The play tells the story of Lincoln and Booth, two brothers whose names were given to them as a joke, foretelling a lifetime of sibling rivalry and resentment. Haunted by the past, the brothers are forced to confront the shattering reality of their future.

    Acting edition.

    She begins with “how to” poems addressing everyday matters such as being hopeful, married, divorced; shearing a sheep; praying to unreliable gods; doing nothing at all; and of course, flying. Next come rafts of poems about making peace (or not) with the complicated bonds of friendship and family, and making peace (or not) with death, in the many ways it finds us. Some poems reflect on the redemptive powers of art and poetry itself; others consider where everything begins.Closing the book are poems that celebrate natural wonders—birdsong and ghost-flowers, ruthless ants, clever shellfish, coral reefs, deadly deserts, and thousand-year-old beech trees—all speaking to the daring project of belonging to an untamed world beyond ourselves.Altogether, these are poems about transcendence: finding breath and lightness in life and the everyday acts of living. It’s all terribly easy and, as the title suggests, not entirely possible. Or at least, it is never quite finished.

    A maverick English teacher at odds with the young and shrewd supply teacher. A headmaster obsessed with results; a history teacher who thinks he's a fool.In Alan Bennett's classic play, staff room rivalry and the anarchy of adolescence provoke insistent questions about history and how you teach it; about education and its purpose.The History Boys premiered at the National in May 2004.

    From the writer of the award-winning film Lantana.It interweaves a series of connected stories as seven people confront the mysteries of their past in order to understand their future, revealing how patterns of betrayal, love and abandonment are passed on. Until finally, as the desert is inundated with rain, one young man finds the courage to defy the legacy.

    . . there are many kinds of light.The light of fires. The light of stars.The light that reflects off rivers.Light that penetrates through cracks.Then there’s the type of light that reflects off the skin.—Nilo Cruz, Anna in the TropicsThis lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of Depression-era America. Set in Ybor City (Tampa) in 1930, Cruz imagines the catalytic effect the arrival of a new "lector" (who reads Tolstoy’s Anna Karenina to the workers as they toil in the cigar factory) has on a Cuban-American family. Cruz celebrates the search for identity in a new land.Reviews: "The words of Nilo Cruz waft from the stage like a scented breeze. They sparkle and prickle and swirl, enveloping those who listen in both specific place and time . . . and in timeless passions that touch us all. In Anna in the Tropics, Cruz claims his place as a storyteller of intricate craftsmanship and poetic power."—Miami Herald“Deeply engrossing.” –Robert Hurwitt, San Francisco Chronicle“Earnestly poetic…Mr. Cruz has created a work as wistful and affectingly ambitious as its characters. Anna in the Tropics reaches for the artistic heavens -- specifically, that corner of eternity occupied by the plays of Anton Chekhov, where yearning is an existential condition.” –Ben Brantley, New York TimesNilo Cruz is a young Cuban-American playwright whose work has been produced widely around the United States, including the Public Theater (New York, NY), South Coast Repertory (Costa Mesa, CA), Magic Theatre (San Francisco, CA), Oregon Shakespeare Festival, McCarter Theater (Princeton, NJ) and New Theatre (Coral Gables, FL). His other plays include Night Train to Bolina, Two Sisters and a Piano, Hortensia and the Museum of Dreams, and Anna in the Tropics (Winner of 2003 Pulitzer Prize). Mr. Cruz teaches playwriting at Yale University and lives in New York City.

    . . . A tragic and hilarious vision of life in an English country community. Butterworth’s new work was the most talked about new work of the season."—The London Paper

    A paean to live theater, and to the resilience of Bart Simpson through the ages, Mr. Burns is an animated exploration of how the pop culture of one era might evolve into the mythology of another."--Publisher's website

    And which one of him is the original. . . ?“Churchill’s harrowing bioethics fable leaves us with a number of things to chew on.” –Kris Vire, Time Out Chicago“A Number confirms Churchill’s status as the first dramatist of the 21st century. On the face of it, it is human cloning… Like all Churchill’s best plays, A Number deals with both the essentials and the extremities of human experience… The questions this brilliant, harrowing play asks are almost unanswerable, which is why they must be asked.” –Sunday Times“Caryl Churchill’s magnificent new play only last an hour but contains more drama, and more ideas, than most writers manage in a dozen full-length works.” –Daily TelegraphCaryl Churchill has written for the stage, television and radio. A renowned and prolific playwright, her plays include Cloud Nine, Top Girls, Far Away, Drunk Enough to Say I Love You?, Bliss, Love and Information, Mad Forest and A Number. In 2002, she received the Obie Lifetime Achievement Award and 2010, she was inducted into the American Theater Hall of Fame.

    Least I've got an excuse. She told me: you're nothing, you're a control. This is all just you.The Effect is a clinical romance. Two young volunteers, Tristan and Connie, agree to take part in a clinical drug trial. Succumbing to the gravitational pull of attraction and love, however, Tristan and Connie manage to throw the trial off-course, much to the frustration of the clinicians involved. This funny, moving and perhaps surprisingly human play explores questions of sanity, neurology and the limits of medicine, alongside ideas of fate, loyalty and the inevitability of physical attraction.Following on from the critical and commercial success of Enron, The Effect is the latest play from Lucy Prebble, and reunites Enron's writer and director once more delivering a vibrant theatrical exploration into the human brain via the heart. This world premiere was performed at the National Theatre's Cottesloe Theatre from November 2012-23 February 2013, starring Billie Piper and Jonjo O'Neill.The Guardian has selected The Effect as one of the highlights of 'the best theatre for autumn 2012' (2/9/12).

    After building the Buffalo Bills team that went to four consecutive Super Bowls and taking the expansion Carolina Panthers to the NFC Championship just two years after the team’s creation, he was responsible for the Indianapolis Colts drafting Peyton Manning with the first overall pick in 1998 and oversaw the team’s victory in Super Bowl XLI. Now, Polian shares his blueprint for building a successful football team in The Game Plan. He details the decisions both a team needs to make in the regular season and the offseason to bring teams to the postseason and the NFL’s ultimate test of a well-built team: the Super Bowl.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    But Mother Nature--and a beautiful Native Alaskan--stand in their way. Southeast Alaska Seaplanes, Juneau. Retired airline captain, Chief Pilot Dusty Tucker pilots a renegade band of flying misfits. Meet legendary bush pilot Jake "Crash" Whitakker, equally adept at landing planes and ladies--and "crashin' 'em" as well; prankster pilot Ralph Olaphsen, who once set an extinct volcano ablaze on April Fool's Day; and no-nonsense Check Airman Holly Innes, trying to cut a respectable niche in the notoriously macho bush pilot world--while escaping a dangerous past.Amid Alaska's volatile skies, DC and Allen face escalating challenges in and out of the cockpit. As the two cheechackos, or greenhorns, learn the ropes, they are also roped into Crash and Ralph's hare-brained scheme, Operation Dirty Harry. Under the suspicious nose of Draconian FAA Inspector Frederick Bruner, the pilots hatch a plot to hijack and rescue a planeload of orphaned bear cubs. Moreover, mischievous Tlingit Indian Tonya Hunter, as wild and unpredictable as the land in which she lives, plays the two lovestruck cheechackos against each other.But the true villain of the story is Mother Nature herself. Alaska's notoriously fickle weather and rugged terrain take on a life of its own.Can the two cheechackos survive Her relentless onslaught and launch their fledgeling airline careers?"Airline Captain, popular blogger and author Eric Auxier brings his former Alaska bush flying experience to life in his second novel, "The Last Bush Pilots." The award-winning "Code Name: Dodger" is his first.  "Eric Auxier is the next Tom Clancy of Aviation." --Tawni Waters, Author, "Beauty of the Broken;" "Siren Song;" Grand Prize Recipient, Top Travel Writers 2010  "I flew through The Last Bush Pilots in one sitting, keeping my seatbelt securely fastened. A fast-paced tale, thoroughly enjoyed."--John Wegg, Editor Airways Magazine"Eric paints pictures with words that are every bit as beautiful and moving as anything ever drawn or photographed. " --Aviationguy.com

    She’s six feet tall, self-conscious and posh. And is frequently mistaken for a man. She’s also invested her inheritance in a joke shop that she runs with her friend Stevie (Sarah Hadland) while trying to deal with her outrageously embarrassing mother (Patricia Hodge). Though surrounded by chocolate willies, Miranda is determined to suss out what it takes to be a girly girl and to not look a complete idiot every time she meets the gorgeous Gary (Tom Ellis). Miranda Hart’s Joke Shop – first broadcast on BBC Radio 2 – is written by Miranda Hart (Hyperdrive, Absolutely Fabulous, Lead Balloon), with James Carey (My Family, Think the Unthinkable) and Simon Dean (Not Going Out).2 CDs. 2 hrs.

    Based by Noel Coward upon his 1936 short play 'Still Life', the screenplay conjures up the drab, emotionally restrained world of post-war Britain better than almost any other literary text. It was nominated for an Oscar at the 1947 Academy Awards. Brief Encounter is perhaps the most moving and fully realized of all David Lean's films. This volume contains a specially commissioned introduction by Coward's biographer, Sheridan Morley.