Drive that route from east to west, and you’ll cross six bridges. Take it from west to east, and you might find seven.But you’d better hope not.Titus and Melanie Bell leave their hotel in Fargo for a second honeymoon canoeing the Okefenokee Swamp. But shortly before they reach their destination, they draw up to a halt at the edge of a rickety bridge with old stone pilings, with room for only one car . . .When, much later, a tow-truck arrives, the driver finds Titus lying in the middle of the road, but Melanie is nowhere to be found.

    While there, Phoebe is drawn to a stranger, the enigmatic Nathaniel Samuels who heralds dramatic changes in the lives of all three women. When offered the position of companion to Nathaniel's reclusive wife, Phoebe leaves her life in London's East End for Dinwood Court in Herefordshire — a house that may well be haunted and which holds the darkest of truths. In a gloriously gothic debut, Essie Fox weaves a spellbinding tale of guilt and deception, regret and lost love.

    Rebecca is an unwilling visitor to Winterfold - taken from the buzz of London and her friends and what she thinks is the start of a promising romance. Ferelith already lives in Winterfold - it's a place that doesn't like to let you go, and she knows it inside out.

    This chapel, a stained glass folly set on the moors of Shropshire, was built by de Bonne sixteen years earlier to house the remains of his beloved wife and muse, Ada. Since then, the chapel has been locked and abandoned, a pilgrimage site for the rabid fans of de Bonne’s last book, The Lost History of Dreams.However, Ada’s grief-stricken niece refuses to open the glass chapel for Robert unless he agrees to her bargain: before he can lay Hugh to rest, Robert must record Isabelle’s story of Ada and Hugh’s ill-fated marriage over the course of five nights.As the mystery of Ada and Hugh’s relationship unfolds, so does the secret behind Robert’s own marriage—including that of his fragile wife, Sida, who has not been the same since the tragic accident three years ago, and the origins of his own morbid profession that has him seeing things he shouldn’t—things from beyond the grave.Kris Waldherr effortlessly spins a sweeping and atmospheric gothic mystery about love and loss that blurs the line between the past and the present, truth and fiction, and ultimately, life and death.

    Nine-year-old Alice Fenn communicates only through her music. Jonathan Fenn and his sister Judith guard a terrifying family secret. The servants refuse to discuss the mysterious disappearance of a former governess. A drawing room séance attempts to make contact with the spirit of Elizabeth Blackwood. And when a diabolic madman holds the residents of Blackwood Hall hostage to an insidious reign of terror, governess Claire Ashby finds herself in a living nightmare of drug addiction, pagan rituals, and murder. In the tradition of the great Gothic Romances, The Haunting at Blackwood Hall is a thrilling ghost story brimming with bold new twists on the beloved conventions of a bygone era: drawing room seances, rumors of witchcraft, phantom lights in the abbey ruins, mysterious piano music in the night, and plenty of inclement weather. Perfect reading for chilly autumn nights.

    The virginal Brandy, in turn, awakes in Shay's body to discover herself pregnant. What follows is a fascinating look at how two women—and their families—cope with this strange situation.

    Now grown, her search takes her to Pleasant Valley, Wisconsin, in 1908. When clues lead her to a mental asylum, Thea uses her experience as a post-mortem photographer to gain access and assist groundskeeper Simeon Coyle in photographing the patients and uncovering the secrets within. However, she never expected her personal quest would reawaken the legend of Misty Wayfair, a murdered woman who allegedly haunts the area and whose appearance portends death.A century later, Heidi Lane receives a troubling letter from her mother--who is battling dementia--compelling her to travel to Pleasant Valley for answers to her own questions of identity. When she catches sight of a ghostly woman who haunts the asylum ruins in the woods, the long-standing story of Misty Wayfair returns--and with it, Heidi's fear for her own life.As two women across time seek answers about their identities and heritage, can they overcome the threat of the mysterious curse that has them inextricably intertwined?

    Then she starts hearing voices. Cadence Archer arrives on Harvard’s campus desperate to understand why her brother, Eric, a genius who developed paranoid schizophrenia took his own life there the year before. Losing Eric has left a black hole in Cady’s life, and while her decision to follow in her brother’s footsteps threatens to break her family apart, she is haunted by questions of what she might have missed. And there’s only one place to find answers. As Cady struggles under the enormous pressure at Harvard, she investigates her brother’s final year, armed only with a blue notebook of Eric’s cryptic scribblings. She knew he had been struggling with paranoia, delusions, and illusory enemies—but what tipped him over the edge? With her suspicions mounting, Cady herself begins to hear voices, seemingly belonging to three ghosts who walked the university’s hallowed halls—or huddled in its slave quarters. Among them is a person whose name has been buried for centuries, and another whose name mankind will never forget. Does she share Eric’s illness, or is she tapping into something else? Cady doesn’t know how or why these ghosts are contacting her, but as she is drawn deeper into their worlds, she believes they’re moving her closer to the truth about Eric, even as keeping them secret isolates her further. Will listening to these voices lead her to the one voice she craves—her brother’s—or will she follow them down a path to her own destruction?

    AN ISOLATED, WINDSWEPT LAND HAUNTED BY WITCH TRIALS AND STEEPED IN THE ANCIENT SAGAS.Betrothed unexpectedly to Jón Eiríksson, Rósa is sent to join her new husband in the remote village of Stykkishólmur. Here, the villagers are wary of outsiders.But Rósa harbours her own suspicions. Her husband buried his first wife alone in the dead of night. He will not talk of it. Instead he gives her a small glass figurine. She does not know what it signifies.The villagers mistrust them both. Dark threats are whispered. There is an evil here - Rósa can feel it. Is it her husband, the villagers - or the land itself?Alone and far from home, Rósa sees the darkness coming. She fears she will be its next victim...

    After delivering the manuscript to the legendary Bran Castle in Romania, Barkeley—a Romanian orphan himself—realizes to his horror that he's become a prisoner to the son of Vlad Dracul. To earn his freedom, Barkeley must decipher cryptic messages hidden in the text of the original Dracula that reveal the burial sites of certain Dracul family members. Barkeley's only hope is to ensure that he does not exhaust his usefulness to his captor until he’s able to escape. Soon he discovers secrets about his own lineage that suggest his selection for the task was more than coincidence. In this knowledge may lie Barkeley's salvation—or his doom. For now he must choose between a coward's flight and a mortal conflict against an ancient foe. Building on actual international events surrounding the publication of Bram Stoker's original novel, Royce Prouty has written a spellbinding debut novel that ranges from 1890s Chicago, London, and Transylvania to the perilous present.

    She and her trusty pack of Tarot cards have seen the lovers and the liars, the angels and the devils, the dreamers and the fools. Now, after a lifetime of keeping other people's secrets, Madam Burova is ready to have a little piece of life for herself. But she still has one last thing to do--to fulfill a promise made in the 1970s, when she and her girlfriends were carefree, with their whole lives still before them.In London, it is time for another woman to make a fresh start. Billie has lost her university job, her marriage, and her place in the world when a sudden and unlikely discovery leaves her very identity in question. Determined to find answers, she must follow a trail...which leads to Brighton, the pier, and directly to Madame Burova's door.In a story spanning over fifty years, Ruth Hogan has conjured a magical world of 1970s holiday camps and seaside entertainers, eccentrics, heroes and villains, the lost and the found. Young people will make careless choices which echo down the years....but it's never too late to put things right.

    But soon after they buy Rawlingswood, a foreclosed mansion rumored to be haunted, they realize they’re in for more of the same…or worse.After a renovation fraught with injuries and setbacks, the Spielmans move in to the century-old house, and their problems quickly escalate. The home’s beautiful facade begins to crumble around them when their teenage son uncovers disturbing details of Rawlingswood’s history—a history of murder, betrayal, and financial ruin. The Spielmans’ own shameful secrets and lies become harder to hide as someone or something inside the house watches their every move.As tensions build between the family members, the home’s dark history threatens to repeat itself. Margot and Myron must confront their own ghosts and Rawlingswood’s buried past before the house becomes their undoing.

    Some houses are never at peace. England, 1917  Reeling from the death of her fiancé, Stella Marcham welcomes the opportunity to stay with her pregnant sister, Madeleine, at her imposing country mansion, Greyswick – but she arrives to discover a house of unease and her sister gripped by fear and suspicion.Before long, strange incidents begin to trouble Stella – sobbing in the night, little footsteps on the stairs – and as events escalate, she finds herself drawn to the tragic history of the house.Aided by a wounded war veteran, Stella sets about uncovering Greyswick’s dark and terrible secrets – secrets the dead whisper from the other side…

    Luckily, her search is aided by an enchanting cast of characters, including a seven-foot tall housemaid; a melancholic, tattoo-covered ghost; and an avuncular apothecary. But secrets abound in this foggy underworld where spectacle is king and nothing is quite what it seems.Blending darkness and light, history and folklore, Things in Jars is a spellbinding Gothic mystery that collapses the boundary between fact and fairy tale to stunning effect and explores what it means to be human in inhumane times.

    She was there to photograph the artifacts collected by a highly secretive organization, founded two centuries earlier by an alchemist. And the alchemist's descendant-her employer, Gabriel Jones-has the eyes of a sorcerer.But despite Venetia's intent to seduce Mr. Jones and move on, she is shattered upon her return home to read in the press of his violent demise. Using the sizable fee Mr. Jones paid her, Venetia establishes a new life, opening a gallery in London. Of course, posing as a respectable widow makes it easier to do business, so-in a private tribute to her lost, only lover-she assumes the identity of "Mrs. Jones."Her romantic whim, however, will cause unexpected trouble. For one thing, Mr. Jones is about to stride, living and breathing, back into Venetia's life. And the two share more than a passionate memory-indeed, they are bonded by a highly unusual sort of vision, one that goes far beyond Venetia's abilities as a photographer. They also share a terrible threat-for someone has stolen a centuries-old notebook from Arcane House that contains a formula believed to enhance psychic powers of the kind Gabriel and Venetia possess. And the thief wants to know more-even if he must kill the keeper of the Arcane Society's treasures, or the photographer who catalogued them, to obtain such knowledge.