Consumed with grief, her only joy comes by the light of the dying hearth fire, rereading the fairy tales her mother once told her. In her dreams, someday the fairies will steal her away, as they are said to do. When she meets the dark and dangerous fairy Sidhean, she believes that her wish may be granted.The day that Ash meets Kaisa, the King's Huntress, her heart begins to change. Instead of chasing fairies, Ash learns to hunt with Kaisa. Though their friendship is as delicate as a new bloom, it reawakens Ash's capacity for love-and her desire to live. But Sidhean has already claimed Ash for his own, and she must make a choice between fairy tale dreams and true love.Entrancing, empowering, and romantic, Ash is about the connection between life and love, and solitude and death, where transformation can come from even the deepest grief.

    But when her coming-of-age trial is sabotaged and she fails the test, her father banishes her to the monster-filled wilderness with an impossible quest: To win back her honor, she must kill the oppressive god who claims tribute from the villages each year—or die trying.

    This story takes place in the London of 1909, and is based on "Snow White and the Seven Dwarfs." Lackey creates echoes of Sir Arthur Conan Doyle, pays affectionate homage to Dorothy Sayers's Lord Peter Wimsey (who plays an important role under a thin disguise), and turns the dwarves into seven animal avatars who masquerade as pets of her Eurasian heroine, Maya. Some of Maya's challenges come from the fact that she is not "snow white," and she has fled India for her father's English homeland after the suspicious deaths of her parents. Establishing her household in London, she returns to her profession as a physician, working among the poor. Her "pets" and loyal servants stand guard, and Maya herself uses what bits of magic she managed to pick up in childhood to weave otherworldly defenses as well. But the implacable enemy who killed her parents has come to London to search for her; if Maya can be enslaved, her enormous potential powers can be used to the enemy's ends. Fortunately, English magicians of the White Lodge have also noted a new, powerful presence in their midst, though they're having trouble locating her, too. They send Peter Scott, a Water Master, to track her down. He finds Maya beautiful and benign, and is determined to teach her to use the Western magic she is heir to, before her enemy discovers her. Some will find the author's Kiplingesque descriptions of India and Hindustani culture offensive. Lackey describes Maya's enemy as a powerful devotee of the goddess Kali-Durga, though she carefully shows that the avatars of the other deities will not attack her, and has Kali-Durga repudiate her servant in the climactic confrontation. And, though the story is layered, its surface is as glossy and brightly colored as an action comic. But readers who enjoy late Victorian London, Sayers, Sherlock Holmes stories, and a page-turning tale will want to take this one home. --Nona Vero

    Morgenstern classic, The Princess Bride. But as a grown-up he discovered that the boring parts were left out of good old Dad's recitation, and only the "good parts" reached his ears.Now Goldman does Dad one better. He's reconstructed the "Good Parts Version" to delight wise kids and wide-eyed grownups everywhere.What's it about? Fencing. Fighting. True Love. Strong Hate. Harsh Revenge. A Few Giants. Lots of Bad Men. Lots of Good Men. Five or Six Beautiful Women. Beasties Monstrous and Gentle. Some Swell Escapes and Captures. Death, Lies, Truth, Miracles, and a Little Sex.In short, it's about everything.

    She’s read every book in his library, has an impressive knowledge of the world’s most sought-after relics, and has all the ambition in the world. What she doesn’t have is her father’s permission. That honor goes to her father’s nineteen-year-old protégé—and once-upon-a-time love of Theodora’s life—Huck Gallagher, while Theodora is left to sit alone in her hotel in Istanbul.Until Huck returns from an expedition without her father and enlists Theodora’s help in rescuing him. Armed with her father’s travel journal, the reluctant duo learns that her father had been digging up information on a legendary and magical ring that once belonged to Vlad the Impaler—more widely known as Dracula—and that it just might be the key to finding him.Journeying into Romania, Theodora and Huck embark on a captivating adventure through Gothic villages and dark castles in the misty Carpathian Mountains to recover the notorious ring. But they aren’t the only ones who are searching for it. A secretive and dangerous occult society with a powerful link to Vlad the Impaler himself is hunting for it, too. And they will go to any lengths—including murder—to possess it.

    Or Fate. But there's something weird about the dusty unicorn tapestry she discovers in a box of old books. She finds the creature woven within it compelling and frightening. After the tapestry comes into her possession, Tessa experiences dreams of the past and scenes from a brutal hunt that she herself participated in. When she accidentally pulls a thread from the tapestry, Tessa releases a terrible centuries old secret. She also meets William de Chaucy, an irresistible 16th-century nobleman. His fate is as inextricably tied to the tapestry as Tessa's own. Together, they must correct the wrongs of the past. But then the Fates step in, making a tangled mess of Tessa's life. Now everyone she loves will be destroyed unless Tessa does their bidding and defeats a cruel and crafty ancient enemy.From the Trade Paperback edition.

    To save her people, Sorcha makes a deal with a dangerous Fae. She must travel across the sea, through merrow and kelpie lands, to find a forgotten king on a crumbling throne. Born king of the Seelie Fae, Eamonn fought battles unnumbered to uphold honor, duty, and freedom… until his twin brother sank a blade between his shoulders. Crystals grew from the wound, splitting open skin and bone. His people banished him to a cursed isle for his disfigurement, now king of criminals and fools. With the help of brownies, pixies, and will-o’-the-wisps, Sorcha battles to break through his crystalline shell and persuade him to take back his stolen throne. This determined beauty could come dangerously close to stealing his beastly heart.

    This means that, in general, you cannot form close bonds with humans. You can speak to us, and you can always commune with the Ocean, but you are deadly to humans. You are, essentially, a weapon. A very beautiful weapon. I won't lie to you, it can be a lonely existence, but once you are done, you get to live. All you have to give, for now, is obedience and time..."The same speech has been given hundreds of times to hundreds of beautiful girls who enter the sisterhood of sirens. Kahlen has lived by these rules for years now, patiently waiting for the life she can call her own. But when Akinli, a human, enters her world, she can't bring herself to live by the rules anymore. Suddenly the life she's been waiting for doesn't seem nearly as important as the one she's living now.

    Fans of Disney, fairy tales, and fantasy will love the Faerie Tale Collection by Jenni James. A prince by day and a wolf by night—Prince Alexander has been turned into a werewolf and has one year to find someone to love the beast and break the spell, or he will be a wolf forever. He has nearly given up achieving the impossible, knowing no girl would ever fall in love with such a monster.Just when he is about to abdicate the throne to his cousin, he meets Cecelia Hammerstein-Smythe, while a wolf, and begins to hope for the first time in months. Can he balance both worlds as a human and beast, gaining the love and trust of a girl who has every reason to despise him?Cecelia detests the prince. She only knows Alexander as the arrogant monarch—the tyrant who has made her life miserable—though perhaps he's changed right before her eyes. He's not as full of himself as he once was. The prince is gentle now... but then again, so is the beast.

    Fans of dark fairy-tales like The Hazel Wood and The Cruel Prince will relish this atmospheric and absorbing book based on Guillermo del Toro’s critically acclaimed movie.Oscar winning writer-director Guillermo del Toro and New York Times bestselling author Cornelia Funke have come together to transform del Toro’s hit movie Pan’s Labyrinth into an epic and dark fantasy novel for readers of all ages, complete with haunting illustrations and enchanting short stories that flesh out the folklore of this fascinating world.This spellbinding tale takes readers to a sinister, magical, and war-torn world filled with richly drawn characters like trickster fauns, murderous soldiers, child-eating monsters, courageous rebels, and a long-lost princess hoping to be reunited with her family.A brilliant collaboration between masterful storytellers that’s not to be missed.

    Everyone who tries disappears or falls into an enchanted sleep. Thirteen-year-old Reveka, a smart, courageous herbalist’s apprentice, decides to attempt to break the curse despite the danger. Unravelling the mystery behind the curse leads Reveka to the Underworld, and to save the princesses, Reveka will have to risk her soul. Princess Curse combines magic, suspense, humor, and adventure into a story perfect for fans of Gail Carson Levine.

    Some years it was two boys taken, some years two girls, sometimes one of each. But if at first the choices seemed random, soon the pattern became clear. One was always beautiful and good, the child every parent wanted as their own. The other was homely and odd, an outcast from birth. An opposing pair, plucked from youth and spirited away.This year, best friends Sophie and Agatha are about to discover where all the lost children go: the fabled School for Good & Evil, where ordinary boys and girls are trained to be fairy tale heroes and villains. As the most beautiful girl in Gavaldon, Sophie has dreamed of being kidnapped into an enchanted world her whole life. With her pink dresses, glass slippers, and devotion to good deeds, she knows she’ll earn top marks at the School for Good and graduate a storybook princess. Meanwhile Agatha, with her shapeless black frocks, wicked pet cat, and dislike of nearly everyone, seems a natural fit for the School for Evil.But when the two girls are swept into the Endless Woods, they find their fortunes reversed—Sophie’s dumped in the School for Evil to take Uglification, Death Curses, and Henchmen Training, while Agatha finds herself in the School For Good, thrust amongst handsome princes and fair maidens for classes in Princess Etiquette and Animal Communication.. But what if the mistake is actually the first clue to discovering who Sophie and Agatha really are…?

    (Ages 12+)It's 1895, and after the suicide of her mother, 16-year-old Gemma Doyle is shipped off from the life she knows in India to Spence, a proper boarding school in England. Lonely, guilt-ridden, and prone to visions of the future that have an uncomfortable habit of coming true, Gemma's reception there is a chilly one. To make things worse, she's been followed by a mysterious young Indian man, a man sent to watch her. But why? What is her destiny? And what will her entanglement with Spence's most powerful girls—and their foray into the spiritual world—lead to?

    Not since the dark days when the royal family was murdered and the kingdom put under a terrible curse. But then Finnikin is summoned to meet Evanjalin, a young woman with an incredible claim: the heir to the throne of Lumatere, Prince Balthazar, is alive.Evanjalin is determined to return home and she is the only one who can lead them to the heir. As they journey together, Finnikin is affected by her arrogance . . . and her hope. He begins to believe he will see his childhood friend, Prince Balthazar, again. And that their cursed people will be able to enter Lumatere and be reunited with those trapped inside. He even believes he will find his imprisoned father.But Evanjalin is not what she seems. And the truth will test not only Finnikin's faith in her . . . but in himself.

    But not all legends are true, and the Wolf isn't the only danger lurking in the Wilderwood.As the only Second Daughter born in centuries, Red has one purpose-to be sacrificed to the Wolf in the Wood in the hope he'll return the world's captured gods.Red is almost relieved to go. Plagued by a dangerous power she can't control, at least she knows that in the Wilderwood, she can't hurt those she loves. Again.But the legends lie. The Wolf is a man, not a monster. Her magic is a calling, not a curse. And if she doesn't learn how to use it, the monsters the gods have become will swallow the Wilderwood-and her world-whole. The author has provided a list of content warnings here.