Southwest. Humble ex-votos, retablos are usually painted on repurposed metal, and in one small tableau they tell the story of a crisis, and offer thanks for its successful resolution.In this uniquely framed memoir, playwright Octavio Solis channels his youth in El Paso, Texas. Like traditional retablos, the rituals of childhood and rites of passage are remembered as singular, dramatic events, self-contained episodes with life-changing reverberations.Living in a home just a mile from the Rio Grande, Octavio is a skinny brown kid on the border, growing up among those who live there, and those passing through on their way North. From the first terrible self-awareness of racism to inspired afternoons playing air trumpet with Herb Alpert, from an innocent game of hide-and-seek to the discovery of a Mexican girl hiding in the cotton fields, Solis reflects on the moments of trauma and transformation that shaped him into a man.Praise for Octavio Solis's Retablos "Unpretentiously and with an unerring accuracy of tone and rhythm, Solis slowly builds what amounts to a storybook cathedral. We inhabit a border world rich in characters, lush with details, playful and poignant, a border that refutes the stereotypes and divisions smaller minds create. Solis reminds us that sometimes the most profound truths are best told with crafted fictions--and he is a master at it."--Julia Alvarez is the author of How the Garc�a Girls Lost Their Accents, /p>"The murky flow of the Rio Grande River, the border patrol we call la migra, demons, a petty crime of stolen candy, street urchins, family squabbles, eccentric neighbors, and bike rides in which dust envelops a skinny kid named Octavio Solis. When he stops peddling years later, he'll spank the dust from his clothes, but not all of it. Some of it clings to his very soul, and will cling to us, the reader, in this tender and perceptive memoir. This is American and Mexican literature a stone's throw from the always hustling El Paso border."--Gary Soto, author of The Elements of San Joaquin "Octavio Solis isn't a painter, but he ought to be. He's not a poet, but he could be. His isn't fiction or memoir but, like dreams, might be either. His vision of El Paso and the border is as though through an undulating haze of desert heat."--Dagoberto Gilb, author of Before the End, After the Beginning: Stories"Solis has written beautifully about his youth on the border, never flinching from his childish blunders, nor failing to find soul in the frailties of others. These stories soar and shimmer with poetry and a playwright's gift for dramatic compression, comedy and pathos running through them arm in arm. Retablos is deeply moving, and a joy."--Elizabeth McKenzie, author of The Portable Veblen: A Novel "To enter into this book is like walking into a shrine, walls lined with beautiful paintings, each one colorful and visceral, depicting memories, life on the border, death and sadness and joy. This is one of the most memorable books written about the borderlands in years"--Daniel Chac�n, author of Hotel Ju�rez: Stories, Rooms and Loops"The short-short format is often called flash fiction these days, but Octavio Solis' stories are more like slow fiction: a moment unfolds, revealing a life, a way of life, generations. He explores the borderlands, not just the streets of El Paso where he grew up, just across the Rio Grande from Mexico, but also those liminal zones between fiction and nonfiction, childhood and adulthood, and magic and melancholy. Small but mighty, these stories will stay with you long after the moment has passed."--Frances Lefkowitz, author of To Have Not: A Memoir"A retablo is a devotional painting, playwright Octavio Solis tells us. In this poignantly written, heart-warming coming-of-age memoir, Solis pays tribute to those cornerstone moments in his life, negotiating borders at once personal and cultural, with such color that the reader is left spellbound. Astonishing, what more can I say?"--Greg Sarris, author of How a Mountain was Made: Stories

    Fannie’s New Orleans house is like no place Ibby has ever been—and Fannie, who has a tendency to end up in the local asylum—is like no one she has ever met. Fortunately, Fannie’s black cook, Queenie, and her smart-mouthed daughter, Dollbaby, take it upon themselves to initiate Ibby into the ways of the South, both its grand traditions and its darkest secrets. For Fannie’s own family history is fraught with tragedy, hidden behind the closed rooms in her ornate Uptown mansion. It will take Ibby’s arrival to begin to unlock the mysteries there. And it will take Queenie and Dollbaby’s hard-won wisdom to show Ibby that family can sometimes be found in the least expected places. For fans of Saving CeeCee Honeycutt and The Help, Dollbaby brings to life the charm and unrest of 1960s New Orleans through the eyes of a young girl learning to understand race for the first time. By turns uplifting and funny, poignant and full of verve, Dollbaby is a novel readers will take to their hearts.A Top Ten Finalist for Best Historical Novel, Goodreads Choice Awards, and a LibraryReads and Okra PickA big-hearted coming-of-age debut set in civil rights-era New Orleans—a novel of Southern eccentricity and secrets

    Eighty-nine-year-old Isabelle McAllister has a favor to ask her hairdresser Dorrie Curtis. It's a big one. Isabelle wants Dorrie, a black single mom in her thirties, to drop everything to drive her from her home in Arlington, Texas, to a funeral in Cincinnati. With no clear explanation why. Tomorrow. Dorrie, fleeing problems of her own and curious whether she can unlock the secrets of Isabelle's guarded past, scarcely hesitates before agreeing, not knowing it will be a journey that changes both their lives. Over the years, Dorrie and Isabelle have developed more than just a business relationship. They are friends. But Dorrie, fretting over the new man in her life and her teenage son's irresponsible choices, still wonders why Isabelle chose her. Isabelle confesses that, as a willful teen in 1930s Kentucky, she fell deeply in love with Robert Prewitt, a would-be doctor and the black son of her family's housekeeper - in a town where blacks weren't allowed after dark. The tale of their forbidden relationship and its tragic consequences makes it clear Dorrie and Isabelle are headed for a gathering of the utmost importance and that the history of Isabelle's first and greatest love just might help Dorrie find her own way.

    As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began with a fire in an antiquarian bookstore.A distinguished Shakespearean scholar found tortured to death . . . A lost manuscript and its secrets buried for centuries . . . An encrypted map that leads to incalculable wealth . . . The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet. Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives? These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one—not family, not friends, not lovers—is to be trusted. Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery . . . or self-destruction.

    From the moment they met in college, best friends Adele Brannon and Kamryn Matika thought nothing could come between them—until Adele did the unthinkable and slept with Kamryn’s fiancé, Nate. Now, after years of silence, the two women are reuniting, and Adele has a stunning request for her old friend: she wants Kamryn to adopt her five-year-old daughter, Tegan.Besides the difference in skin color—many will assume that headstrong, impulsive Kamryn is Tegan’s nanny—there’s the inconvenient truth that Kamryn is wholly unprepared to take care of anyone, especially someone who reminds her so much of Nate. With crises brewing at work and her love life in shambles, can Kamryn somehow become the mother a little girl needs her to be? In My Best Friend’s Girl, Dorothy Koomson takes us on a warm and wondrous journey through laughter and tears, forgiveness and hope—and the enduring love forged by the unlikeliest of families.

    She now leads a solitary life teaching piano, and she has a star student: Graciela, the daughter of her mother’s Mexican housekeeper. Camille has been grooming the young Graciela for the career that she herself lost out on, and now Graciela, newly turned eighteen, has just won the grand prize in a piano competition, which means she gets to perform with the LA Philharmonic. Camille is ecstatic; if she can’t play herself, at least as Graciela’s teacher, she will finally get the recognition she deserves.But there are only two weeks left before the concert, and Graciela has disappeared—gone back to her family’s village in the mountains of Oaxaca, Mexico. Desperate to bring Graciela back in time for the concert, Camille goes after her, but on the way there, a bus accident leaves her without any of her possessions. Alone and unable to speak the language, Camille is befriended by Alejandro, a Zapotec man who lives in LA but is from the same village as Graciela. Despite a contentious first meeting, Alejandro helps Camille navigate the rugged terrain and unfamiliar culture of Oaxaca, allowing her the opportunity to view the world in a different light—and perhaps find love in the process.

    As an expert in her field, she must trace the history of each painting and discover who has concealed them for so long.Thrown in amongst the glamorous Vermeil family as they move between Paris and Antibes, Flora begins to discover that things aren't all that they seem, while back at home her own family is recoiling from a seismic shock. The terse and brooding Xavier Vermeil seems intent on forcing Flora out of his family's affairs - but just what is he hiding?

    Beautiful. Damned.Sumptuously evoking the Golden Age of Hollywood, a time when money is built on greed and love can be a trick of the light, Daisy Waugh’s stunning new novel is a compelling portrait of love, fame, and survival.It is the blistering summer of 1929 and Hollywood’s glamorous set appear to have it all. Everybody everywhere is living the Hollywood dream, including the elegant and charming, high-society couple, actor and actress Maximilian and Eleanor Beecham. But beneath the sophistication and glamour their insecure and unhappy marriage is on the brink of divorce and their finances are teetering on a knife’s edge after a series of failed films.When the creditors come in to take possession of the house, it seems all is lost and they have nowhere to turn but into the arms of their waiting lovers.But when they receive an invitation to one of the legendary weekend house parties at Hearst Castle – which they know will be filled every Hollywood big-shot around – they cannot resist one last shot of making it in the film industry. With gossip, glamour, scandal and decadence the party is the epitome of the Golden Era, but for Maximilian and Eleanor the time has come to make a decision that will change their future.Will they sacrifice everything for fame and fortune or can Eleanor and Maximilian learn to love each other again?

    It would be easy to dismiss Evelyn as a muddled old woman, but her lipstick is applied perfectly, and her buttons done up correctly. Because Evelyn is a woman with secrets and Evelyn remembers everything. She can never forget the promise she made to the love of her life, to discover the truth about the mission that led to his death, no matter what it cost her… When Evelyn’s niece Pat opens an old biscuit tin to find a photo of a small girl with a red ball entitled ‘Liese, 1951’ and a passport in another name, she has some questions for her aunt. And Evelyn is transported back to a place in Germany known as ‘The Forbidden Village,’ where a woman who called herself Eva went where no one else dared, amongst shivering prisoners, to find the man who gambled with her husband’s life… A gripping, haunting and compelling read about love, courage and betrayal set in the war-battered landscape of Germany. Fans of The Letter, The Alice Network and The Nightingale will be hooked. Readers are hooked on My Name is Eva: ‘Could not put this book down, and heaven help anyone that tried to disturb my reading !!…I absolutely loved this book !…I laughed, I cried, I cheered , I sympathized all because of Evelyn…I could so picture the setting and as Evelyn sets out to fool everyone, I thought you go girl !!...I don't want to say anything else but what a fantastic read…My first, not my last book by Suzanne Goldring. I can't recommend this book enough !!’ Goodreads Reviewer, 5 stars ‘A phenomenal story of courage, love, murder and all the atrocities that go with war.Eva is an extraordinary character, strong, loyal, smart, funny, loving, and brave.A phenomenal read!!’ Goodreads Reviewer, 5 stars ‘This may be my new favorite book!!!! I absolutely love the premise of the heroine faking dementia in her retirement home to cover up her knowledge of questionable activities centering around WWII events. The tempo of this novel was perfect--kept me wondering until the very last page!’ Goodreads Reviewer, 5 stars ‘Absolutely loved this book and its riveting plot!... The author has successfully penned a debut novel that I would highly recommend without any hesitation. An excellent debut novel from Suzanne Goldring and I look forward to reading more of her work. Historical fiction is my favourite genre to read and this book was every bit as good as some of the well-known WW2-themed titles published in recent years.’ Goodreads Reviewer, 5 stars ‘A poignant and evocative story of love, betrayal and bravery that kept me page turning and completely engrossed from start to finish. Loved it and would definitely recommend.’ NetGalley Reviewer, 5 stars ‘This book was excellent! Totally kept my attention and I wanted to find out what would become of the main characters. Highly recommended.

    Since the death of his wife, Betsy, twelve years earlier, Harper has narrowed his world to working at the local railroad and raising his daughter, Shelly, the best way he knows how. Still wracked with sorrow over the loss of his life-long love and plagued by his role in a brutal, long-ago crime, he wants only to make amends for his past mistakes.Then one fall day, a train derails in Two Rivers, and amid the wreckage Harper finds an unexpected chance at atonement. One of the survivors, a pregnant fifteen-year-old girl with mismatched eyes and skin the color of blackberries, needs a place to stay. Though filled with misgivings, Harper offers to take Maggie in. But it isn't long before he begins to suspect that Maggie's appearance in Two Rivers is not the simple case of happenstance it first appeared to be.

    The same night she quits her thankless job she meets Caleb, a local photographer in her seaside town, and has a run-in with Max—the once love of her life. As Lucy decides the right path forward—finally pursue her dream of becoming a writer, or move to London and revive her career—her choice will change her life in unimaginable ways. Stay. After a decade of trying to run from her dream, Lucy is finally facing her fears and putting pen to page. With her budding romance with handsome, artistic Caleb, she has more inspiration now than ever. But can Lucy and Caleb open themselves up after their past heartbreaks? And will their different paths take them to the same place? Go. Lucy can’t believe her luck when a room in her best friend’s London house share opens up and she lands a job at the prestigious Supernova. It gives her the courage to face Max, who’s serendipitous encounter still has her reeling, and ask what really happened almost a decade ago? But does she really want to know, when being together feels like fate? In concurrent storylines that track what would have happened if Lucy chose to Stay or Go, What Might Have Been is a sweeping story that poses the questions: is it destiny or chance that decides who we are meant to be, and who we are meant to love? And is there such a thing as a soul mate?

    Lonnie’s inexplicable feelings of culpability drive him in a search for meaning that takes him around the world, and ultimately back to Georgia, where he must confront Jacks and his own demons, with the hopes that doing so will free him from the grip of the past.In The Vain Conversation, Anthony Grooms seeks to advance the national dialogue on race relations. With complexity, satire, and sometimes levity, he explores what it means to redeem, as well as to be redeemed, on the issues of America’s race violence and speaks to the broader issues of oppression and violence everywhere.

    The friends become closer as they wait for the Lord to return to their very own Garden of Eden, and Dilys feels she has found the right path at last.But Dilys is wary of their leader's zealotry and suspicious of those who would seem to influence her for their own ends. As her feelings for Grace bud and bloom, the Society around her begins to crumble. Faith is supplanted by doubt as both women come to question what is true and fear what is real.

    Her novels evoke both the clearly delineated hierarchies of colonial Jamaica and the subtleties of present-day island life. Nowhere is her power felt more than in Clare Savage, her Jamaican heroine, who appeared, already grown, in No Telephone to Heaven. Abeng is a kind of prequel to that highly-acclaimed novel and is a small masterpiece in its own right. Here Clare is twelve years old, the light-skinned daughter of a middle-class family, growing up among the complex contradictions of class versus color, blood versus history, harsh reality versus delusion, in a colonized country. In language that surrounds us with a richness of meaning and voices, the several strands of young Clare's heritage are explored: the Maroons, who used the conch shell—the abeng—to pass messages as they fought a guerilla struggle against their English enslavers; and the legacy of Clare's white great-great-grandfather, Judge Savage, who burned his hundred slaves on the eve of their emancipation. A lyrical, explosive coming-of-age story combined with a provocative retelling of the colonial history of Jamaica, this novel is a triumph.

    Not far from Luella and Effie Tildon’s large family mansion in Inwood looms the House of Mercy, a work house for wayward girls. The sisters grow up under its shadow with the understanding that even as wealthy young women, their freedoms come with limits. But when the sisters accidentally discover a shocking secret about their father, Luella, the brazen older sister, becomes emboldened to do as she pleases.But her rebellion comes with consequences, and one morning Luella is mysteriously gone. Effie suspects her father has made good on his threat to send Luella to the House of Mercy and hatches a plan to get herself committed to save her sister. But she made a miscalculation, and with no one to believe her story, Effie’s escape from the House of Mercy seems impossible—unless she can trust an enigmatic girl named Mable. As their fates entwine, Mable and Effie must rely on each other and their tenuous friendship to survive.The Home for Unwanted Girls meets The Dollhouse in this atmospheric, heartwarming story that explores not only the historical House of Mercy, but the lives—and secrets—of the girls who stayed there.