LaSalle recounts the brutal, poignant clash between Native American Indian tribes and white settlers in the Pacific Northwest with economy and beauty, writing clean, devastating prose that clutches at your heart. This lean, unsparing narrative will make you look away in sorrow--before raising your fist in triumph. A quintessential rendering of the American Experience."- -Richard Barager, author of Altamont Augie, Silver Medal winner 2011 Book of the Year Awards In the early days of the American Pacific Northwest, small settlements dot the wilds of streams and dense woods. Isaac Evers, a community leader and former militiaman, has established a small colony on Whidbey Island. Though the area appears calmer than in the past, the northern indigenous clans still threaten the livelihood of Isaac's growing family. While Isaac is away on expeditions, his wife Emmy tends to the many duties required of a property owner on Whidbey Island. Bold and assertive, Emmy has little time for the restraint of social mores. But as times on the island become more turbulent, her constitution and conviction are tested. Elsewhere, Haida native Anah-nawitka feels the rush of his first kill and the satisfying vengeance cast from his hand to the head of the invading white colonists. Basking in the praise from his tribemates, Anah starts down a violent path that will alter a great many lives. Meanwhile, the British and the U.S. Army are quietly grinding against each other following a boundary dispute, leaving men like Captain George Edward Pickett in a tight situation. In charge of the nearby Union fort, Pickett does his best to maintain his authority while he struggles with tragic events in his past. Weaving these story threads together into a powerful whole, Gerard LaSalle tells the story of an unforgettable American adventure.

    Yet, the battle was not at all what he expected and he soon found himself alone and stranded in Scotland. Thirteen-year-old Kannak’s problem was just as grave. Her father deserted them and the only way to survive, she decided, was to take a husband over her mother‘s objections. Suddenly she was helping a hated Viking escape. Could Kannak successfully hide a Viking in the middle of a Scottish Clan? And why was someone plotting to kill the clan's beloved laird?

    But when Meir’s talents as a novice banker catch the attention of a German prince, Meir is suddenly afforded entrée into the European world of finance and nobility, and the Rothschilds’ lives are changed forever. As proud as Gutle is of her husband’s success, she is also cautious—very much aware of the fact that her husband’s rise is tied to his patrons’ willingness to “see past” his Jewishness. As their family grows, and a dream of fortune comes true, so does their belief that money will ultimately bring the power needed to establish Jewish civil rights.Told through Gutle’s intimate journals, revealed across decades—from the French Revolution through personal tragedies and triumphs—The First Mrs. Rothschild paints a rich and intimate tapestry of family drama, world-changing history, and one woman’s steadfast strength.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Complicating these feelings of abandonment, as Kirabo comes of age she feels the emergence of a mysterious second self, a headstrong and confusing force inside her at odds with her sweet and obedient nature.Seeking answers, Kirabo begins spending afternoons with Nsuuta, a local witch, trading stories and learning not only about this force inside her, but about the woman who birthed her, who she learns is alive but not ready to meet. Nsuuta also explains that Kirabo has a streak of the “first woman”—an independent, original state that has been all but lost to women.Kirabo’s journey to reconcile her rebellious origins, alongside her desire to reconnect with her mother and to honor her family’s expectations, is rich in the folklore of Uganda and an arresting exploration of what it means to be a modern girl in a world that seems determined to silence women. Makumbi’s unforgettable novel is a sweeping testament to the true and lasting connections between history, tradition, family, friends, and the promise of a different future.

    The Nephilim's thirst for revenge rages through history as they slowly infiltrate global corporations, secret societies and international politics. The goal: is total domination. Cordy McDermott isn't your typical veterinarian - unless your veterinarian also happens to have a black belt in karate. After rescuing an Egyptian princess from being sold as a sex slave, Cordy finds herself in the crosshairs of death, tangled in a harrowing battle dating to Biblical times. Across the world, a young, brawny archeologist stumbles upon an ancient relic at the Egyptian temple of Abu Simbel after a mysterious dream. On the run, Ash and Cordy team up in a thrilling race against time to keep balance from falling in favor of an enemy bent on vengeance and absolute control.

    Tench Traymore, a free black teen, has been following his older white cousin, Lance Traymore, as his cook. The two young men grew up together and are inseparable as they fight under the command of General Pickett. But when Lance dies in battle, Tench is left alone. With a few of his cousin’s possessions — a horse called Night, his boots, and his journals—Tench travels home to Georgia. Discovering the Traymores have moved to Florida, he heads south in search of them. On this treacherous journey and encountering those who would stop him, Tench gains courage as he faces this changed world on his own.

    Using the lyrical magic realism style of classical Persian storytelling, Azar draws the reader deep into the heart of a family caught in the maelstrom of post-revolutionary chaos and brutality that sweeps across an ancient land and its people. The Enlightenment of the Greengage Tree is really an embodiment of Iranian life in constant oscillation, struggle and play between four opposing poles: life and death; politics and religion. The sorrow residing in the depths of our joy is the product of a life between these four poles.

    A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. These familiar components of the epic poem are seen with a novelist’s eye toward gender, genre, and history. Beowulf has always been a tale of entitlement and encroachment — of powerful men seeking to become more powerful and one woman seeking justice for her child — but this version brings new context to an old story. While crafting her contemporary adaptation, Headley unearthed significant shifts lost over centuries of translation; her Beowulf is one for the twenty-first century.

    Pronounced ‘cheena’: designation for female, from the Quechua. Iron: The English word for Fierro, reference to the gaucho Martín Fierro, from José Hernández’s epic poem.) This is a riotous romp taking the reader from the turbulent frontier culture of the pampas deep into indigenous territories. It charts the adventures of Mrs China Iron, Martín Fierro’s abandoned wife, in her travels across the pampas in a covered wagon with her new-found friend, soon to become lover, a Scottish woman named Liz. While Liz provides China with a sentimental education and schools her in the nefarious ways of the British Empire, their eyes are opened to the wonders of Argentina’s richly diverse flora and fauna, cultures and languages, as well as to its national struggles. After a clash with Colonel Hernández (the author who ‘stole’ Martín Fierro’s poems) and a drunken orgy with gauchos, they eventually find refuge and a peaceful future in a utopian indigenous community, the river- dwelling Iñchiñ people. Seen from an ox-drawn wagon, the narrative moves through the Argentinian landscape, charting the flora and fauna of the Pampas, Gaucho culture, Argentinian nation-building and British colonial projects. In a unique reformulation of history and literary tradition, Gabriela Cabezón Cámara, with humour and sophistication, re-writes Martín Fierro from a feminist, LGBT, postcolonial point of view. She creates a hilarious novel that is nevertheless incisive in its criticism of the way societies come into being, and the way they venerate mythical heroes.

    Young Patricio flees impoverished Spain and steps into the sultry island paradise of Havana with only the clothes on his back and half-baked dreams of a better life. Blessed with good looks and natural charm, he lands a job as a runner at El Encanto—one of the most luxurious department stores in the world.Famous for its exquisite offerings from French haute couture to Arabian silks, El Encanto indulges the senses in opulent extravagance. It caters to visiting Hollywood stars, rising politicos, and prerevolutionary Cuba’s wealthiest power players, including the notorious mobster César Valdés.Falling in love with the mobster’s young wife, Gloria, is suicide. But Patricio is irresistibly drawn to the beautiful girl with sad eyes, a razor-sharp intellect, and a penchant for both Christian Dior’s clothes and Einstein’s theories. Within the walls of El Encanto, anything seems possible, even a love that promises to heal them and a desire that thrums with the mambo beat of the city itself.In a reckless love affair that spans half a century, Patricio’s and Gloria’s lives entwine time and again, challenged by every twist of fate—for in a world of murder, betrayal, and revolution, those who dare to reach for paradise seldom survive unscathed.

    One frigid night in Pennsylvania, that changed forever. They tore her family apart. They put her in chains. They never expected her to fight back. In 1837, Margaret Morgan was kidnapped from her home in Pennsylvania and sold into slavery. The state of Pennsylvania charged her kidnapper with the crime, but the conviction was later overturned by the U.S. Supreme Court. It was the first time a major branch of the federal government had made a pro-slavery stand, and the ruling in Prigg v. Pennsylvania sewed the bitter seeds of the states' rights battle that eventually would lead to the Civil War. Yet, the heart of this story is not a historic Supreme Court ruling. It is the remarkable, unforgettable Margaret Morgan. Her life would never be the same. Her family had been torn apart. Uncaring forces abused her body and her heart. But she refused to give up, refused to stop fighting, refused to allow her soul to be enslaved.

    Picture instead a masterfully evoked Old West where you are more likely to find coyotes as the seven dwarves. Insert into this scene a plain-spoken, appealing narrator who relates the history of our heroine’s parents—a Nevada silver baron who forced the Crow people to give up one of their most beautiful daughters, Gun That Sings, in marriage to him. Although her mother’s life ended as hers began, so begins a remarkable tale: equal parts heartbreak and strength. This girl has been born into a world with no place for a half-native, half-white child. After being hidden for years, a very wicked stepmother finally gifts her with the name Snow White, referring to the pale skin she will never have. Filled with fascinating glimpses through the fabled looking glass and a close-up look at hard living in the gritty gun-slinging West, this is an utterly enchanting story…at once familiar and entirely new.

    It is also home to Odie O’Banion, a lively orphan boy whose exploits constantly earn him the superintendent’s wrath. Odie and his brother, Albert, are the only white faces among the hundreds of Native American children at the school.After committing a terrible crime, Odie and Albert are forced to flee for their lives along with their best friend, Mose, a mute young man of Sioux heritage. Out of pity, they also take with them a brokenhearted little girl named Emmy. Together, they steal away in a canoe, heading for the mighty Mississippi in search for a place to call home.Over the course of one unforgettable summer, these four orphan vagabonds journey into the unknown, crossing paths with others who are adrift, from struggling farmers and traveling faith healers to displaced families and lost souls of all kinds. With the feel of a modern classic, This Tender Land is an en­thralling, bighearted epic that shows how the magnificent American landscape connects us all, haunts our dreams, and makes us whole.

    After the violent death of her father, in which she is complicit, Margo takes to the Stark River in her boat, with only a few supplies and a biography of Annie Oakley, in search of her vanished mother. But the river, Margo's childhood paradise, is a dangerous place for a young woman traveling alone, and she must be strong to survive, using her knowledge of the natural world and her ability to look unsparingly into the hearts of those around her. Her river odyssey through rural Michigan becomes a defining journey, one that leads her beyond self-preservation and to the decision of what price she is willing to pay for her choices.