with petroleum basins and the rotting Sun, continuing along the tentacled pipelines of oil, and at last unfolding in the desert, where monotheism meets the Earth's tarry dreams of insurrection against the Sun. 'The Middle East is a sentient entity - it is alive!' concludes renegade Iranian archeologist Dr. Hamid Parsani, before disappearing under mysterious circumstances. The disordered notes he leaves behind testify to an increasingly deranged preoccupation with oil as the 'lubricant' of historical and political narratives. A young American woman arrives in Istanbul to meet a pseudonymous online acquaintance who never arrives. Discovering a strange manuscript in her hotel room, she follows up its cryptic clues only to discover more plot-holes, and begins to wonder whether her friend was a fictional quantity all along. Meanwhile, as the War on Terror escalates, the US is dragged into an asymmetrical engagement with occultures whose principles are ancient, obscure, and saturated in oil. It is as if war itself is feeding upon the warmachines, leveling cities into the desert, seducing the aggressors into the dark heart of oil ...

    B. Marriott-WatsonA Tragic Honeymoon by G. R. SimsThe Battle of the Monsters by Morgan RobertsonThe Return by R. Murrey GilchristThe Corpse Light by Dick DonovanThe Ship That Saw a Ghost by Frank NorrisA Bottomless Grave by Ambrose BierceOne Summer Night by Ambrose BierceGhosts That Have Haunted Me by J. K. BangsHaunted by Spirits by George Mandeville FennA Ghost Slayer by J. Keightley SnowdonThe Tomb by Guy de MaupassantThe Man with the Nose by Rhoda BroughtonMy Nightmare by Dorothea GerardA Life-watch by Georgina C. ClarkThe Haunted Chair by Richard MarshCoolies by W. Carlton DaweThe Three Souls by Erckmann-ChatrianA Strange Goldfield by Guy BoothbyAn Alpine Divorce by Robert BarrThe Story of Baelbrow by E. and H. Heron

    Hell. Two great tastes that taste great together. Long before Elvis gyrated on the Sullivan Show or the Beatles toiled the smoky red-light bars of Hamburg, music has been sowing the seeds of liberation. Or damnation. With each new generation the edge of rebellion pushed farther. Rhythms quickened. Volume increased. Lyrics coarsened. The rules continued to be broken, until it seemed that there were no rules at all. And as waves of teens cranked it up and poured it on, parents built walls of accusation to explain their offspring's seeming corruption. Sex and drugs, demon worship and violence are the effects. Music is the cause. Or so the self-styled guardians of morality would have us believe. Meet The Scream. Just your average everyday mega-cult band. Their music is otherworldly. Their words are disturbing. Their message is unholy. Their fans are legion. And they're not kidding. They're killing. Themselves. Each other. Everyone. Their gospel screams from the lips of babes. Their backbeat has a body count. And their encore is just the warm-up act to madness beyond belief. It emerged from a war-torn jungle, where insanity was just another word for survival. It arrived in America with an insatiable lust for power and the means to fulfill it. In the amplified roar of arena applause there beats the heart of absolute darkness.

    Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's a tale of dark pacts, of long-buried secrets, and of a mysterious figure known as Der Fisher: the Fisherman. It will bring Abe and Dan face to face with all that they have lost, and with the price they must pay to regain it.

    First, it's a faint tap. Ignore it. If you're lucky it will go away. Daniel Haley isn't one of the lucky ones. It started as a prank to breathe life into a stale relationship. The spirit board was meant to scare Daniel's girlfriend back into his arms. Ignoring the board's danger for a cheap scare, Daniel unlocks a haunting past determined to destroy everything he has ever loved.You never know what will happen when you play with the dark stuff.

    100 UNFORTUNATE DAYS book brings a realization that the mad walk among us--and me BE us.

    P. Lovecraft, this stylish new collection of adventure stories fizzes with wit and invention. They can be enjoyed separately, but read them in one sitting and the pieces fit horribly together into a larger and more terrible nightmare. †These tales constitute David Hambling’s initial foray into the realm of Lovecraftian fiction. The fertility of imagination, the crisp character delineations, and the smooth-flowing prose that we find in these seven tales leave us wishing for more of the same, and Hambling will no doubt oblige in the coming years. For now, we can sit back and relish a brace of stories that not only evoke the shade of the dreamer from Providence, but which that dreamer himself would have enjoyed to the full. —S. T. Joshi(from his foreword)

    P. Lovecraft and Charles Dickens. A commercial success, the collection earned Ray the appellation of the “Belgian Poe” and announced a new talent, even though this first book had been but the culmination of an already lengthy writing career as a journalist and short-story writer. A year later, however, the author would be arrested on charges of embezzlement and serve two years of a six-year sentence in prison, where he would write some of his best stories.Something of a prequel to such story collections to come as Cruise of Shadows or Circles of Terror (both forthcoming from Wakefield Press), Whiskey Tales finds Ray testing different genres, but already steadfastly opposed to the psychological novel and embracing the modes of adventure and horror adopted by such contemporaries as Pierre Mac Orlan and Maurice Renard. Taking us from ship’s prow to port, from tavern to dead-end lane, these early tales are ruled by the spirits of whiskey and fog, each element blurring the borders between humor and horror, the sentimental and the sinister, and the real and the imagined.A handful of these stories first appeared in English in various issues of Weird Tales back in the 1930s, but the majority of this collection has never before been translated. This first complete English-language edition includes eleven additional contemporary stories not found in the original French edition, and will be the first in many volumes of Jean Ray’s books that Wakefield Press will be bringing out over the coming seasons.