Wilkerson compares this epic migration to the migrations of other peoples in history. She interviewed more than a thousand people, and gained access to new data and official records, to write this definitive and vividly dramatic account of how these American journeys unfolded, altering our cities, our country, and ourselves.With stunning historical detail, Wilkerson tells this story through the lives of three unique individuals: Ida Mae Gladney, who in 1937 left sharecropping and prejudice in Mississippi for Chicago, where she achieved quiet blue-collar success and, in old age, voted for Barack Obama when he ran for an Illinois Senate seat; sharp and quick-tempered George Starling, who in 1945 fled Florida for Harlem, where he endangered his job fighting for civil rights, saw his family fall, and finally found peace in God; and Robert Foster, who left Louisiana in 1953 to pursue a medical career, the personal physician to Ray Charles as part of a glitteringly successful medical career, which allowed him to purchase a grand home where he often threw exuberant parties.Wilkerson brilliantly captures their first treacherous and exhausting cross-country trips by car and train and their new lives in colonies that grew into ghettos, as well as how they changed these cities with southern food, faith, and culture and improved them with discipline, drive, and hard work. Both a riveting microcosm and a major assessment, The Warmth of Other Suns is a bold, remarkable, and riveting work, a superb account of an “unrecognized immigration” within our own land. Through the breadth of its narrative, the beauty of the writing, the depth of its research, and the fullness of the people and lives portrayed herein, this book is destined to become a classic.

    Twelve-year-old Rill Foss and her four younger siblings live a magical life aboard their family’s Mississippi River shantyboat. But when their father must rush their mother to the hospital one stormy night, Rill is left in charge—until strangers arrive in force. Wrenched from all that is familiar and thrown into a Tennessee Children’s Home Society orphanage, the Foss children are assured that they will soon be returned to their parents—but they quickly realize the dark truth. At the mercy of the facility’s cruel director, Rill fights to keep her sisters and brother together in a world of danger and uncertainty.Aiken, South Carolina, present day. Born into wealth and privilege, Avery Stafford seems to have it all: a successful career as a federal prosecutor, a handsome fiancé, and a lavish wedding on the horizon. But when Avery returns home to help her father weather a health crisis, a chance encounter leaves her with uncomfortable questions and compels her to take a journey through her family’s long-hidden history, on a path that will ultimately lead either to devastation or to redemption.Based on one of America’s most notorious real-life scandals—in which Georgia Tann, director of a Memphis-based adoption organization, kidnapped and sold poor children to wealthy families all over the country—Lisa Wingate’s riveting, wrenching, and ultimately uplifting tale reminds us how, even though the paths we take can lead to many places, the heart never forgets where we belong.

    Both the twelve-year-old and his father become fugitives, forced to run from Coos County–to Boston, to southern Vermont, to Toronto–pursued by the implacable constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.In a story spanning five decades, Last Night in Twisted River–John Irving’s twelfth novel–depicts the recent half-century in the United States as “a living replica of Coos County, where lethal hatreds were generally permitted to run their course.” From the novel’s taut opening sentence–“The young Canadian, who could not have been more than fifteen, had hesitated too long”–to its elegiac final chapter, Last Night in Twisted River is written with the historical authenticity and emotional authority of The Cider House Rules and A Prayer for Owen Meany. It is also as violent and disturbing a story as John Irving’s breakthrough bestseller, The World According to Garp.What further distinguishes Last Night in Twisted River is the author’s unmistakable voice–the inimitable voice of an accomplished storyteller. Near the end of this moving novel, John Irving writes: “We don’t always have a choice how we get to know one another. Sometimes, people fall into our lives cleanly–as if out of the sky, or as if there were a direct flight from Heaven to Earth–the same sudden way we lose people, who once seemed they would always be part of our lives.”

    Still, I never tried to hide or suppress my mind as some girls do, and thank God, because that would have been the beginning of the end.From childhood, Katherine knows she is different, and that her parents are not who they seem to be. But in becoming a mathematician, she must face the most human of problems—who is she? What is the cost of love, and what is the cost of ambition? On her quest to conquer the Riemann Hypothesis, the greatest unsolved mathematical problem of her time, she turns to a theorem with a mysterious history that holds both the lock and key to her identity, and to secrets long buried during World War II in Germany. Forced to confront some of the most consequential events of the twentieth century and rethink everything she knows of herself, she strives to take her place in the world of higher mathematics and finds kinship in the stories of the women who came before her—their love of the language of numbers connecting them across generations.In The Tenth Muse, Catherine Chung offers a gorgeous, sweeping tale about legacy, identity, and the beautiful ways the mind can make us free.

    Claude isn’t dangerous or brilliant—he’s an average kid coping with abandonment, violence, riots, failed love, and societal pressures as he steers his way past the signposts of youth: childhood friendships, basketball tryouts, first love, first heartbreak, picking a college, moving away from home.    Claude just wants a place where he can fit. As a young black man born on the South Side of Chicago, he is raised by his civil rights–era grandmother, who tries to shape him into a principled actor for change; yet when riots consume his neighborhood, he hesitates to take sides, unwilling to let race define his life. He decides to escape Chicago for another place, to go to college, to find a new identity, to leave the pressure cooker of his hometown behind. But as he discovers, he cannot; there is no safe haven for a young black man in this time and place called America.    Percolating with fierceness and originality, attuned to the ironies inherent in our twenty-first-century landscape, Everywhere You Don’t Belong marks the arrival of a brilliant young talent.

    This is the story of the girl who stole it.Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the ‘Scriptorium’, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word ‘bondmaid’ flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words.Set when the women’s suffrage movement was at its height and the Great War loomed, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. It’s a delightful, lyrical and deeply thought-provoking celebration of words, and the power of language to shape the world and our experience of it.

    Soon she finds herself drawn unwillingly into the tumultuous London art world, populated by exiled Russian oligarchs, avaricious Sheikas, desperate auctioneers and unscrupulous dealers, all scheming to get their hands on her painting - a lost eighteenth-century masterpiece called ‘The Improbability of Love’. Delving into the painting’s past, Annie will uncover not just an illustrious list of former owners, but some of the darkest secrets of European history – and in doing so she might just learn to open up to the possibility of falling in love again.

    Though skilled at bookkeeping, she cannot find a job in the miserable Irish economy. When an Irish priest from Brooklyn offers to sponsor Eilis in America--to live and work in a Brooklyn neighborhood "just like Ireland"--she decides she must go, leaving her fragile mother and her charismatic sister behind.Eilis finds work in a department store on Fulton Street, and when she least expects it, finds love. Tony, a blond Italian from a big family, slowly wins her over with patient charm. He takes Eilis to Coney Island and Ebbets Field, and home to dinner in the two-room apartment he shares with his brothers and parents. He talks of having children who are Dodgers fans. But just as Eilis begins to fall in love with Tony, devastating news from Ireland threatens the promise of her future.

    The Dukes of Hazzard is on TV and Curly Wurlys are in the shops. And trying to find a place in it all is young Leon.Leon is nine, and has a perfect baby brother called Jake. They have gone to live with Maureen, who has fuzzy red hair like a halo, a belly like Father Christmas, and mutters swearwords under her breath when she thinks can't hear. Maureen feeds and looks after them, and claims everything will be okay.But will they ever see their mother again? Who are the couple who secretly visit Joke? The adults are speaking in low voices, and wearing pretend faces. They are threatening to take Jake away and give him to strangers. Because Jake is white and Leon is not. As Leon struggles to cope with his anger, certain things can still make him smile – like Curly Wurlys, riding his bike fast downhill, burying his hands deep in the soil, hanging out with Tufty (who reminds him of his dad), and stealing enough coins so that one day he can rescue Jake and his mum.Evoking a Britain of the early eighties, My Name is Leon is a story of love, identity and learning to overcome unbearable loss. Of the fierce bond between siblings. And how – just when we least expect it – we somehow manage to find our way home.

    Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar’s life, so different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments: marriage into a “proper” family estranges him from his parents; his career is stymied; his wife and daughter turn coldly away from him; a transforming experience of new love ends under threat of scandal. Driven ever deeper within himself, Stoner rediscovers the stoic silence of his forebears and confronts an essential solitude.John Williams’s luminous and deeply moving novel is a work of quiet perfection. William Stoner emerges from it not only as an archetypal American, but as an unlikely existential hero, standing, like a figure in a painting by Edward Hopper, in stark relief against an unforgiving world.

    The Grimke’s daughter, Sarah, has known from an early age she is meant to do something large in the world, but she is hemmed in by the limits imposed on women.Kidd’s sweeping novel is set in motion on Sarah’s eleventh birthday, when she is given ownership of ten year old Handful, who is to be her handmaid. We follow their remarkable journeys over the next thirty five years, as both strive for a life of their own, dramatically shaping each other’s destinies and forming a complex relationship marked by guilt, defiance, estrangement and the uneasy ways of love.As the stories build to a riveting climax, Handful will endure loss and sorrow, finding courage and a sense of self in the process. Sarah will experience crushed hopes, betrayal, unrequited love, and ostracism before leaving Charleston to find her place alongside her fearless younger sister, Angelina, as one of the early pioneers in the abolition and women’s rights movements.Inspired by the historical figure of Sarah Grimke, Kidd goes beyond the record to flesh out the rich interior lives of all of her characters, both real and invented, including Handful’s cunning mother, Charlotte, who courts danger in her search for something better.This exquisitely written novel is a triumph of storytelling that looks with unswerving eyes at a devastating wound in American history, through women whose struggles for liberation, empowerment, and expression will leave no reader unmoved.

    Brilliantly crafted, moving, and wise, Juneteenth is the work of an American master.Tell me what happened while there's still time, demands the dying Senator Adam Sunraider to the itinerate preacher whom he calls Daddy Hickman. As a young man, Sunraider was Bliss, an orphan taken in by Hickman and raised to be a preacher like himself. Bliss's history encompasses the joys of young southern boyhood; bucolic days as a filmmaker, lovemaking in a field in the Oklahoma sun. And behind it all lies a mystery: how did this chosen child become the man who would deny everything to achieve his goals?Here is the master of American vernacular at the height of his powers, evoking the rhythms of jazz and gospel and ordinary speech.An extraordinary book, a work of staggering virtuosity. With its publication, a giant world of literature has just grown twice as tall. --Newsday

    A gentle, solitary man, he finds solace and purpose in the sweetness of the apples, apricots, and plums he grows, and in the quiet, beating heart of the land--the valley of yellow grass bordering a deep canyon that has been his home since he was nine years old. Everything he is and has known is tied to this patch of earth. It is where his widowed mother is buried, taken by illness when he was just thirteen, and where his only companion, his beloved teenaged sister Elsbeth, mysteriously disappeared. It is where the horse wranglers--native men, mostly Nez Perce--pass through each spring with their wild herds, setting up camp in the flowering meadows between the trees.One day, while in town to sell his fruit at the market, two girls, barefoot and dirty, steal some apples. Later, they appear on his homestead, cautious yet curious about the man who gave them no chase. Feral, scared, and very pregnant, Jane and her sister Della take up on Talmadage's land and indulge in his deep reservoir of compassion. Yet just as the girls begin to trust him, brutal men with guns arrive in the orchard, and the shattering tragedy that follows sets Talmadge on an irrevocable course not only to save and protect them, putting himself between the girls and the world, but to reconcile the ghosts of his own troubled past.Writing with breathtaking precision and empathy, Amanda Coplin has crafted an astonishing debut novel about a man who disrupts the lonely harmony of an ordered life when he opens his heart and lets the world in. Transcribing America as it once was before railways and roads connected its corners, she weaves a tapestry of solitary souls who come together in the wake of unspeakable cruelty and misfortune, bound by their search to discover the place they belong. At once intimate and epic, evocative and atmospheric, filled with haunting characters both vivid and true to life, and told in a distinctive narrative voice, The Orchardist marks the beginning of a stellar literary career.The National Book Foundation selected Amanda Coplin as one of the authors being honored as "5 Under 35" in 2013.

    So begins Girl, Edna O'Brien's harrowing portrayal of the young women abducted by Boko Haram. Set in the deep countryside of northeast Nigeria, this is a brutal story of incarceration, horror, and hunger; a hair-raising escape into the manifold terrors of the forest; and a descent into the labyrinthine bureaucracy and hostility awaiting a victim who returns home with a child blighted by enemy blood.

    Seth is awkward and shy. Carter is glamorous and the heir to one of America's great fortunes. They have one thing in common: an obsession with music. Seth is desperate to reach for the future. Carter is slipping back into the past. When Seth accidentally records an unknown singer in a park, Carter sends it out over the Internet, claiming it's a long lost 1920s blues recording by a musician called Charlie Shaw. When an old collector contacts them to say that their fake record and their fake bluesman are actually real, the two young white men, accompanied by Carter's troubled sister Leonie, spiral down into the heart of the nation's darkness, encountering a suppressed history of greed, envy, revenge, and exploitation. White Tears is a ghost story, a terrifying murder mystery, a timely meditation on race, and a love letter to all the forgotten geniuses of American music.