Volume 2. Introduction / by Loren D. Estleman --The hound of the Baskervilles --The valley of fear --His last bow : The adventure of Wisteria Lodge : The singular experience of Mr. John Scott Eccles ; The tiger of San Pedro ; The adventure of the cardboard box ; The adventure of the red circle ; The adventure of the Bruce-Partington plans ; The adventure of the dying detective ; The disappearance of Lady Frances Carfax ; The adventure of the devil's foot ; His last bow --The case-book of Sherlock Holmes : The adventure of the illustrious client ; The adventure of the blanched soldier ; The adventure of the Mazarin stone ; The adventure of the three gables ; The adventure of the Sussex vampire ; The adventure of the three Garridebs ; The problem of Thor Bridge ; The adventure of the creeping man ; The adventure of the lion's mane ; The adventure of the veiled lodger ; The adventure of Shoscombe old place ; The adventure of the retired colourman.

    At once a love story, a mystery, and an investigation into the ideas of absurdist art, "Irwin's novel about English surrealism is funny and profound and hugely satisfying" (A. S. Byatt, Sunday Times)

    It asks what would have happened if Damien Hirst had never arrived? If someone else had become the most notorious and influential young British artist? And what if that someone had been more talented, more provocative, more outrageous? And far, far funnier?Early on in this bravura debut we are informed that Hirst was hit and killed by a train in 1989 (“apparently when drunk”) – and the focus of everyone’s attention falls instead on Randall. Randall – a big, lumbering ape of a man – is a genius of language as much as art, supremely able to baffle, bemuse and amuse the press, public and all around him. He makes a fortune, causes chaos, changes the art world – the whole world – and provides brilliant quips every step of the way: “There’s only two things you can do with art: make it, and buy it. Everything else – talking about it, thinking about it, selling it, looking at it – either comes under one of those two, or doesn’t count.”

    This compilation includes A Country Doctor, The Hunger Artist, In the Penal Colony, and Metamorphosis.

    The book starts during the reign of Emperor Ashoka and ends in 1947, when India gains independence.The core of The Tenth Unknown revolves around a race between different individuals to acquire a set of nine books. The books are some of the world’s best kept secrets, and it is believed that the person who gets the entire set will gain information that can lead to unlimited power and wealth.The books mentioned in this novel have been protected down the ages by a secret society of men appointed by Emperor Ashoka. They are scattered around the world and hidden, and the clues about their location are hidden in the ruins of the ancient Nalanda University.The attempts to trace the books take on a new pace when the Nazi leader Adolf Hitler manages to lay his hands on one of the books. This causes panic across the world. The British are worried at the prospect of empowering the dictator with unlimited wealth and power.The task of tracing the remaining books and ensuring their safety falls on Prithvi Rathore, who is more English than Indian. Prithvi is quite happy with his comfortable existence and his regular game of cricket. However, his grandfather, who was a member of the secret society formed to protect the books, insists that it is Prithvi’s duty to trace the remaining books and keep them safe. A reluctant Prithvi agrees to take up the task. His main opponent in this task is Joseph Heidler, a rather untypical Nazi officer who has been ordered by Adolf Hitler to get the remaining books.As the two men try to fulfill their assigned tasks, the race becomes intensely action packed. Will the good men win over the bad? Who will be able to decrypt the clues hidden amidst the broken ruins of Nalanda?

    The collection will include pre-published essays that have gone viral, like “The White Industrial Savior Complex,” first published in The Atlantic.

    All her life she kept herself pure for her faith and her future husband. Although having never had experienced love, and occasionally doubting whether she will, Safia feels herself growing impatient being single. She then sends her family to search for 'the one.' Trusting her family, she decides to say yes to the first person her family finds for her. She believes she will get married and face all her problems with her husband by her side. Is it really as simple as that?Yusuf feels a void in his heart. He tries to deny it, but he knows his mother's not proud of him. He knows she wishes he could be a little more modern like his brother. He wanted his family to find him a wife while he could focus on his deen (faith), but his idea of a wife clashes with his mother's. Seeing that his family were struggling to find him someone he likes, he decides to take matters into his own hands. But is he rushing into decisions without thinking?

    What I destroyed in that building might end up saving this sorry planet.This dumbass shrink has been trying to dissect my brain all week. He thinks the months I spent lost in the wilderness somehow turned me into a Loony Tune. Boy, is he barking up the wrong tree. No matter how many drugs they pump into my veins, they'll never make me forget what really happened.

    She wants to get out into the world, but she's held back by a lack of money, and by the fact that her parents constantly beg for her help. She needs a miracle.When Rosie discovers a strange set of bones on the moor, she realizes that her miracle might have arrived. The bones start talking to her, promising to help her achieve her dreams. Two archaeologists are searching for these bones, which belong to a long-dead warrior king whose ghostly presence prefers to stay hidden. If Rosie protects his body, this king will do anything she wants. But can Rosie stick to the terms of this deal, and what will happen if she doesn't?Rosie soon discovers that miracles come with strings attached. She thinks she's cursed to spend her entire life in the village, but the real curse might be something far worse, and far harder to escape.

    A gripping thriller from the author of the Goodfellowe Series.

    Draper's history is an intelligent and witty behind-the-scenes look at this cultural icon and its course from its hippie beginnings to a high-profile magazine. 16 pages of photographs.

    The characters in Feeding Time are as funny, annoying, sharp, deranged, loving, and infinitely various as everyone else. They deserve dignity, and they know it – which makes it all the more imperative that something is done about the appalling conditions in Green Oaks. A story about the triumph of the human spirit told with verve and originality, to simply outline the plot of Feeding Time is to miss out on the strangeness, zest, and vigor of a deeply impressive debut. It is a triumph of the spirit – and a blast of rage against the dying of the light.

    There are other ancestors, too: the writers—“most of them dead, and quite a few of them French"—who are his daily companions, supplemented by composers and theologians and scientists whose similar explorations are woven into this account with an exhilarating breadth of intellect and felicity of spirit.Deadly serious, masterfully playful, and surprisingly hilarious, Nothing to Be Frightened Of is a riveting display of how this supremely gifted writer goes about his business and a highly personal tour of the human condition and what might follow the final diagnosis.

    Realising that she and Ryan are strongly attracted to each other, he at first relishes the simple challenge of stealing her from his rival; but after the discovery that Esther possesses a reasonable sum of money, he sets in motion a plan that is ruthlessly calculated to destroy her.

    She is the one constant in their lives, the inspiration, sexually and emotionally generous, at once a muse and a whore.According to Thomas, "This novel emerged out of fascination with Russian poets and particularly Anna Akhmatova. I wanted a generic figure, a woman who preserved the truth of the word, while chaos reigned all around her. I didn't want to individualise the characters too much, so there is very little dialogue in this novel."