Set in 1971, Detective Sergeant Morse is confronted by two deaths along Dead Man’s Walk, which he’s sure are connected to the Oxford Martyrs of the 1550s. There are clues and red-herrings aplenty as Morse uses his detective skills to be metaphorically furlongs ahead of the field, albeit on the wrong racecourse. For Morse there is romance, an unpleasant academic with which to contend, beer in copious quantities, opera, a crossword-type clue, and even an appearance by a boy named Dexter, but above all there is a murder mystery puzzle, set against the backdrop of 1970s Oxford, which only he can solve. For those who love Oxford, the iconic Inspector Morse or even just a good old mystery, Dead Man’s Walk is a taut, entertaining tale of intrigue and delight. Antony James is a British author. A pseudonym for Antony Richards, he is the chairman of the Inspector Morse Society and was a close friend of the late Colin Dexter. He is also an actor with the Irregular Special Players, who regularly produce Sherlock Holmes-based plays.

    This collection includes thirteen lean and mean stories from the fingertips of Garnett Elliott, Glenn Gray, John Hornor Jacobs, Patricia Abbott, Thomas Pluck, Brad Green, Ron Earl Phillips, Kent Gowran, Amy Grech, Benoit Lelievre, Kieran Shea, David Cranmer, and Wayne D. Dundee and a boiled down look at hardboiled fiction in an introduction by Ron Scheer. Edited by David Cranmer and Scott D. Parker.

    Yet in this mystery anthology, renowned editor and author Otto Penzler weaves together to heart-stopping effect more than ninety tales of brutality, terror, and unexpected demise, with each story told in a swift one thousand words or less.These crimes may be fast in both form and fallout, but none lack the dark impulses that too often guide human hands to ill ends. Prepare to be transported into the diabolical schemes of criminal masterminds…into robberies and pranks gone horribly awry…into closets crammed with skeletons…into families bound not by love but wickedness.Authors include Peter Blauner, Ken Bruen, Rob W. Hart, K. A. Laity, Tasha Alexander, Patricia Abbott, Bruce DeSilva, Chuck Caruso, Gregory Gibson, Joe R. Lansdale, and many more.

    So when Byron is found dead, they’re shocked. They’re even more shocked when they learn that nothing is what they originally thought, and they’re being held accountable in the man's death.With Junior called in for questioning, Boo is determined to clear their names by finding Byron’s true killer. It’s a quest in which Boo will have to face down crooked cops, crazed guard dogs, a rival security crew, the Irish mob and—worst of all—his own ingrained prejudices.Action-packed, outrageously funny, and brutally honest, Rough Trade brings back crime fiction’s favorite bouncers and takes them well out of their comfort zone in a novel that’s whip-smart, hilarious, gritty and above all human, proving that Todd Robinson is one of the most important voices in crime fiction.

    Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city.Brand-new stories by: Tom Abrahams, Robert Boswell, Sarah Cortez, Anton DiSclafani, Stephanie Jaye Evans, Wanjiku Wa Ngugi, Adrienne Perry, Pia Pico, Reyes Ramirez, Icess Fernandez Rojas, Sehba Sarwar, Leslie Contreras Schwartz, Larry Watts, and Deborah D.E.E.P. Mouton.From the introduction by Gwendolyn Zepeda:In a 2004 essay, Hunter S. Thompson described Houston as a “cruel, crazy town on a filthy river in East Texas with no zoning laws and a culture of sex, money and violence. It’s a shabby, sprawling metropolis ruled by brazen women, crooked cops and super-rich pansexual cowboys who live by the code of the West—which can mean just about anything you need it to mean, in a pinch.” For what it’s worth, that quote is now posted on a banner somewhere downtown and regularly, gleefully repeated by our local feature writers.Houston is a port city on top of a swamp and, yes, it has no zoning laws. And that means it’s culturally diverse, internally incongruous, and ever-changing. At any intersection here, I might look out my car window and see a horse idly munching St. Augustine grass. And, within spitting distance of that horse, I might see a “spa” that’s an obvious brothel, a house turned drug den, or a swiftly rising bayou that might overtake a car if the rain doesn’t let up . . . Overall, this collection represents the very worst our city has to offer, for residents and visitors alike. But it also presents some of our best voices, veteran and emerging, to any reader lucky enough to pick up this book.

    So when the senior partner of one of the premier legal firms in Grand Rapids approaches Hardin about a job protecting his niece from her soon-to-be ex-husband for a couple of days, Hardin isn't exactly eager to take on the job. However, Hardin finds that the fee offered to too great to pass up. After a hatchet attack, a house burnt down, and a few violent encounters with some crooked cops, Hardin can hardly wait for the case to be over. But when the husband is found murdered, the niece attempts suicide, and Hardin is brought in on a trumped-up warrant for the crime, it is no longer a case that he is willing to walk away from -- even if he could.

    The tiny New Jersey town she lived in has seen a rash of suicides lately, with the unlikely coincidence that everyone who has died worked for Kemco, the chemical factory company that fuels the town’s economy.As Crane digs deeper, he encounters Boone, a local woman writing a book about the environmental destruction that has come at the hands of the local chemical giant. The two team up to unravel the conspiracies surrounding the factory—which soon makes them the next targets for those aiming to keep Kemco’s shady dealings under wraps.The pair races to expose the illegal operations poisoning the town and bring Kemco to justice—before either of them becomes the latest in the growing list of “suicides.”

    They're not criminals. They're outlaws. They have made a living by driving anything and everything for the Stanleys, the criminal family who has been employing them for decades. It's ended with Tucker. He's gone straight, much to the disappointment of his father, Webb. When Webb vanishes after a job, and with him a truck load of drugs, the Stanleys want their drugs back or their money. With the help from his grandfather, Calvin-the original lead foot-Tucker is about to learn a whole lot about the family business in a crash course that might just get him killed.Praise for RUMRUNNERS:“A killer. If you dug Bull Mountain, you’ll love it.”—Brian Panovich, author of Bull Mountain“The best word to sum up this book is ’FUN’, in capital letters.”—Stuart MacBride, author of The Missing and the Dead“Buckle up...RUMRUNNERS is a fast and furious read.”—Samuel W. Gailey, author of Deep Winter“Few contemporary writers do justice to the noir tradition the way Eric Beetner does. Others try to emulate and mimic; Beetner just takes the form and cuts his own jagged, raw and utterly readable path.”—Gar Anthony Haywood, author of Assume Nothing, Cemetery Road and the Aaron Gunner series“Rumrunners just never lets up. It's a fuel-injected, mile-a-minute thrill ride. I had a blast.”—Grant Jerkins, author of A Very Simple Crime and Done In One

    Bradwick snaps when he and James bust in on a kidnapping ring, enslaving children for pornography. He brutally executes the three kidnappers, stunning James. He sets up the scene to pass for self-defense with Ellie James cooperation. Their ruse succeeds, triggering a two cop crackdown on crime the city of Oakland’s leaders scurry to stop. Dedicated to end ‘look the other way’ crime suppression tactics, ending in destruction and death for the common people in Oakland, Bradwick and James decide it’s time to go on offense.Connor explains it this way after they rescue the kidnapped children, “The kids made me start thinking about how I want folks to look at us. I don’t care anymore to visit someone to tell them we found the people who broke into their business or house and robbed them blind. I want them to wave at us from their house or business as we go by because we prevent the gangbangers, drug dealers and thugs from terrorizing them.”The crime war takes on different meaning when they bust an MS-13 El Salvadoran gangster’s illegal alien processing center. Connor and Ellie run headlong into a corrupt politician on the gangster’s payroll, and the terrorists behind him. Soon, everyday crime fighting busts become a fond memory. (Taken from Amazon.com)

     In the search for her identification the French police pass her picture to the CID at Scotland Yard, and it is from there that an enquiry spirals into action. As the facts come in slowly but surely, Detective Chief Inspector Harry Tipper and his assistant, Charlie Markham, begin to form a picture of the dead woman and her life, and it's a very strange one at that; provoking sympathy on the one hand and revulsion on the other. When the occupation of the redhead comes to light, suddenly the case shifts to a more serious crime. As part of the enquiry, Markham spends considerable time bouncing between the people who once knew her. As the number of interviews grows, Markham finds himself getting more a more confused… leaving each interview with more questions than when he started. Surely this redhead wasn’t as complicated as she sounded? The investigation deepens, and the enquiry eventually leads to Whitehall and the highest echelons of the Diplomatic Service, causing the CID to call upon the powers of Special Branch, and even MI5, in their bid to unravel all the strands of this compelling mystery. A few things seemed to ring common amongst those who knew her: she was always broke, and she was full of surprises… But one of these people had something to hide, and Markham was determined to figure out which one... Graham Ison has produced a stunning first novel, showing the painstaking thoroughness of a murder enquiry and the logical assembly of evidence. The Cold Light of Dawn is a chillingly real tale that will absorb its readers. Graham Ison was born and brought up in Surrey where he still lives. The son of an artist, and grandson of a composer, he served in the army for five years before joining the police. After spending some time with the CID at Scotland Yard he transferred to the Diplomatic Protection Group and between 1967 and 1971 was Personal Protection Officer to Prime Ministers Harold Wilson and Edward Heath. In 1981 he moved back to Scotland Yard as Detective Chief Superintendent. He retired at this rank in 1986.

    A scorching heatwave is suffocating L.A. PI John Keegan is offered a small fortune to find a beautiful woman from a set of photographs. He refuses; the job seems suspicious.But the next day the same woman, Eve, turns up, unbidden, on his doorstep. Eve fears for her safety. She is being watched. Before Keegan knows it, someone has been killed with Keegan s own gun, and he gets sucked into a world of suspicion and betrayal where he s never quite sure where the truth lies. Before long he s the prime suspect in a murder he didn't commit, and all the evidence seems to point in his direction.It s almost like someone planned it that way.

    What seems like a good deed however has a cruel payback andin a single moment, Kamran loses everything dear to him. This is whenMirza, in gratitude, takes Kamran under his wing and the young man getsdrawn into the mafia boss’s dangerous world of cops and rival gangsters,eventually taking over from him.Kamran also inherits Mirza’s philosophy that all of life’s problems can besolved through Ghalib¹s poetry.Soon, the innocent taxi driver has cops, criminals and even cabinetministers at his beck and call.And he has a new name—Ghalib Danger.

    But is Bedelia too good to be true? A mysterious new neighbor turns out to be a detective on the trail of a “kitten with claws of steel”—a picture-perfect wife with a string of dead husbands in her wake.Caspary builds this tale to a peak of psychological suspense as her characters are trapped together by a blizzard. The true Bedelia, the woman who chose murder over a life on the street, reveals how she turns male fantasies of superiority into a deadly con.Femmes Fatales restores to print the best of women’s writing in the classic pulp genres of the mid-20th century. From mystery to hard-boiled noir to taboo lesbian romance, these rediscovered queens of pulp offer subversive perspectives on a turbulent era. Enjoy the series: Bedelia; The Blackbirder; Bunny Lake Is Missing; By Cecile; The G-String Murders; The Girls in 3-B; In a Lonely Place; Laura; Mother Finds a Body; Now, Voyager; Skyscraper; Stranger on Lesbos; Women's Barracks.

    Even though they had a thousand dollars with them, they were good boys. Everyone says, “They were good boys.”

    Although these stories are not all mysteries, they all are suspenseful and very enjoyable. They already show the creative mind that devised later so many complex plots as well as Stout’s gift for creating characters with a few quick strokes. The stories, which are presented here in order of publication, are: “Excess Baggage,” “The Infernal Feminine,” “A Professional Recall,” “Pamfret and Peace,” “A Companion of Fortune,” “A White Precipitate,” “The Mother of Invention,” “Méthode Américaine,” “A Tyrant Abdicates,” “The Pay-Yeoman,” “Secrets,” “Rose Orchid,” “An Agacella Or,” “The Inevitable Third,” “The Lie,” “Target Practice,” “If He Be Married,” “Baba,” “Jonathan Stannard's Secret Vice,” “Sanétomo,” “The Strong Man,” “It's Science That Counts,” “The Rope Dance,” “An Officer and a Lady,” “Heels of Fate,” and “Annuncio's Violin.”