It wasn’t Sirhan Sirhan in the Ambassador kitchen. It wasn’t a massive conspiracy or government cover-up. It was one man with one agenda. For small-time Huntington Beach bookmaker and wanna-be writer Trent Oster, it all started with a chance to collect a debt. Instead he’s offered an opportunity of a lifetime. Days later he finds himself on a sprawling southern estate in Oxford Mississippi, balancing the roles of houseguest and biographer for town legend Preston Walker—the man responsible for the most controversial murders in American history; and he’s finally ready to talk.

    The novel that set the stage for his modern classic, The Satanic Verses, Shame is Salman Rushdie’s phantasmagoric epic of an unnamed country that is “not quite Pakistan.” In this dazzling tale of an ongoing duel between the families of two men–one a celebrated wager of war, the other a debauched lover of pleasure–Rushdie brilliantly portrays a world caught between honor and humiliation–“shamelessness, shame: the roots of violence.” Shame is an astonishing story that grows more timely by the day.

    The enthralling story of Rama, the incarnation of God, who slew Ravana, the evil demon of darkness, is known to every Indian. And in the pages of history, as always, it is the version told by the victors that lives on. The voice of the vanquished remains lost in silence. But what if Ravana and his people had a different story to tell? The story of the Ravanayana has never been told. Asura is the epic tale of the vanquished Asura people, a story that has been cherished by the oppressed castes of India for 3000 years. Until now, no Asura has dared to tell the tale. But perhaps the time has come for the dead and the defeated to speak. “For thousands of years, I have been vilified and my death is celebrated year after year in every corner of India. Why? Was it because I challenged the Gods for the sake of my daughter? Was it because I freed a race from the yoke of caste-based Deva rule? You have heard the victor’s tale, the Ramayana. Now hear the Ravanayana, for I am Ravana, the Asura, and my story is the tale of the vanquished.” “I am a non-entity – invisible, powerless and negligible. No epics will ever be written about me. I have suffered both Ravana and Rama – the hero and the villain or the villain and the hero. When the stories of great men are told, my voice maybe too feeble to be heard. Yet, spare me a moment and hear my story, for I am Bhadra, the Asura, and my life is the tale of the loser.” The ancient Asura empire lay shattered into many warring petty kingdoms reeling under the heel of the Devas. In desperation, the Asuras look up to a young saviour – Ravana. Believing that a better world awaits them under Ravana, common men like Bhadra decide to follow the young leader. With a will of iron and a fiery ambition to succeed, Ravana leads his people from victory to victory and carves out a vast empire from the Devas. But even when Ravana succeeds spectacularly, the poor Asuras find that nothing much has changed from them. It is then that Ravana, by one action, changes the history of the world.

    While there, he launched The Eighth Day, a tale set in a mining town in southern Illinois about two families blasted apart by the apparent murder of one father by the other. The miraculous escape of the accused killer, John Ashley, on the eve of his execution and his flight to freedom triggers a powerful story tracing the fate of his and the victim’s wife and children.At once a murder mystery and a philosophical story, The Eighth Day is a “suspenseful and deeply moving” (New York Times) work of classic stature that has been hailed as a great American epic.

    Meet Regan and William Hamilton-Sweeney, estranged heirs to one of the city's great fortunes; Keith and Mercer, the men who, for better or worse, love them; Charlie and Samantha, two suburban teenagers seduced by downtown's punk scene; an obsessive magazine reporter, Richard, and his idealistic neighbor, Jenny, - and the detective trying to figure out what any of them have to do with a shooting in Central Park on New Year's Eve.The mystery, as it reverberates through families, friendships, and the corridors of power, will open up even the loneliest-seeming corners of the crowded city. And when the blackout of July 13, 1977, plunges this world into darkness, each of these lives with be changed forever.City on Fire is an unforgettable novel about love and betrayal and forgiveness, about art and truth and rock 'n' roll, about what people need from each other in order to live... and about what makes the living worth doing in the first place.

    In Gilgamesh, science fiction Grand Master Robert Silverberg gives us a vivid portrait of a courageous, lusty, sometimes reckless ruler of men. It is the majestic tale of a man haunted by gods, tormented by his passion for a woman who was his greatest rival, and driven by a thirst for immortality.

    A rash of mysterious disappearances, from Bolivia to Japan. An ancient warning at the ruins of Babel. And a new spiritual leader, who claims that human history as we understand it is about to come to an end.Seventeen-year-old Daniel Calder’s world falls apart when a freak accident brings personal tragedy—and he discovers there’s a link between the accident and a wildly successful new cult, the Seraphim. Catapulted into a violent struggle for humanity’s past and future, he’s not even sure who the enemy is, or if he’s battling a phantom that doesn’t exist. But as Daniel puts his life on the line, he is forced to conclude that our very survival as a species will depend on who, and what, we choose to believe.

    Maycomb, Alabama. Twenty-six-year-old Jean Louise Finch—"Scout"—returns home from New York City to visit her aging father, Atticus. Set against the backdrop of the civil rights tensions and political turmoil that were transforming the South, Jean Louise's homecoming turns bittersweet when she learns disturbing truths about her close-knit family, the town and the people dearest to her. Memories from her childhood flood back, and her values and assumptions are thrown into doubt. Featuring many of the iconic characters from To Kill a Mockingbird, Go Set a Watchman perfectly captures a young woman, and a world, in a painful yet necessary transition out of the illusions of the past—a journey that can be guided only by one's conscience. Written in the mid-1950s, Go Set a Watchman imparts a fuller, richer understanding and appreciation of Harper Lee. Here is an unforgettable novel of wisdom, humanity, passion, humor and effortless precision—a profoundly affecting work of art that is both wonderfully evocative of another era and relevant to our own times. It not only confirms the enduring brilliance of To Kill a Mockingbird, but also serves as its essential companion, adding depth, context and new meaning to an American classic.

    Musashi is a novel in the best tradition of Japanese story telling. It is a living story, subtle and imaginative, teeming with memorable characters, many of them historical. Interweaving themes of unrequited love, misguided revenge, filial piety and absolute dedication to the Way of the Samurai, it depicts vividly a world Westerners know only vaguely.

    Frank Baum has been captivating the hearts of the young, and not so young, for over a hundred years.This delightful compilation includes all fifteen books written by L. Frank Baum:The Wonderful Wizard of OzThe Marvelous Land of OzOzma of OzDorothy and the Wizard in OzThe Road to OzThe Emerald City of OzThe Patchwork Girl Of OzLittle Wizard Stories of OzTik-Tok of OzThe Scarecrow Of OzRinkitink In OzThe Lost Princess Of OzThe Tin Woodman Of OzThe Magic of OzGlinda Of OzPerhaps there is no better, or fitting, introduction one could give to this compilation than the author's note that Baum himself writes in his very first book, "The Wonderful Wizard of Oz." Here he reveals the true intention of his work. Folklore, legends, myths and fairy tales have followed childhood through the ages, for every healthy youngster has a wholesome and instinctive love for stories fantastic, marvelous and manifestly unreal. The winged fairies of Grimm and Andersen have brought more happiness to childish hearts than all other human creations. Yet the old time fairy tale, having served for generations, may now be classed as "historical" in the children's library; for the time has come for a series of newer "wonder tales" in which the stereotyped genie, dwarf and fairy are eliminated, together with all the horrible and blood-curdling incidents devised by their authors to point a fearsome moral to each tale. Modern education includes morality; therefore the modern child seeks only entertainment in its wonder tales and gladly dispenses with all disagreeable incident. Having this thought in mind, the story of "The Wonderful Wizard of Oz" was written solely to please children of today. It aspires to being a modernized fairy tale, in which the wonderment and joy are retained and the heartaches and nightmares are left out.

    But this is a changed world, and medieval Europe is dominated by the threat from the Byzantine Empire. Sforza, the Vampire Duke, marshals his forces for his long-planned attack on Florence, and Byzantium is on the march. A mercenary, the exiled heir to the Byzantine throne, a young woman physician forced to flee Florence, and a Welsh wizard, the nephew of Owain Gly Dwr, seem to have no common goals but together they wage an intrigue-filled campaign against the might of Byzantium, striving to secure the English throne for Richard, Duke of Gloucester, and make him Richard III.

    Together, this collection of nearly 500 folktales weaves a vibrant tapestry that celebrates African American life in the rural South and represents a major part of Zora Neale Hurston's literary legacy.

    As the daughter of a famous archaeologist, she’s been everywhere and seen everything—except London. When the Talbot-Martin team travels there for her father’s investiture, Linley finally gets her wish. But when the time comes to trade her jodhpurs and work boots for silk gowns and kid gloves, she may be in over her head.Even though she can out-ride, out-shoot, and outsmart any girl in London society, Linley is destined to be the failure of the season. No one she meets cares about ancient pottery or lost Buddhist texts, and fundraising efforts for future expeditions keep coming up short. If the Talbot-Martin team doesn’t find money soon, they will be out of a job, and Linley will lose everything she holds dear.Patrick Wolford, Marquess of Kyre (pronounced 'Keer'), is a man who knows his place. Well-connected and respected, he is everything everyone expects him to be, but beneath his façade, he is as neglected and crumbling as the family estate. Now the strain of keeping up appearances is taking its toll. The smart thing would be to marry the heiress nipping at his heels and be done with it, but when he meets Linley Talbot-Martin, who dares to shake up his seemingly proper world, he must choose between the life he’s always known and one he never dared to dream of.