As Rumi said, "Love will find its way through all languages on its own". In 'teaching my mother how to give birth', Warsan's debut pamphlet, we witness the unearthing of a poet who finds her way through all preconceptions to strike the heart directly. Warsan Shire is a Kenyan-born Somali poet and writer who is based in London. Born in 1988, she is an artist and activist who uses her work to document narratives of journey and trauma. Warsan has read her work internationally, including recent readings in South Africa, Italy and Germany, and her poetry has been translated into Italian, Spanish and Portuguese.

    Then he started writing down his conversations. Zoom, phone, yelled heart-to-hearts from kitchen window to pavement. This book is the result. A paperback account of one man’s experience of the most peculiar moment in our recent history.

    Jeanann Verlee's award-winning debut collection is a series of narratives, prayers, and conjurings which address gender, sex, race, poverty, heartbreak, and survival with such stark intimacy, you will find yourself living inside. These poems cannot possibly be about you, yet they are. They cross boundaries and reclaim hope. They are as the opening poem suggests, nothing short of communion.

    So let her help you take a look at that decade of sagging kneecaps and college reunions and fantasies of love in the afternoon: at Maoist kids, cholesterol counts, adult-education courses and other atrocities—which somehow just don’t hurt so much when you laugh.

    Divided into two parts, “Side A” holds 92 poems, titled as “tracks,” and “Side B” holds the “remixes,” or blackout-poetry versions, of  those 92 poems. The book includes the evergreen themes of love, grief, and hope. Named after Cook’s viral Instagram poem, Sorry I Haven’t Texted You Back lands in the crossroads of self-help and poetry.

    In a world that teaches us to cling to what we love at all costs, there is an undeniable art to moving on – and it’s one that we are constantly relearning. In this series of honest and poignant essays, Heidi Priebe explores the harsh reality of what it means to let go of the people and situations we love most - often before we are ready to – and how to embrace what comes next.

    Collects the best of Anne Sexton's memoirs and prose reflections on her development as a poet

    The album sold a million copies worldwide, introduced the Flaming Lips to a mass audience, and made them one of the best-known cult bands in rock history.Staring at Sound is the tale of the Flaming Lips's fascinating career (which, in reality, began in 1983) and the many colorful personalities in their orbit, especially Wayne Coyne, their charismatic and visionary founder. Based on hundreds of hours of interviews with the band, it follows the Flaming Lips through the thriving indie-rock underground of the 1980s and the alternative-rock movement of the early '90s, during which they found fans in such rock legends as Paul McCartney, the Rolling Stones, Robert Plant, and Devo, and respected peers in such acts as the White Stripes, Radiohead, and Beck. It concludes with exclusive coverage of the creation of the group's latest album, At War with the Mystics.

    His use of it gives him yet another chance to say things never said before in prose or in verse and, as well, to bring new life to a form in which Donne talked to Death, Shelley to the West Wind, Whitman to the Earth, Pound to his Songs, O'Hara to the Sun at Fire Island.  Koch, in this new book, talks to things important in his life -- to Breath, to World War Two, to Orgasms, to the French Language, to Jewishness, to Psychoanalysis, to Sleep, to his Heart, to Friendship, to High Spirits, to his Twenties, to the Unknown. He makes of all these "new addresses" an exhilarating autobiography of a most surprising and unforeseeable kind.From the Hardcover edition.

    Over his long career, he studiously avoided joining any one school of poetry, preferring instead to freewheel from French surrealism to the avant-garde and back again—experimenting relentlessly and refusing to embrace straightforward dialectics. Whether drawing from musings on romantic love or propaganda from the Vietnam War, Knott’s quintessential poems are alive with sensory activity, abiding by the pulse and impulse of a pure, restless emotion. This provocative, playful sensibility has ensured that his poems have a rare and unmistakable immediacy, effortlessly crystalizing thought in all its moods and tenses.An essential contribution to American letters, I am Flying into Myself gathers a selection of Knott’s previous volumes of poetry, published between 1960 and 2004, as well as verse circulated online from 2005 until a few days before his death in 2014. His work—ranging from surrealistic wordplay to the anti-poem, sonnets, sestinas, and haikus—all convenes in this inventive and brilliant book, arranged by his friend the poet Thomas Lux, to showcase our American Rimbaud, one of the true poetic innovators of the last century.I Am Flying into Myself: Selected Poems, 1960-2014 celebrates one of poetry’s most determined outsiders, a vitally important American poet richly deserving of a wider audience.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    Raw is a collection of poetry written to unveil thoughts on concepts such as self-love, forgiveness, survival and cultural-identity.

    An April night in London, in 1979, is the axis of this startling work of overlapping arcs and varying approaches. By the end of the night, Ban moves into an incarnate and untethered presence, becoming all matter soot, meat, diesel oil and force as she loops the city with the energy of global weather. Derived from performances in India, England and throughout the U.S., Ban en Banlieue is written at the limit of somatic and civic aims.

    collected poems...

    From maple ice cream to Z-shaped fire escapes, these poems carry a flashlight you'll want to follow: unexpected as night swimming, entertaining as a music video in sign language.