"Everything can be fixed by writing a check." Words to live by for Robin Fortune's wealthy father, until he can't buy her way back into college after she's expelled for dealing pot. Now he chooses not to speak to her anymore, but that's just one of the out-of-whack situations Robin's facing. At nineteen, she feels rudderless, working in a diner by day and sleeping with a buddy from high school by night - all so strange for her because she was always the one with the plan. While her college friends plotted how to ensnare husbands, she plotted a novel, which she scratched out into a series of spiral-bound notebooks she hides in the closet. But now, there's nothing. No vision, no future, no point. In fact, the only thing she feels she has to look forward to is that her favorite author, Maryana Capture, is paying a visit to the local Thousand Words bookstore. Robin surmises that if she can convince Maryana to help her get her novel published, she'll finally get herself back on track. Except that life never takes a straight path in this intensely satisfying coming-of-age novel.

    When Len Deighton wrote THE IPCRESS FILE, HORSE UNDER WATER, FUNERAL IN BERLIN and BILLION-DOLLAR BRAIN he not only reinvented spy fiction, but he created a style icon and literary legend: ‘Harry Palmer’. The nameless, working-class spy of the books was given a face and identity when he was played by Michael Caine in three classic films. Since then both the books and the character have become international icons. Now it’s your chance to delve into the mysteries of the four ‘Secret Files’ as Harry Palmer investigates conspiracies, secret experiments and even a deadly virus, with all the cockiness and dry wit a reluctant spy can muster.

    Blood Wedding tells the story of a couple drawn irresistibly together in the face of an arranged marriage; Doña Rosita the Spinster follows the appalling fate of a young woman beguiled into the expectation of marriage and left stranded for a lifetime whilst Yerma is possibly Lorca's harshest play following a woman's Herculean struggle against the curse of infertility. Set in and around his home territory, Granada, the plays return again and again to the lives of passionate individuals, particularly women, trapped by the social conventions of narrow peasant communities. The plays appear here in new playable translations.

    Perfect for fans of Pedigree Mum and The Mummyfesto.It was just a squashed grape on the kitchen floor. Hardly a reason to get upset, right? But six years of motherhood has left Lisa Stratton feeling like a skivvy. Every morning before she’s opened her eyes, she starts her mental inventory of jobs to do. And just like yesterday, the day before and every day since she became a mum, she’s woken up knackered. So when her husband deliberately steps over the grape because it’s ‘her responsibility’ to run the house, it tips her over the edge. He wasn’t always like this – they used to share everything. Then the kids came along and he saw it as an excuse to sit back. But this time things are going to change. Lisa has made a decision. She’s going on strike…

    Hold tight as the ordinary turns extraordinary in Mark O’Rowe’s exhilarating new play. A blackly comic vision of Dublin infested with demons, from the author of Howie the Rookie.

    Book annotation not available for this title.

    The Globe and Mail describes THE MEMORY OF WATER as "both gloriously funny and deeply felt Indeed, THE MEMORY OF WATER is so funny that it appears at first to be pure black comedy, with the newly bereaved sisters indulging wildly in witty bickering and dope-induced dress-ups Their quarrels over the fu-neral arrangements, their well-worn family roles, their unsatisfactory men and their mixed memories of a highly feminine working-class mother are hilarious In THE MEMORY OF WATER, [Shelagh Stephenson] skillfully charts the joyous and painful territory of family relationships with insight and compassion."

    Danny was plunged into a time of bitter mourning but now he's back on his feet, with a lot of help from Kirsty's best friend, Tara. In fact, Danny has fallen for Tara in a major way. Danny's godfather Adrian Spring, who runs a racing stable, isn't at all happy about this. He can't help wondering how much Tara knows about the secrets that died with Kirsty. Secrets he'd prefer stayed secret for ever. Tara herself is uneasy: unconvinced that Kirsty's death was an accident, she fears that she might fall victim to a fatal 'accident' herself. And she's never been the paranoid type...

    The vocal score including all 14 songs to this musical by Richard Rodger's daughter Mary. Includes: Happily Ever After * In a Little While * Normandy * Sensitivity * Shy * Song of Love * Yesterday I Loved You * and more.

    It finds in the lives of Maggie, her family and her neighbours not only all the tragedy that appalling housing, massive unemployment and grinding poverty can produce, but alo a rich vein of comedy - the sense of the ridiculous, the need for a good laugh.

    

    A short critical essay which considers the significance of the title.

    Watch what happens when one Sunday seventeen-year-old Hannah disappears without a trace. See how the family rallies when a ransom note demands half a million pounds for Hannah's safe return. But it's when Hannah comes home that the story really begins. Now observe what happens to a family when they lose their house, their status, all their wealth. Note how they disintegrate under the pressures of guilt and poverty and are forced to confront their true selves. And, finally, wait to hear about Hannah, who has the most shocking surprise in store of all.

    She did not know that her children would not understand, would not forgive her. She had one moment of joy, shutting the door, leaving, followed by ten years of guilt.Then the death of the family matriarch Nan reunites Roz, now with a career, a flat and a lover, with her family. Histrionic Zoe and infuriatingly laid-back Jamie arrive on her doorstep. Suddenly Roz is a mother again. A human soup is stirred, and dark family secrets are revealed. But Roz soon realises that her children have only returned to her so that, in the proper scheme of things, they can leave her. Rather than she leaving them.