I shall recount thirteen and a half of them in this book but keep quiet about the rest," says the narrator of Walter Moers’s epic adventure. "What about the Minipirates? What about the Hobgoblins, the Spiderwitch, the Babbling Billows, the Troglotroll, the Mountain Maggot… Mine is a tale of mortal danger and eternal love, of hair’s breadth, last-minute escapes." Welcome to the fantastic world of Zamonia, populated by all manner of extraordinary characters. It’s a land of imaginative lunacy and supreme adventure, wicked satire and epic fantasy, all mixed together, turned on its head, and lavishly illustrated by the author.

    Meet Skulduggery PleasantAce DetectiveSnappy DresserRazor–tongued WitCrackerjack SorcererandWalking, Talking, Fire-throwing Skeleton—as well as ally, protector, and mentor of Stephanie Edgley, a very unusual and darkly talented twelve-year-old.These two alone must defeat an all-consuming ancient evil.The end of the world?Over his dead body.

    Gorey tells the tale of 26 children (each representing a letter of the alphabet) and their untimely deaths in rhyming dactylic couplets, accompanied by the author's distinctive black and white illustrations. It is one of Edward Gorey's best-known books, and is the most notorious amongst his roughly half-dozen mock alphabets.[2] It has been described as a "sarcastic rebellion against a view of childhood that is sunny, idyllic, and instructive". The morbid humor of the book comes in part from the mundane ways in which children die, such as falling down the stairs or choking on a peach. Far from illustrating the dramatic and fantastical childhood nightmares, these scenarios instead poke fun at the banal paranoias that come as a part of parenting.

    They stand out as one of the pinnacles in the critically neglected but perennially popular tradition of weird writing that includes E.T.A. Hoffmann and Charles Dickens as well as more recent masters like Jorge Luis Borges and Roald Dahl. With a cast of characters that ranges from man-eating flora to disgruntled devils and suburban salarymen (not that it's always easy to tell one from another), Collier's dazzling stories explore the implacable logic of lunacy, revealing a surreal landscape whose unstable surface is depth-charged with surprise.

    One ordinary sort of morning they receive a correspondence informing them that a gentleman is on his way to visit, a Mr Webster. Visitors to Larklight are rare if not unique, and a frenzy of preparation ensues. But it is entirely the wrong sort of preparation, as they discover when their guest arrives, and a Dreadful and Terrifying (and Marvellous) adventure begins. It takes them to the furthest reaches of Known Space, where they must battle the evil First Ones in a desperate attempt to save each other - and the Universe. Recounted through the eyes of Art himself, Larklight is sumptuously designed and illustrated throughout.

    Now for the first time in English, all of Borges' dazzling fictions are gathered into a single volume, brilliantly translated by Andrew Hurley. From his 1935 debut with The Universal History of Iniquity, through his immensely influential collections Ficciones and The Aleph, these enigmatic, elaborate, imaginative inventions display Borges' talent for turning fiction on its head by playing with form and genre and toying with language. Together these incomparable works comprise the perfect one-volume compendium for all those who have long loved Borges, and a superb introduction to the master's work for those who have yet to discover this singular genius.

    But as the stories unfold, a newer and more surprising narrative emerges, one that is perhaps the most frightening of all.

    A man is booted out of his home after his wife discovers that the print of a bare foot on the inside of his windshield doesn’t match her own. Teenage cousins, drugged by summer, meet with a reckoning in the woods. A boy runs off to the carnival after his stepfather bites him in a brawl.In the stories of Wells Tower, families fall apart and messily try to reassemble themselves. His version of America is touched with the seamy splendor of the dropout, the misfit: failed inventors, boozy dreamers, hapless fathers, wayward sons. Combining electric prose with savage wit, Everything Ravaged, Everything Burned is a major debut, announcing a voice we have not heard before.

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel

    Theodore Bartholomew is petrified of dying. Lulu Punchalower is scared of confined spaces. Garrison Feldman is terrified of deep water. With very few options left, the parents of these four twelve year-olds send them to the highly elusive and exclusive School of Fear to help them overcome their phobias. But when their peculiar teacher, Mrs. Wellington, and her unconventional teaching methods turn out to be more frightening than even their fears, the foursome realize that this just may be the scariest summer of their lives.

    All feature princesses touched with or by magic. There is Linadel, who lives in a kingdom next to Faerieland, where princesses are stolen away on their seventeenth birthdays-and Linadel's seventeenth birthday is tomorrow. And Korah, whose brother is bewitched by the magical Golden Hind; now it is up to her to break the spell. Rana must turn to a talking frog to help save her kingdom from the evil Aliyander. And then there are the twelve princesses, enspelled to dance through the soles of their shoes every night. . . . These are tales to read with delight!

    Whether he's dropping into the lives of two teachers―and their love lost and found―in "Nine Inches", documenting the unraveling of a dad at a Little League game in "The Smile on Happy Chang's Face", or gently marking the points of connection between an old woman and a benched high school football player in "Senior Season", Perrotta writes with a sure sense of his characters and their secret longings.Nine Inches contains an elegant collection of short fiction: stories that are as assured in their depictions of characters young and old, established and unsure, as any written today.

    Normal, respectable, and proud of it, they turn up their noses at anyone strange or different. But from the moment Barnaby Brocket comes into the world, it's clear he's anything but ordinary. To his parents’ horror, Barnaby defies the laws of gravity - and floats.Desperate to please his parents, Barnaby does his best to keep both feet on the ground – but he just can't do it. One fateful day, the Brockets decide enough is enough. They never asked for a weird, abnormal, floating child. Barnaby has to go . . .Betrayed, frightened and alone, Barnaby floats into the path of a very special hot air balloon – and so begins a magical journey around the world, with a cast of extraordinary new friends.

    His familiar reminded him of this several times a day.He only knew three spells, and one of them was to control his allergy to armadillo dander. His attempts to summon elementals resulted in nosebleeds, and there is nothing more embarrassing than having your elemental leave the circle to get you a tissue, pat you comfortingly, and then disappear in a puff of magic. The armadillo had about wet himself laughing.He was a very minor mage.Unfortunately, he was all they had.

    But if he's got any chance of finding one, he will have to travel into the forbidden Badwoods.Xar doesn't realise he is about to capture an entirely different kind of enemy. A Warrior girl called Wish.And inside this book, at this very moment, two worlds collide and the fate of the land is changed forever.Xar and Wish must visit the dungeons at Warrior fort, and face the evil Queen.But something that has been sleeping for hundreds of years is stirring ...